Her mother committed suicide, her husband slept with her best friend, and she can't stand her three selfish daughters. But she does love her son, Sonny, who nevertheless plunges her into deep despair when he takes two women and a poodle hostage in his ex-wife's trailer.

    On a beach in New Hampshire at the turn of the last century, a young woman is drawn into a rocky, disastrous passage to adulthood. Olympia Biddeford is the only child of a prominent Boston couple--a precocious and well-educated daughter, alive with ideas and flush with the first stirrings of maturity. Her summer at the family's vacation home in Fortune's Rocks is transformed by the arrival of a doctor, a friend of her father's, whose new book about mill-town laborers has caused a sensation. Olympia is captivated by his thinking, his stature, and his drive to do right--even as she is overwhelmed for the first time by irresistible sexual desire. She and the doctor--a married man, a father, and nearly three times her age--come together in an unthinkable, torturous, hopelessly passionate affair. Throwing aside propriety and self-preservation, Olympia plunges forward with cataclysmic results that are the price of straying in an unforgiving era. Olympia is cast out of the world she knows, and Fortune's Rocks is the story of her determination to reinvent her broken life--and claim the one thing she finds she cannot live without. A meditation on the erotic life of women, an exploration of class prejudices, and most of all a portrayal of the thoughts and actions of an unforgettable young woman, Fortune's Rocks is a masterpiece of narrative drama, beautifully written by one of the most accomplished novelists of our time.

    A child of Louisiana in the early sixties, she found little in common with most of the people in her community and in her household, and her best friend was Lavina, the black woman who cooked and cleaned for her family. Now, in the early nineties, Mary Jacob has escaped her history and established a fresh, if imperfect, life for herself in New York. But when she learns of her father's critical illness, she needs to go back home. To a disapproving father and a spiteful sister. To a town decades out of alignment with Mary Jacob's new world. To the memories of Billy Ray, Lavina's son who grew up to be a musical legend whose star burned much too bright.And to the echoes of a fateful day three decades earlier when three lives changed forever.A decades-spanning story both intimate and enormous in scope, LAVINA is a novel rich in humanity, sharp in its indictments, and stunning in its resolution.

    It is 1947, and Israel Levis, a Cuban composer whose life had once been a dream of music, love, and sadness, returns to Cuba after being mistakenly imprisoned during the Nazi occupation of France.When Levis arrives back in Habana, his mind returns to an unrequited romance with the alluring Rita Valladares, a singer for whom Levis had written his most famous song, "Rosas Puras." This 1928 composition became the most famous rumba in the world and changed American and European tastes in music and dance forever.A love story—of art, family, and country—A Simple Habana Melody is a virtuoso performance from one of our most important writers.

    Growing up in Cleveland in the 1960s and 1970s, Hannah Felber basks in her mother's devotion to her, and for Celia, her daughter is her redemption from an unhappy childhood. But when Hannah goes off to college to begin a life of her own, her mother inexplicably shuts her out, refusing to answer her letters or phone calls." "With her mother's abrupt abandonment, Hannah loses not only her closest confidante, but also her sense of identity - she searches through old photographs and listens to family legends for clues to who she is and where she comes from. Drawn deeper and deeper into her family's past, she begins to see that the fate of her grandparents and those left in the old country has a direct bearing on her own life.In chapters narrated by Hannah's maternal ancestors, we hear the voices and stories of those beyond, we hear the voices and stories of those beyond the grave.

    With Blackberry Winter--taking its title from a late-season, cold-weather phenomenon--Jio continues her rich exploration of the ways personal connections can transcend the boundaries of time. Seattle, 1933. Single mother Vera Ray kisses her three-year-old son, Daniel, goodnight and departs to work the night-shift at a local hotel. She emerges to discover that a May-Day snow has blanketed the city, and that her son has vanished. Outside, she finds his beloved teddy bear lying face-down on an icy street, the snow covering up any trace of his tracks, or the perpetrator's.Seattle, 2010. Seattle Herald reporter Claire Aldridge, assigned to cover the May 1 "blackberry winter" storm and its twin, learns of the unsolved abduction and vows to unearth the truth. In the process, she finds that she and Vera may be linked in unexpected ways...

