She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides.But when Miriam hitches a ride with Louis Darling and shakes his hand, she sees that in thirty days Louis will be murdered while he calls her name. Louis will die because he met her, and she will be the next victim.No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try.

    This chilling account of postpartum depression and a husband's controlling behavior in the guise of treatment will leave you breathless.

    In The Devil's Detective, a sea change is coming to Hell . . . and a man named Thomas Fool is caught in the middle.    Thomas Fool is an Information Man, an investigator tasked with cataloging and filing reports on the endless stream of violence and brutality that flows through Hell. His job holds no reward or satisfaction, because Hell has rules but no justice. Each new crime is stamped "Do Not Investigate" and dutifully filed away in the depths of the Bureaucracy. But when an important political delegation arrives and a human is found murdered in a horrific manner—extravagant even by Hell's standards—everything changes. The murders escalate, and their severity points to the kind of killer not seen for many generations. Something is challenging the rules and order of Hell, so the Bureaucracy sends Fool to identify and track down the killer. . . . But how do you investigate murder in a place where death is common currency? Or when your main suspect pool is a legion of demons? With no memory of his past and only an irresistible need for justice, Fool will piece together clues and follow a trail that leads directly into the heart of a dark and chaotic conspiracy. A revolution is brewing in Hell . . . and nothing is what it seems.The Devil's Detective is an audacious, highly suspenseful thriller set against a nightmarish and wildly vivid world. Simon Kurt Unsworth has created a phantasmagoric thrill ride filled with stunning set pieces and characters that spring from our deepest nightmares. It will have readers of both thrillers and horror hanging on by their fingernails until the final word. In Hell, hope is your worst enemy.

    Tired of pushing. Tired of being pushed. Tired of feeling alone. Tired of so much.So she gathered together a pack of wolves, a band of mothers, sisters, wives, daughters, partners, friends, lovers, survivors, victors and brilliant, shining things, and she told them to sing.And sing they did.The result is We Are Wolves, a chorus of of terrifying, moving and heart-breaking stories from some of horror’s finest contemporary writers including Gemma Amor, Laurel Hightower, Cina Pelayo, Sarah Read, Hailey Piper, V Castro, Sara Tantlinger, Sonora Taylor and many more.All proceeds from the sale of this charity anthology will go towards helping the survivors of abuse and assault.

    Imagine opening your front door one morning only to have your life horribly ripped apart.In a moment, you're implicated in the murder of your entire family and hounded by something not of this world.And the very thing that did this to you is now asking for something more-Your faith.

    In a novel comprising seven parts, each influenced by a moon - the flower moon, the harvest moon, the hunter's moon, the blood moon - this is the story of Eric and Merle whose souls have been searching for each other since their untimely parting.

