The flight crew is crippled or dead. Now, defying both nature and man, three survivors must achieve the impossible. Land the plane. From master storyteller Nelson DeMille and master pilot Thomas Block comes Mayday, the classic bestseller that packs a supersonic shock at every turn of the page....the most terrifyingly realistic air disaster thriller ever. Like a growing tidal wave, the escaping air was gathering momentum. A teenaged girl in aisle 18, seat D, near the port-side aisle, her seat dislocated by the original impact, suddenly found herself gripping her seat track on the floor, her overturned seat still strapped to her body. The seatbelt failed and the seat shot down the aisle. She lost her grip and was dragged after it. Her eyes were filled with horror as she dug her nails into the carpet, as the racing air pulled her toward the yawning hole that led outside. Her cries were unheard by even those passengers who sat barely inches away from her struggle. The noise of the escaping air was so loud that it was no longer decipherable as sound, but seemed instead a solid thing pounding at the people in their seats......

    And now the anonymous blackmailer who made a killing with Ben's information is demanding more. Guilty of a criminal act, his golden future suddenly in jeopardy, Ben turns for help to his roommates—three close friends from childhood, each strategically placed near the seats of Washington power—and to his beautiful, whip-smart fellow clerk, Lisa Schulman.But trust is a dangerous commodity in the nation's capital. And when lives, careers, and power are at stake, loyalties can shatter like glass . . . and betrayals can be lethal.

    Gable Cooper has penned a novel to kill for. Six million dollars in book and film rights are looming just off the table for this unknown author. But there is a problem: Gable Cooper doesn't exist. Abby Chandlis is an attorney turned novelist and the creator of Gable Cooper. In an age when glamour, not grammar, is often the secret to selling books, Abby has an intriguing plan to keep her writing career alive: find a charismatic male face to pose as the phantom author for the knock-dead thriller she has written. Jack Jermaine is a man with dangerous good looks and a shadowy past. Trained by the military to kill, his obsession is to pen a blockbuster book. He has a trunk filled with rejected manuscripts and a gnawing problem that has turned him bitter: Jack can't write. Desperate to find a man to play the role of Gable Cooper, Abby is about to give up when Jack forces his way into her life. Reluctantly she is convinced that Jack's humor and looks will clinch success for her novel. She uses her legal wits and makes a deal with the devil. Jack becomes Gable Cooper. When Jack is propelled into the orbit of celebrity, Abby finds herself at once seduced and trapped by her own creation. Success turns to terror.The story careens from the Pacific Northwest to New York City and finally through the islands of the Caribbean as Abby races for her life to the one person she can trust--the one person who can prove to the world that she wrote the novel, and put an end to the nightmare that was once her dream, the dream of making The List.

    - While the Clinton Administration grapples with its domestic policies, a sinister plot is being masterminded six thousand miles away in Baghdad. By using $100 million as bait and spinning a deadly web of corruption, forgery, and terror, Saddam Hussein seeks to embarrass the U.S. with the ultimate revenge: to steal a treasured historical document and then destroy it before the world's media-on July 4, 1994.As the countdown to Independence Day begins, two agents stand in the way of his nearly flawless plan: Scott Bradley, a rising star in the CIA who is desperate to prove his patriotism, and Hannah Kopec, the stunning Mossad operative who has already lost o much that she fears nothing and trusts no one. Their unrelenting quest to prevent what would undoubtedly be the most humiliating day in U.S. history takes them across four continents and climaxes in a dramatic, triple-twist ending.Ingeniously plotted and as up-to-the-minute as today's headlines, Honor Among Thieves resonates with the brilliant pace that is the trademark of master storyteller Jeffrey Archer.

    A husband she loves. A job at which she excels, and a cherished young daughter. Then, as a plane plummets into the Virginia countryside, everything changes. And suddenly there is no one whom Sidney Archer can trust. Jason Archer is a rising young executive at Triton Global, the world's leading technology conglomerate. Determined to give his family the best of everything, Archer has secretly entered into a deadly game of cat and mouse. He is about to disappear - leaving behind a wife who must sort out his lies from his truths, an aircrash investigation team that wants to know why the plane he was ticketed on suddenly fell from the sky, and a veteran FBI agent who wants to know it all. From Seattle to Washington, D.C., from New Orleans to Maine, the hunt for Jason Archer follows a trail as complex as the world he lived and worked in - a world of enormously powerful computers, a multimillion-dollar takeover deal, titanic financial standoffs, artificial intelligence, and the Internet. With brilliant minds colliding, ruthless men waging battles of intimidation, rainmakers going toe-to-toe with killers, and security specialists making a fortune trying to plug the holes, the startling truth behind Jason Archer's disappearance explodes into a sinister plot with the murder of the country's single most powerful individual. And soon Archer's wife, Sidney, aided by the relentless and sharp-eyed FBI agent Lee Sawyer, will plunge straight into the violence that is leaving behind a trail of dead bodies and shocking, exposed secrets...

    Jean-Pierre, the Frenchman. They were two men on opposite sides of the cold war, with a woman torn between them. Together, they formed a triangle of passion and deception, racing from terrorist bombs in Paris to the violence and intrigue of Afghanistan - to the moment of truth and deadly decision for all of them...