    During and after dinner he had nothing to excite him save the receipt of a letter which somewhat annoyed him, and that his wife consumed rather more wine than he considered to be good for her health. Immediately after retiring to his room he was seized with symptoms of irritant poisoning, and despite every effort made on his behalf, he succumbed to its effects. An inquest was held, which vexed the minds of the Coroner’s jury to a degree without precedent in Coroners’ Inquest Law, and an open verdict was returned. However, the matter will not rest there, for after questions in Parliament, a second inquest has been called under suspicion that Mr Charles Petrie was murdered. * * * Who poisoned Charles Petrie? Dr James Collymore, a man familiar with poisons, a man harbouring a dark secret that, if exposed, would ruin his career; Florrie, the maid who supplied Charles with his bedtime drink; Bert Kemp, a disgruntled groom, who used poisons in his work, who four months previously had predicted Charles’ dying day; Mrs Jennet Quinn, a lady’s companion with a deep knowledge of poisons, and a deep fear of dismissal; or Grace Petrie, Charles’ wife of four months, a woman with a scandalous past, a woman shunned by polite society. With crowds flocking to the courtroom and the shadow of suspicion falling upon Grace in the shape of the hangman’s noose, could dashing young advocate, Daniel Morgan, save her?

    With so many young men lost in the Great War, including her own brothers, her life is empty and her future without hope. Until, desperate to break out of her mundane existence, she decides to take up the position of nursery maid in the London home of acclaimed playwright Harold Berridge.Befriended by the actress Maud Ling and thrown into the glamorous but fickle world of cinema, Phyllis falls passionately in love with Maud’s young brother Teddy. But Teddy’s heart lies elsewhere, and when tragedy strikes the Berridge household a heartbroken Phyllis is forced to leave.Six months later, Phyllis has started to rebuild her life but her world is turned upside down once more when is invited to a party at Maud Ling’s film studios. For there she falls under the spell of the charming but devious American actor, Denver Towers, with disastrous consequences. . .

    Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.Then one fall day, a train derails in Two Rivers, and amid the wreckage Harper finds an unexpected chance at atonement. One of the survivors, a pregnant fifteen-year-old girl with mismatched eyes and skin the color of blackberries, needs a place to stay. Though filled with misgivings, Harper offers to take Maggie in. But it isn't long before he begins to suspect that Maggie's appearance in Two Rivers is not the simple case of happenstance it first appeared to be.

    Her father is dead and his unscrupulous business dealings have been paraded all over the newspapers. Destitute and alone, Adelaide makes the difficult decision to leave England until the scandal has passed. She feels the perfect place to visit is her aunt’s cattle ranch in the Wyoming Territory. However, when she arrives, she discovers that she is half-owner of Brisbane Ranch. The other half belongs to a handsome, but infuriatingly brooding cowboy. Broderick Wakefield has worked hard to make Brisbane Ranch one of the most profitable cattle ranches in all of the Wyoming Territory. When the spoiled, pretentious Lady Adelaide shows up to claim her inheritance, he can’t believe she would give up her pampered life in England to live on a cattle ranch. He becomes determined to see her gone and will stop at nothing to ensure that happens.As Broderick sets out to prove that Adelaide doesn’t belong on Brisbane Ranch, he is surprised by her tenacity, despite the rigorous demands of ranch life. When his life is threatened, he finds himself turning to the one person he wanted to see gone, forcing him to recognize that Adelaide isn’t as horrible as he first believed. When someone from Adelaide’s past shows up, can Broderick prove that he really is the man for her, or will it be too late?

    He's the best there is. He's the number one go-to man when a job pops up. But Lamb is getting tired of his profession. The constant killings, some seemingly innocent, have finally taken their toll on him. And he's about to do something about it. After he's contracted to do a new job, he decides he's had enough. All in the hopes of saving a young girl he doesn't even know. And it will probably cost him his life.

