But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse.After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history—a history of murder, betrayal, and financial ruin. The Spielmans’ own shameful secrets and lies become harder to hide as someone or something inside the house watches their every move.As tensions build between the family members, the home’s dark history threatens to repeat itself. Margot and Myron must confront their own ghosts and Rawlingswood’s buried past before the house becomes their undoing.

    Only one person knows the truth: Adrienne Beauvier, granddaughter of the Comte de Challembelles and cousin to the man who built the castle.Clairvoyant from the time she could talk, Adrienne’s visions show her the secrets of those around her. When her visions begin to reveal dark mysteries of her own aristocratic French family, Adrienne is confronted by her formidable Aunt Marie, who is determined to keep the young woman silent at any cost. Marie wrenches Adrienne from her home in France and takes her to America, to Miramont Castle, where she keeps the girl isolated and imprisoned. Surrounded by eerie premonitions, Adrienne is locked in a life-or-death struggle to learn the truth and escape her torment.Reminiscent of Daphne du Maurier’s Rebecca, this hauntingly atmospheric tale is inspired by historical research into the real-life Miramont Castle in Manitou Springs, Colorado.

    But the carnival’s newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come.Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It’s a gift for communicating with animals. To some, she’s a magical tender. To others, a she-devil. To a talent prospector, she’s a crowd-drawing oddity. And the Bacchanal Carnival is Eliza’s ticket out of the swamp trap of Baton Rouge.Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she’s met her match in Eliza, who’s only beginning to understand the purpose of her own burgeoning powers.Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.

    For fans of Michelle Paver and Sarah Waters, this gothic tale will weave its way into your imagination and chill you to the bone.Maybe you've heard tales about Scarcross Hall, the house on the old coffin path that winds from village to moor top. They say there's something up here, something evil.Mercy Booth isn't afraid. The moors and Scarcross are her home and lifeblood. But, beneath her certainty, small things are beginning to trouble her. Three ancient coins missing from her father's study, the shadowy figure out by the gatepost, an unshakeable sense that someone is watching.When a stranger appears seeking work, Mercy reluctantly takes him in. As their stories entwine, this man will change everything. She just can't see it yet.

    One escapes unharmed, another suffers severe brain damage. A year later, summoned by the memories of those closest to them, the three that died come back on a last chilling mission among the living. A strange and unsettling ghost story in the tradition of Ray Bradbury and Shirley Jackson, "The Night Country" creeps through the leaf-strewn streets and quiet cul-de-sacs of one bedroom community, reaching into the desperately connected yet isolated lives of three people changed forever by the accident: Tim, who survived yet lost everything; Brooks, the cop whose guilty secret has destroyed his life; and Kyle's mom, trying to love the new son the doctors returned to her. As the day wanes and darkness falls, one of them puts a terrible plan into effect, and they find themselves caught in a collision of need and desire, watched over by the knowing ghosts.

      Now she’s out and determined to uncover who put her in that cellar and why.   When Clementine was a child, dangerous and inexplicable things started happening in New South Bend. The townsfolk blamed the fiendish people out in the Willows and burned their homes to the ground. But magic kept Clementine alive, walled up in the cellar for ten years, until a boy named Fisher sets her free. Back in the world, Clementine sets out to discover what happened all those years ago. But the truth gets muddled in her dangerous attraction to Fisher, the politics of New South Bend, and the Hollow, a fickle and terrifying place that seems increasingly temperamental ever since Clementine reemerged.

