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    Based on the true story of Elizabeth Armistead, one of the most notorious and successful courtesans of 18th century England.From the harsh streets of London, Lizzie Cane rose to become the celebrated mistress of earls, dukes, and even a prince! Then at the height of her career, she risked everything she had struggled to gain by breaking the courtesan's cardinal rule...Never fall in love.

    From Sophia who died shortly before she would have become Queen as heir to Queen Anne, to Adelaide, consort to William IV whose failure to provide an heir ensured the succession passed to his niece Queen Victoria. During this period, an array of colourful personalities came and went - George I's ill-fated wife Sophia Dorothea of Celle who was imprisoned for adultery for over 30 years until her death; the equally tragic Caroline Matilda, Queen of Denmark and sister of George III who married an incipient schizophrenic, saw her lover put to death, was divorced and imprisoned, released after pressure from her brother, only to die of typhoid or scarlet fever aged just 23; George IV's notorious consort , his cousin Caroline of Brunswick, who danced naked on tables and was refused access to his coronation; and their daughter Charlotte, whose death in childbirth in 1817 necessitated the hasty marriages of several of her middle-aged uncles in a desperate race to provide a legal heir to the throne.

    Perhaps first and foremost, they were also anxious tobacco farmers, harried by a demanding planting cycle, trans-Atlantic shipping risks, and their uneasy relations with English agents. George Washington, Thomas Jefferson, and their contemporaries lived in a world that was dominated by questions of debt from across an ocean but also one that stressed personal autonomy.T. H. Breen's study of this tobacco culture focuses on how elite planters gave meaning to existence. He examines the value-laden relationships--found in both the fields and marketplaces--that led from tobacco to politics, from agrarian experience to political protest, and finally to a break with the political and economic system that they believed threatened both personal independence and honor.

    Jay Mulvaney, author of Kennedy Weddings, celebrates her unique style in this lavishly illustrated book.JACKIE: The Clothes of Camelot is a richly illustrated history of those magical years when the Kennedys captivated a nation and the world. Her glamour was electric, her style imaginative, and the effect was brilliant. Jacqueline Kennedy's fashions from the White House years, over two hundred outfits, are illustrated with three hundred photographs, in both black and white and color, many previously unpublished or rarely seen. Also included are photographs of jewelry and accessories as well as memorabilia, all exploring the continuing impact of Jackie's fashion sensibility on our culture.The range of illustrations and text is broad, including:Early Fashion InfluencesThe Inauguration EnsemblesGowns for State EventsThe Wardrobe for State Visits AbroadPrivate Living and Casual WearFrench Designers: Haute Couture in the White HouseNovember 1963Mrs. Onassis and the Post-Camelot YearsJACKIE: The Clothes of Camelot is a striking portrait of an unforgettable fashion legend.

    After opening the groundbreaking Bazaar boutique on London’s King’s Road in 1955, Quant soared to international fame with her brand of witty style that fitted perfectly with modern life. Just as her signature styles have become synonymous with the pop culture of the Swinging Sixties, her joyful, evocative autobiography captures the world in which she found inspiration—and which she ultimately helped to define and change.

    This title features the patterns, techniques and history of over 20 historically correct corsets, ranging from the 1750s to 1950, from boned corsets, ribbon corsets and basques to the more recent 1949 satin corsets.

    Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

    The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon.Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution.In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran.But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave.This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.

    Following an illuminating discussion of the style and construction of costumes worn in the thirteenth, fourteenth, and fifteenth centuries, noted costume historian Mary G. Houston provides detailed descriptions and illustrations of actual apparel worn by all classes and sectors of society. Included are elaborate royal, academic, and legal costumes; Eucharistic vestments and garments of religious orders; working class apparel; civilian dress; and more. Also examined is a wide variety of accessories and ornaments, jewelry, armor, textiles, embroidery, coiffures, and other items.The clear, succinct text is splendidly documented by 350 black-and-white line illustrations based on contemporary books and manuscripts as well as representations in paintings and sculpture. Indispensable for students of costume history, medievalists, illustrators, and fashion historians, Medieval Costume in England and France will delight anyone interested in the medieval period and its dress.

    And we pay close attention to how others dress as well; though we may not be able to put what we observe into words, we unconsciously register the information, so that when we meet and converse we have already spoken to one another in a universal tongue.Alison Lurie, the Pulitzer Prize-winning novelist, is our savvy guide and interpreter on this tour through the history of fashion. She provides fascinating insights into how changing sex roles, political upheavals, and class structure have influenced costume. Whether she is describing the enormous amount of clothing worn by early Victorian women or illuminating the significance of the long robes worn by aging men throughout history to connote eminence, her analysis is playful, clever, and always on target.

    Nobody knew how to live the high life like Millicent Rogers. Born into luxury, she lived in a whirl of beautiful homes, European vacations, exquisite clothing and handsome men. In Searching for Beauty, Cherie Burns chronicles Rogers's glittering life from her days as a young girl afflicted with rheumatic fever to her debutante debut and her Taos finale. A rebellious icon of the age, she eloped with a penniless baron, danced tangos in European nightclubs, divorced, remarried and romanced, among others, Clark Gable. Her romantic conquests, though, paled in comparison to her triumph in the fashion world where she electrified the fashionistas by becoming the muse to designer Charles James, appearing in Vogue and Harper's Bazaar and - at the end of her life - retreating to Taos, New Mexico where she popularized Southwestern style.

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    In 1776, he conceived an audacious plan to send aid to the American rebels. What's more, he convinced the king to bankroll the project, and singlehandedly carried it out. By war's end, he had supplied Washington's army with most of its weapons and powder, though he was never paid or acknowledged by the United States. To some, he was a dashing hero--a towering intellect who saved the American Revolution. To others, he was pure rogue--a double-dealing adventurer who stopped at nothing to advance his fame and fortune. In fact, he was both, and more: an advisor to kings, an arms dealer, and author of some of the most enduring works of the stage, including The Marriage of Figaro and The Barber of Seville.

    Incorporating sources from history, literature, magazines, and cinema, as well as her own witty anecdotes, Smith has created an engaging, informative guide to modern style.