    Never. Sunny Chandler always said she'd never go back to the tiny town where she grew up. It was just three years ago that she was at the center of a notorious scandal--and the good folks of Latham Green, Louisiana, made it clear they'd never let her forget it. So Sunny packed up and headed for New Orleans, and now she wouldn't give up city life for the world. But when she's invited to her best friend's wedding, Sunny has no choice but to go home. And with her return come the whispers...the looks...the rumors she tried to escape. It doesn't take Sunny long to see that Latham Green has nothing new to offer. Except maybe Ty Beaumont. The moment Ty and Sunny first meet at a party, he can see she's no ordinary woman. With her dazzling hair, and eyes the color of gold, she's a flesh-and-blood fantasy--and Ty vows he'll have her in his bed before the week is out. Yet even when he turns on his southern charm, Sunny makes it clear she's not interested. Sure, a night with Ty would be wilder than BourbonStreet at Mardi Gras. But Sunny's not in town to become some good ol' boy's latest conquest, no matter how sexy he is. Little does she know that Ty isn't used to taking no for an answer--and he isn't about to start now. Soon what began as an innocent flirtation becomes a tantalizingly slow, skillfully deliberate, and overwhelmingly seductive pursuit that even Sunny finds hard to resist. But resist him she will. For Sunny is harboring an agonizing secret--the painful truth of why she left Latham Green the way she did. What she really needs now is a friend--and that's when she discovers there may be more to Ty Beaumont than meets the eye. Despite his roguish facade, Sunny comes to see he has a heart of gold. Still, she doesn't know if she can trust another person with her secret heartbreak--not even the one man who may be able to heal it.

    Carmen Taylor finds her life spinning out of control when her best friend Desiree begins dating Chester Sheffield, the man Carmen has loved for years, and when Desiree gets pregant with his child, Carmen commits a reckless crime of passion that forces her, along with Desiree, to make some difficult choices that will change their lives forever.

    The Emperor of Ocean Park is set in two privileged worlds: the upper crust African American society of the eastern seaboard--old families who summer on Martha's Vineyard--and the inner circle of an Ivy League law school. It tells the story of a complex family with a single, seductive link to the shadowlands of crime.The Emperor of the title, Judge Oliver Garland, has just died, suddenly. A brilliant legal mind, conservative and famously controversial, Judge Garland made more enemies than friends. Many years before, he'd earned a judge's highest prize: a Supreme Court nomination. But in a scene of bitter humiliation, televised across the country, his nomination collapsed in scandal. The humbling defeat became a private agony, one from which he never recovered.But now the Judge's death raises, even more, questions--and it seems to be leading to a second, even more, terrible scandal. Could Oliver Garland have been murdered? He has left a strange message for his son Talcott, a professor of law at a great university, entrusting him with "the arrangements"--a mysterious puzzle that only Tal can unlock, and only by unearthing the ambiguities of his father's past. When another man is found dead, and then another, Talcott--wry, straight-arrow, almost too self-aware to be a man of action--must risk his career, his marriage, and even his life, following the clues his father left him.Intricate, superbly written, often scathingly funny, The Emperor of Ocean Park is a triumphant work of fiction, packed with character and incident--a brilliantly crafted tapestry of ambition, family secrets, murder, integrity tested, and justice has gone terribly wrong.

    For an enslaved mother, daughter, and grandmother, Montpelier plantation in Virginia is a living hell- and the proprietor, at least initially, is none other than President James Madison. A Long Way from Home opens during Madison's lifetime, when Susie and her daughter Clara serve the First Couple as house slaves. Yet even this regime seems civilized compared to the havoc unleashed by Madison's brutal stepson. As Clara fends off (and ultimately succumbs to) the sexual advances of one master after another, the author conjures up the entire world of the "peculiar institution."It is Susie's granddaughter and namesake, Susan, who first leaves Montpelier. Not, of course, voluntarily: she is sold to a family living in Richmond. Chained in the back of a departing wagon, she "clenched her teeth and stared at the sky. How dare the day be so clear, so beautiful, on this, the worst day of her life." But as the Civil War erupts, Susan ponders the possibility of a more joyous liberation. As Briscoe makes clear, the prospect elicited a complex blend of emotions from many slaves- Susan, for example, has been lulled into considering herself a part (if a diminished part) of her white master's family. A Long Way from Home does occasionally fall back on the pat formulas of the television miniseries, and Briscoe doesn't manage to quite ignite Susan's conflicted feelings about bondage and freedom. But Susan's postwar travails do convey the reality that Reconstruction was not only a political process but also a painfully personal one. --Katherine Anderson