     Black Hollow is a town with a dark secret. For centuries, residents have foretold the return of the Dreamwalker—an ominous figure from local folklore said to lure young women into the woods and possess them. Yet the boundary between fact and fable is blurred by a troubling statistic: occasionally, women do go missing. And after they return, they almost always end up dead. When Kai wakes up next to the lifeless body of a recently missing girl, his memory blank, he struggles to clear his already threadbare conscience. Miya, a floundering university student, experiences signs that she may be the Dreamwalker’s next victim. Can she trust Kai as their paths collide, or does he herald her demise? And after losing a young patient, crestfallen oncologist, Mason, embarks on a quest to debunk the town’s superstitions, only to find his sanity tested. A maelstrom of ancient grudges, forgotten traumas, and deadly secrets loom in the foggy forests of Black Hollow. Can three unlikely heroes put aside their fears and unite to confront a centuries-old evil? Will they uncover the truth behind the fable, or will the cycle repeat?

    Evelyn, a young woman disfigured by her dangerous work in a matchstick factory, who has nowhere to go, does not know what to make of her new position as a maid to the Elephant Man in the London Hospital. Evelyn wants to be locked away from the world, like he is, shut in from the filth and dangers of the streets. But in Joseph Merrick, the Elephant Man, she finds a gentle kindred who does not recoil from her and who understands her pain.When the murders begin, however, Joseph and Evelyn are haunted nightly by the ghosts of the Ripper’s dead, setting Evelyn on a path to facing her fears and uncovering humanity’s worst nightmares.

    But my state of being has nothing to do with the curiosity toward my own species, if we can be called such. We do not go gentle, as your poet encourages, into that good night. A dead girl walks the streets.She hunts murderers. Child killers, much like the man who threw her body down a well three hundred years ago.And when a strange boy bearing stranger tattoos moves into the neighborhood so, she discovers, does something else. And soon both will be drawn into the world of eerie doll rituals and dark Shinto exorcisms that will take them from American suburbia to the remote valleys and shrines of Aomori, Japan.Because the boy has a terrifying secret - one that would just kill to get out. The Girl from the Well is A YA Horror novel pitched as "Dexter" meets "The Grudge", based on a well-loved Japanese ghost story.

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

    Then a pretty blonde child runs into view, bringing with her an inexplicable suggestion of evil.Once Julia Lofting had a husband and a daughter. But everything has changed since she bolted from her marriage, in flight from the unbearable truth of her daughter's death. For Julia, there is no escape. Another child awaits, another mother suffers, and a circle of the damned gathers around her. The haunting has begun . . .

    Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren't as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her. But Alva doesn't believe in ghosts. So when the eccentric and brilliant professor, Samuel Moore, appears and informs her that he can get to the bottom of the mystery that surrounds Liefdehuis, she turns him down flat. She doesn't need any more complications in her life―especially not a handsome, convention-flouting, scandal-raising one like Sam. Unfortunately, though Alva is loath to admit it, Sam, a pioneer in electric lighting and a member of the nationally-adored Moore family of scientists, is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva's new home while Sam attempts to unlock Alva's history―and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeous debut by Diana Biller, with a darkly Victorian Gothic flair and an intrepid and resilient American heroine guaranteed to delight readers.

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed.So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

    From the bestselling master of teen fantasy, Garth Nix.In a slightly alternate London in 1983, Susan Arkshaw is looking for her father, a man she has never met. Crime boss Frank Thringley might be able to help her, but Susan doesn’t get time to ask Frank any questions before he is turned to dust by the prick of a silver hatpin in the hands of the outrageously attractive Merlin.Merlin is a young left-handed bookseller (one of the fighting ones), who with the right-handed booksellers (the intellectual ones), are an extended family of magical beings who police the mythic and legendary Old World when it intrudes on the modern world, in addition to running several bookshops.Susan’s search for her father begins with her mother’s possibly misremembered or misspelt surnames, a reading room ticket, and a silver cigarette case engraved with something that might be a coat of arms.Merlin has a quest of his own, to find the Old World entity who used ordinary criminals to kill his mother. As he and his sister, the right-handed bookseller Vivien, tread in the path of a botched or covered-up police investigation from years past, they find this quest strangely overlaps with Susan’s. Who or what was her father? Susan, Merlin, and Vivien must find out, as the Old World erupts dangerously into the New.