. . my personal search 'for the face of the Lord.'"--Benedict XVI In this bold, momentous work, the Pope seeks to salvage the person of Jesus from today's "popular" depictions and to restore his true identity as discovered in the Gospels. Through his brilliance as a theologian and his personal conviction as a believer, the Pope incites us to encounter Jesus face to face.From Jesus of Nazareth ". . . the great question that will be with us throughout this entire book: But what has Jesus really brought, then, if he has not brought world peace, universal prosperity, and a better world? What has he brought? The answer is very simple: God. He has brought God! He has brought the God who once gradually unveiled his countenance first to Abraham, then to Moses and the prophets, and then in the wisdom literature-the God who showed his face only in Israel, even though he was also honored among the pagans in various shadowy guises. It is this God, the God of Abraham, of Isaac, and of Jacob, the true God, whom he has brought to the peoples of the earth. He has brought God, and now we know his face, now we can call upon him. Now we know the path that we human beings have to take in this world. Jesus has brought God and with God the truth about where we are going and where we come from: faith, hope, and love."

    The daughter of a pastor whose church was located in a rough-and-tumble area of Brooklyn, she witnessed the ravaging effects of the streets on the lives of the most desperate—drug addicts, derelicts, and other destitute people. Yet her own home was a haven of warmth, filled with affection and love.Then something happened that tore her away from it. With the flip of a switch, Chrissy fell deeper and deeper into deception where haunting images and songs pointed to one thing—perfection. Longing to be the girl in the song, she became entangled in an obsessive relationship. Before long, secret after secret led her down the path to becoming someone she didn’t even recognize. Locked in to an impossible life, Chrissy found release from a surprising direction.Girl in the Song tells the gripping, true story of a young woman whose choices led her to despair and incredible triumph. More than the story of one lost girl, Chrissy’s experience points to the power of hope to lead us away from destructive relationships and into a life that just might end happily ever after.

    These women can experience a roller coaster of emotions including disappointment, loneliness, and fear. Sara Horn, the wife of a navy reservist, understands the challenges these women face. She knows how to talk about faith and spiritual truths through the filter of military life.In her encouraging book, Horn shares her personal stories, as well as wisdom and anecdotes of other wives from all branches of service. She reminds readers that:God is in control.You can have joy, no matter what.Superwomen get grace, too.God knows where you hurt.Horn's reliance on Scripture and confidence in God's comfort during difficult times will remind military wives they don't have to be an army of one when they are God Strong.

    Translation of J'entre dans la vie, originally issued under title: Novissima verba.

    . . let us press on to know the LORD . . . And He will come to us like the rain.” This verse is the essence of Downpour, a revival-ready book by Pastor James MacDonald. MacDonald writes with the desire to witness an absolute soaking of God's Spirit on the church in North America. He is grieved by statistics showing little or no difference between the lifestyles of professing Christians and their nonbelieving neighbors, and he counters that with a five-point outline that charts the pathway to personal revival.

    *Includes Cagney's own quotes about his life and career. *Includes a bibliography for further reading. *Includes a table of contents. "You don't psych yourself up for these things, you do them...I'm acting for the audience, not for myself, and I do it as directly as I can." – James Cagney A lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, one of the Top 10 was James Cagney, an actor whose acting and dancing talents spawned a stage and film career that spanned over 5 decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Indeed, his portrayal of “The Man Who Owns Broadway”, George M. Cohan, earned him an Academy Award in the musical Yankee Doodle Dandy, and as famed director Milos Forman once put it, "I think he's some kind of genius. His instinct, it's just unbelievable. I could just stay at home. One of the qualities of a brilliant actor is that things look better on the screen than the set. Jimmy has that quality." Ultimately, it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive Hollywood star, and they were the kind of roles he was literally born to play after growing up rough in Manhattan at the turn of the 20th century. In movies like The Public Enemy (which included the infamous “grapefruit scene”) and White Heat, Cagney convincingly played criminals that brought Warner to the forefront of Hollywood and the gangster genre. Cagney also helped pave the way for younger actors in the genre, like Humphrey Bogart, and he was so good that he found himself in danger of being typecast. While Cagney is no longer remembered as fondly or as well as Bogart, he was also crucial in helping establish the system in which actors worked as independent workers free from the constraints of studios. Refusing to be pushed around, Cagney was constantly involved in contract squabbles with Warner, and he often came out on top, bucking the conventional system that saw studios treat their stars as indentured servants who had to make several films a year. American Legends: The Life of James Cagney examines the life and career of one of Hollywood’s most iconic actors. Along with pictures of important people, places, and events, you will learn about Cagney like never before, in no time at all.

    Through years of study and hard work, they translated Scripture into the Kham language, igniting a spark of interest in the gospel that would fan to life through years of persecution. Through it all, David and Nancy Watters struggled to demonstrate that gospel to these people who lived, in the words of the Khams, "at the foot of the snows."