    Stahl, himself a recovering addict with long-term sobriety, has assembled an impressive array of writers to create this 'encyclopedia of bad behavior.' Indeed, these tales of chasing the dragon, with corollaries often violent and savage, will satisfy devotees of noir fiction and outsider art alike."-- Publishers Weekly (starred review)“Editor Stahl (Permanent Midnight) has put forth a gritty, naked collection of short stories on the bleak life of heroin addicts. These tales by such edgy literary writers as Gary Phillips, Lydia Lunch, and Nathan Larson give different voices . . . that keep the stories fresh and above comparison.”-- Library Journal “Like its two predecessors, devoted to cocaine and speed, The Heroin Chronicles confirms how drugs are . . . the basis of some of the most unforgettable fiction you’ll ever read.”-- Bookgasm "For all the bleakness, suffering, and crime seeping from the pores of this anthology, Stahl welds together a creative whole from disparate voices. Because illegal drugs, especially heroin, are so damaging, it is refreshing to read an anthology focusing on drugs that neither moralizes or condescends to the reader. These stories reflect upon the human damage, one individual at a time."-- CCLaP: Chicago Center for Literature and Photography "The Heroin Chronicles conveys the sentiment that a life of heroin addiction is a human comedy, but it will usually end in dark or, even worse, banal tragedy."-- MysteryPeople "The Heroin Chronicles, the third entry in the [Akashic Drug Chronicles] series, is the finest so far -- a collection of short fiction that puts this series on the same must-read category as the Noir Series…The Heroin Chronicles is full of stories about suffering, survival, overdoses, hepatitis C, poverty, self-loathing, humiliation, danger, death, degradation, guns, and self-destruction. They’re all told with unflinching sincerity by authors who have either been there or extremely close to it. If you’re familiar with the Drug Chronicles, you know saying this is the best one yet is saying a lot. If you’re not familiar with the series, this is the definitely the book to start with."-- Verbicide Magazine Inspired by the ongoing international success of the city-based Akashic Noir Series (Brooklyn Noir, Boston Noir, Paris Noir, etc.), last year Akashic created the new Drug Chronicles series. On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles are varied, as are the moral quandaries herein.Heroin has long been understood as the most "literary" of narcotics, and this collection will, for better and worse, have tremendous pop cultural appeal.Featuring brand-new stories by: Eric Bogosian, Lydia Lunch, Jerry Stahl, Nathan Larson, Ava Stander, Antonia Crane, Gary Phillips, Jervey Tervalon, John Albert, Michael Albo, Sophia Langdon, Tony O'Neill, and L.Z. Hansen.Jerry Stahl is the author of six books, including the memoir Permanent Midnight (made into a movie with Ben Stiller and Owen Wilson) and the novels I, Fatty and Pain Killers. Formerly the culture columnist for Details, Stahl's fiction and journalism have appeared in Esquire, The New York Times, and The Believer, among other places. He has worked extensively in film and television and, most recently, wrote Hemingway & Gellhorn, starring Clive Owen and Nicole Kidman, for HBO.

    It is true that I am nervous. But why will you say that I am mad? In "The Cask of Amontillado," a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In "The Masque of the Red Death," a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can t see his tormentors in "The Pit and the Pendulum," and in "The Tell-Tale Heart," a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems "The Raven," "The Bells," and Poe s poignant elegy to lost love, "Annabel Lee." The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror."

    One hundred years after his release from Reading Gaol, the life and work of Oscar Wilde has lost none of its fascination. In his day, his wit and writings enchanted and scandalized society in equal measure; his downfall came at the height of his powers. Devastated by his notorious trial for indecency, imprisoned for ``homosexual offenses,'' he was to spend two ruinous years in solitary confinement. As he was later to tell Andre Gide, Reading Gaol ``was not fit for dogs. I thought I would go mad.'' The Ballad was written from personal experience, and there was to be no more writing after this. As Wilde observed: ``Something is killed in me.'' Bankrupt, disgraced, and in exile, Wilde was to die not long after his release at the age of 46. His final resting place is the cemetery of Pere Lachaise in Paris. His tomb bears an inscription from The Ballad of Reading Gaol: ``And alien tears will fill for him/Pity's long broken urn/For his mourners will be outcast men/And outcasts always mourn.'' This commemorative edition of the poem is illustrated with the powerfully moving wood engravings of Garrick Palmer. 48 pp 5 x 8 8 wood engravings

    But what secret does it hide?Doctor Harvey – Bethlem lunatic asylum’s newest patient has a story to tell, but how will he tell it to his doctor? Memento Mori – A photographer is given a mysterious assignment with disturbing consequences.The New Costume. – The entertainer discovers a new string to his bow and gives the finest performance of his career.(13,000 words in total)

