They meet after winning a lucky draw- the prize of which was to take part in a puzzle game. Though the game was engrossing, they were unable to solve the puzzle in the stipulated time. However, this lead to the beginning of a deep friendship between them. Their friendship blossomed. But ego and misunderstanding led to an acrimonious break up. They meet again- two decades later- when Shanaya is murdered, and the other four are suspects. The four soon realize that in spite of being estranged for so many years, there were unknown ties that bound them- ties of treachery, deceit, and subterfuge. Ties that have led them to come together in circumstances that no one could have foreseen. And the game that they had left incomplete two decades back has to be played yet again – on a much bigger canvas. Now they have to trust each other, clear their names, and get to the bottom of the mystery, which threatens not only their lives and relationships, but also the fabric of democratic India. As their travels and travails continue, they discover hitherto unknown facets of the people around them, as well as their own selves. Can they succeed in resolving the puzzle this time? Or is history doomed to repeat itself? As hidden aspects of the human personality are revealed, they realize that no one is what he or she appears to be. For the world comprises of ‘Strangers With Known Faces’.

    He announces he is the Lord of Misrule and appoints his Court of Fools.Very quickly odd things start to happen.Previously unseen magic is revealed, and paranormal characteristics are unveiled.And unfortunately, darker events occur, too.Unless Avery, Alex, and the other witches can find a solution, Yuletide may not be as joyous as they hoped.

    A beloved and gifted artist, Ashbery takes his place beside Whitman, Dickinson, Stevens, and Hart Crane in the canon of great American poets. With Quick Question, a new collection of poems published in time for his 85th birthday, John Ashbery proves that his creative power has only grown stronger with age.

    In a world of machinists, loggers, mill workers, and hairdressers, the poems collected here bear witness to a landscape, an industry, and a people teetering on the edge of ruin. From tightly constructed narratives to expansive and surreal meditations, the various styles in this book not only reflect the poet's range, but his willingness to delve into his obsessions from countless angles Full of despair yet never self-loathing, full of praise yet never nostalgic, Dismantling the Hills is both ode and elegy. McGriff's vision of blue-collar life is one of complication and contradiction, and the poems he makes are authentic, unwavering, and unapologetically American.

    I am a titan on Wall Street. I don’t beg, I demand. I don’t say please, I bark out orders. And I never mix business with pleasure...But I'm about to break all my rules. Will she be my ruin? Or my salvation?Laura: They say my new boss is an alphahole.But what I see is a protector and a hunk-a-hotness who fills my mind with delicious naughty thoughts. But I am not in the market for love. Or lust. This internship is my only chance for success and I will not risk it for anyone.But one day he comes up behind me and stands sinfully close, whispering, "Meet me in my office, Laura." His breath teases my skin, sending shivers on hyperdrive all over my body.I want him...But what if we get caught?Curl up with this STANDALONE bra-melting sexy romance about a grumpy powerful billionaire boss and the spunky curvy intern who melts his heart.Scorching Hot Boss Alert! Read now if you love secret forbidden workplace romances with lots of sizzle.* This is an expanded and edited version of Christmas with the Boss.

    Everything that suffuses her well-loved prose is here: compassion, insight, lyrical precision, and the clear, minimalist eye that reveals how life can turn on a single moment. Musing on the undercurrents and interconnections between legacy, memory, motherhood and the natural world, the poems in the collection begin on the surface and then take us, gracefully and effortlessly, to a far more thought-provoking place.

    A passionate exploration of the forces that shape us, The Last Love Poem I Will Ever Write explores themes of survival and the powerlessness of the self in a chaotic and unfair world, finding hope in the emotions and vitality of poetry. With characteristic meditative lyricism, the poet reflects on grief and the power of language in extended odes (“Ode to Nothing,” “Ode to Words”) and slips effortlessly from personal trauma (“Song of What Happens”) to public catastrophe (“Charlottesville Elegy”).The Last Love Poem I Will Ever Write confirms Orr’s place among the preeminent lyric poets of his generation, engaging the deepest existential issues with wisdom and humor and transforming them into celebratory song.

    Imbued with the poet’s characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more.Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.A poet whose “voice lifts from the page, alive and biting” (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing / no one can / listen I love you joy is coming."

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    Through ‘A Rustic Mind’ I aim to provide a thoughtful take on such actions and incidents. Poetic in its expression, these words will strike a chord which is not only deep but relatable on many levels.

    As soon as they exit the train they hear news of a grisly murder making its way around the murmuring commuters. A local aristocrat, Mr. Darcy, has been found missing his head! And that very night, the wealthy widow finds a stranger in her home who, upon seeing her, abandons his plans and quickly leaves. She believes the intruder to be the murderer of her husband who is now after a large sum of cash she keeps in the house safe. Unsure if the would-be thief is the murderer or an opportunistic burglar, Holmes devises a plan to catch the burglar, all the while investigating the murder of Mr. Darcy. Follow Holmes, Watson, and the local constable, Mr. Wickham, as they untangle the mystery surrounding a Murder in Keswick.

    The much-anticipated poetry chapbook by Sam Pink, author of the cult favorites Person and I Am Going to Clone Myself Then Kill the Clone and Eat It, who the Los Angeles Review of Books called, “Simply one of the best, darkest, funniest, wildest, and [most] touching writers we’ve got.”

    

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    It is an invitation to my thoughts