    One will learn communion's origin deepen his relationship with God and be challenged in discipleship.

    That's what she provides readers with in this humorous, insightful book on life after 40. With such chapters as "When Your Blood's Too Tired to Bleed" and "Roughage by Candlelight", readers will love it.

    King's Cross is Timothy Keller's revelatory look at the life of Christ as told in the Gospel of Mark. There have been many biographies of Jesus, but few will be as anticipated as one by Keller, the man Newsweek calls "a C.S. Lewis for the twenty-first century." In it, Keller shows how the story of Jesus is at once cosmic, historical, and personal, calling each of us to look anew at our relationship with God. Like Keller's other books it has tremendous crossover appeal, but it is also ideal for the faithful, those who are looking for a closer connection to Jesus and Christianity.

    The book remained on the New York Times Best-Seller List for over a year.In the Arms of Angels is Anderson’s newest collection of mysterious and heart-stirring stories of heavenly guardians. From the harrowing account of a World Trade Center survivor to a miraculous rescue during the first Gulf War, these powerful stories invite us to take another look at the “coincidences” in our lives—to open our eyes to the angels who walk beside us. “In times of uncertainty, we long to be reminded that, as Joan Wester Anderson writes, ‘We are not alone.’”—Rev. Timothy Jones, author, The Art of Prayer, Workday Prayers, and Celebration of Angels “In the Arms of Angels is a true gem, a book to be treasured.”—Jessie Frees, radio host, WMTR/WWTR New Jersey

    Each of the 14 meditations concludes with an original prayer. This revised edition is enhanced by 14 of the author's own powerful line drawings.Paperback

    As long-held beliefs on love, faith, and God are challenged by the aggregate of changes that have overhauled our world, many of us are left feeling confused and uncertain while old norms are challenged and redefined at breakneck speed.In Wrestling with God, Ronald Rolheiser offers a steady and inspiring voice to help us avow and understand our faith in a world where nothing seems solid or permanent. Drawing from his own life experience, as well as a storehouse of literary, psychological, and theological insights, the beloved author of Sacred Fire examines the fears and doubts that challenge us. It is in these struggles to find meaning, that Rolheiser lays out a path for faith in a world struggling to find faith, but perhaps more important, he helps us find our own rhythm within which to walk that path.

    In front of twenty-five horrified pupils, thirty-two-year-old Charles Roberts ordered the boys and the teacher to leave. After tying the legs of the ten remaining girls, Roberts prepared to shoot them execution with an automatic rifle and four hundred rounds of ammunition that he brought for the task. The oldest hostage, a thirteen-year-old, begged Roberts to "shoot me first and let the little ones go." Refusing her offer, he opened fire on all of them, killing five and leaving the others critically wounded. He then shot himself as police stormed the building. His motivation? "I'm angry at God for taking my little daughter," he told the children before the massacre. The story captured the attention of broadcast and print media in the United States and around the world. By Tuesday morning some fifty television crews had clogged the small village of Nickel Mines, staying for five days until the killer and the killed were buried. The blood was barely dry on the schoolhouse floor when Amish parents brought words of forgiveness to the family of the one who had slain their children.The outside world was incredulous that such forgiveness could be offered so quickly for such a heinous crime. Of the hundreds of media queries that the authors received about the shooting, questions about forgiveness rose to the top. Forgiveness, in fact, eclipsed the tragic story, trumping the violence and arresting the world's attention.Within a week of the murders, Amish forgiveness was a central theme in more than 2,400 news stories around the world. The Washington Post, The New York Times, USA Today, Newsweek, NBC Nightly News, CBS Morning News, Larry King Live, Fox News, Oprah, and dozens of other media outlets heralded the forgiving Amish. From the Khaleej Times (United Arab Emirates) to Australian television, international media were opining on Amish forgiveness. Three weeks after the shooting, "Amish forgiveness" had appeared in 2,900 news stories worldwide and on 534,000 web sites.Fresh from the funerals where they had buried their own children, grieving Amish families accounted for half of the seventy-five people who attended the killer's burial. Roberts' widow was deeply moved by their presence as Amish families greeted her and her three children. The forgiveness went beyond talk and graveside presence: the Amish also supported a fund for the shooter's family.AMISH GRACE explores the many questions this story raises about the religious beliefs and habits that led the Amish to forgive so quickly. It looks at the ties between forgiveness and membership in a cloistered communal society and ask if Amish practices parallel or diverge from other religious and secular notions of forgiveness. It will also address the matter of why forgiveness became news. "All the religions teach it," mused an observer, "but no one does it like the Amish." Regardless of the cultural seedbed that nourished this story, the surprising act of Amish forgiveness begs for a deeper exploration. How could the Amish do this? What did this act mean to them? And how might their witness prove useful to the rest of us?