    But behind its walls, America's top scientists work around the clock to attain the holy grail of the 21st century-a supercomputer that surpasses the power of the human mind.Appointed by the President as ethicist to Project Trinity, Dr. David Tennant finds himself in a pressure-cooker of cutting edge science and colossal ambition. When his friend and fellow scientist is murdered, David discovers that the genius who runs Project Trinity was responsible and that his own life is in danger. Unable to reach the President, and afraid to trust his colleagues, David turns to Rachel Weiss, the psychiatrist probing the nightmares that have plagued him during his work at Trinity. Rachel is skeptical of David's fears, but when an assassin strikes, the two doctors must flee for their lives.Pursued across the globe by ruthless National Security Agency operatives, David and Rachel struggle to piece together the truth behind the Project Trinity, and the enormous power it could unleash upon the world. As constant danger deepens their intimacy, Rachel realizes the key to Trinity lies buried in David's disturbed mind.But Trinity's clock is ticking...Mankind is being held hostage by a machine that cannot be destroyed.Its only hope--a terrifying chess game between David and the Trinity computer, with the cities of the world as pawns. But what are the rules? How human is the machine? Can one man and woman change the course of history? Man's future hangs in the balance, and the price of failure is extinction.

    Kilcannon believes he can make the system work. And he just may die trying. Driven by the violent nightmare of his childhood, fueled by forces that few could understand, and burdened by secrets no one must know, Kilcannon is running for President--and entering the crucial battleground of California with seven days to go. But for Kilcannon, there are hurdles that his courage, charisma, and compassion may not overcome: the network correspondent he still loves; the reporter bent on their exposure; the rival who'll do anything to win; and the fanatic who believes that he must murder Kilcannon to protect the right to life.

    In a matter of minutes, six innocent bystanders -- and Cavanaugh -- are dead. But when his body vanishes, and his weapon mysteriously appears in Hartman's luggage, Hartman is plunged into an unfathomable nightmare, and suddenly finds himself on the run. Meanwhile in Washington, D.C., Anna Navarro, field agent for the Department of justice, has been asked to investigate the sudden -- seemingly unrelated -- deaths of eleven men throughout the world. The only thing that connects them is a secret file, over a half-century old, linked to the CIA, and marked with the same puzzling codename: Sigma.But as Anna follows the connecting thread, she finds herself in the shadows of a relentless killer who is one step ahead of her, victim by victim. Together she and Hartman must uncover the diabolical secrets long held behind the codename, Sigma. It will threaten everything they think they know about themselves and confirm their very worst fears...

    . . .A teenage computer prodigy is mortally strangled in Mumbai. A far-right extremist is killed in a remote cabin in the Pacific Northwest. A wealthy businessman is murdered in Thailand. A pimp in Brooklyn is found stabbed to death and mysteriously covered by a brown shroud. What connects the victims is an ancient prophecy that leads to the end of the world, and it's up to Will Monroe, a fledgling reporter at the New York Times, to stop it.But Monroe's investigation quickly makes him some shadowy enemies, who kidnap his wife and hold her hostage in Crown Heights. Desperate to find the link between the killings and to save his wife, he enlists his college sweetheart, TC, an eccentric artist and Kabbalah expert. As the death toll rises, they follow a trail of clues that seems to lead inexorably to a set of ancient texts containing a prophecy that promises to save the world—or to destroy it.What will happen when the one secret that has kept the world safe for thousands of years is revealed to all? In The Righteous Men, a blistering thriller filled with mystery, romance, and suspense, Sam Bourne takes readers deep into the hidden worlds of fundamentalist religion, mysticism, and biblical prophecies. This is a visionary tale that is as frightening as it is entertaining. Readers won't stop turning the pages until the very end.

    That night, through the trees, under the moon, a pair of singular animals will watch Grady's isolated home, waiting to make their approach.  A few miles away, Camillia Rivers, a local veterinarian, begins to unravel the threads of a puzzle that will bring all the forces of a government in peril to her door. At a nearby farm, long-estranged identical twins come together to begin a descent into darkness…In Las Vegas, a specialist in chaos theory probes the boundaries of the unknowable…On a Seattle golf course, two men make matter-of-fact arrangements for murder…Along a highway by the sea, a vagrant scarred by the past begins a trek toward his destiny… In a novel that is at once wholly of our time and timeless, fearless and funny, Dean Koontz takes readers into the moment between one turn of the world and the next, across the border between knowing and mystery. It is a journey that will leave all who take it Breathless.

    He failed, and now, thanks to a deceptive news photo taken during the melee, he is wanted for the murder himself-and the real culprits have threatened his life if he says a word.As riots rage and politicians posture, Lieutenant Abe Glitsky finds himself under pressure to bring Shea in at all costs. And as respect for the law crumbles-even among those sworn to uphold it-true justice is the only thing that can prevent the death of another innocent man.

    But when a hit goes wrong and Schumann is nabbed, he’s offered a stark choice: kill Reinhard Ernst, the man behind Hitler’s rearmament scheme, and walk free forever—or be sent to Sing-Sing and the electric chair.The instant Paul sets foot in Berlin his mission becomes a deadly cat-and-mouse chase, with danger and betrayal lurking at every turn. For the next forty-eight hours, as the city prepares for the coming summer Olympics, Schumann stalks Ernst, while a dogged criminal police officer and the entire Third Reich security apparatus search frantically for the American. Packed with fascinating period detail and featuring a cast of perfectly realized local characters, Olympic athletes, and senior Nazi officials—some real, some fictional—Garden of Beasts dishes up breathtaking action, a wrenching look at Nazi-era Berlin, and a series of stunning plot twists. It is classic Deaver. (And there is also a slight Lincoln Rhyme connection for the discerning reader to find.)

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    * ' With Wilbur Smith the action is never further than the turn of a page.' – The Independent * 'Sex, money, ambition fear and blood ... an emotional stampede.' – The Daily Mail