    Samuel Johnson The History of the Necronomicon The Complete Juvenilia The Alchemist The Beast in the Cave The Little Glass Bottle The Mysterious Ship The Mystery of the Grave-Yard The Secret Cave The Complete Poetry Part I. - Juvenilia (1887-1905) Poemata Minora, Volume II Part II. - Fantasy and Horror Nemesis Astrophobos The Poe-eta-s Nightmare Despair Revelation The House The City To Edward John Moreton Drax Plunkett, Eighteenth Baron Dunsany The Nightmare Lake On Reading Lord Dunsanya-s Book of Wonder The Cats Festival Hallowea-en in a Suburb aka a¬In a Suburba(R) The Wood The Outpost The Ancient Track The Messenger Nathicana Fungi from Yuggoth In a Sequestera-d Providence Churchyard Where Once Poe Walka-d To Clark Ashton Smith, Esq., upon His Phantastick Tales, Verses, Pictures, and Sculptures Part III. - Occasional Verse On Receiving a Picture of Swans Fact and Fancy Laeta; a Lament Part IV. - Satire Unda; or, The Bride of the Sea Pacifist War Songa31917 Waste Paper Dead Passiona-s Flame Arcadia Lifea-s Mystery Part V. - Seasonal and Topographical A Garden Sunset Providence Christmas Christmas Greetings Part VI. - Politics and Society An American to Mother England Lines on Gen.

    It consists of a series of texts that, like musical phrases, take up the theme and advance it by means of repetition, contrast, and variation. To love someone dead is merely nostalgia, but to make love with someone dead is necrophilia, and this book is about that.Although a work of fiction, Necrophilia Variations uses literary means to probe the psychopathology of sexual perversion. Eros, the book asks, is naturally drawn to beauty, and yet nothing would seem to be less inherently beautiful than a cadaver. How is it that a necrophile ends up confusing the two, or making the leap, such that he finds beauty in what most people would find repugnant? How does he come to desire that which would seem to be intrinsically undesirable?Written in a style that ranges from the lugubrious to the ludicrous — from purple prose to black humor — Necrophilia Variations exhibits a world of depravity from the inside out. Each of its texts utilizes the first person — not because it is autobiographical but rather because it is personal, even intimate. Why intimate? Because that's how death is — near you, beside you, eventually inside you as well. It would be nice to say that that's how sex is too — intimate — but then it's no secret just how impersonal sex can be, especially when your lover is unconscious or worse.If you have ever contemplated the curious points of contact between eros and thanatos — if you have ever wondered why femmes fatales are alluring, or why sex can be made more exciting by games that simulate danger and pain, or why that bit of French slang that deems orgasm a "little death" seems so appropriate — then you may well enjoy this book. And if you do, then your joy in reading may even unlock the necrophiliac mind for you — since a text is, like a corpse, the remains of a living being, and as a reader you will no doubt be determined to extract pleasure from it.

    The Corn Maiden is the gut-wrenching story of Marissa, a beautiful and sweet eleven-year-old girl with hair the color of corn silk. Taken by an older girl from her school who has told two friends in her thrall of the Indian legend of the Corn Maiden, in which a girl is sacrificed to ensure a good crop, Marissa is kept in a secluded basement and convinced that the world has ended. Marissa s seemingly inevitable fate becomes ever more terrifying as the older girl relishes her power, giving the tale unbearable tension with a shocking conclusion. In Helping Hands, published here for the first time, a lonely woman meets a man in the unlikely clutter of a dingy charity shop and extends friendship. She has no idea what kinds of doors she may be opening. The powerful stories in this extraordinary collection further enhance Joyce Carol Oates s standing as one of the world s greatest writers of suspense."

    Thomas, and artist, Carla Kreuser, truly and sincerely hope for you – from hoping that you always have a pen, to hoping that you’re never lonely, and everything in-between. This collection of hope will move you and remind you of what’s important in life as you live it. Or at least, that’s what they hope.

    On a trip to the island, Joyce Parker's daughter falls in love with a beautiful but sinister doll. Soon after, she starts developing strange mannerisms that concerns Joyce. Her research into the doll's past reveals a dark history, and the curse of a lonely child spirit.