She's on a plane when the flight attendant makes an announcement: prepare for a crash landing. She braces herself as thoughts flash through her mind. The shocking thing is, the thoughts are not of her husband, but a man she last saw fifteen years ago: Wyatt Armstrong.Dawn, miraculously, survives the crash, but so do all the doubts that have suddenly been raised. She has led a good life. Back in Boston, there is her husband, Brian, her beloved daughter, and her work as a death doula, where she helps ease the transition between life and death for patients in hospice.But somewhere in Egypt is Wyatt Armstrong, who works as an archaeologist unearthing ancient burial sites, a job she once studied for, but was forced to abandon when life suddenly intervened. And now, when it seems that fate is offering her second chances, she is not as sure of the choice she once made.After the crash landing, the airline ensures the survivors are seen by a doctor, then offers transportation wherever they want to go. The obvious option for Dawn is to continue down the path she is on and go home to her family. The other is to return to the archaeological site she left years before, reconnect with Wyatt and their unresolved history, and maybe even complete her research on The Book of Two Ways--the first known map of the afterlife. As the story unfolds, Dawn's two possible futures unspool side by side, as do the secrets and doubts long buried beside them. Dawn must confront the questions she's never truly asked: What does a life well-lived look like? When we leave this earth, what do we leave behind? Do we make choices...or do our choices make us? And who would you be, if you hadn't turned out to be the person you are right now?

    Do you like it?” Without waiting for a reply, she pulls me into her squishy, round tummy for a hug. I’m trying not to cry. Pharaoh’s daughters don’t cry.When we make our way down the tiled hall, I try to stop at ummi Kiya’s chamber. I know her spirit has flown yet I long for one more moment. Amenia pushes me past so I keep walking and don’t look back. Like the waters of the Nile, I will flow.   Anippe has grown up in the shadows of Egypt’s good god Pharaoh, aware that Anubis, god of the afterlife, may take her or her siblings at any moment. She watched him snatch her mother and infant brother during childbirth, a moment which awakens in her a terrible dread of ever bearing a child. Now she is to be become the bride of Sebak, a kind but quick-tempered Captain of Pharaoh Tut’s army. In order to provide Sebak the heir he deserves and yet protect herself from the underworld gods, Anippe must launch a series of deceptions, even involving the Hebrew midwives—women ordered by Tut to drown the sons of their own people in the Nile.      When she finds a baby floating in a basket on the great river, Anippe believes Egypt’s gods have answered her pleas, entrenching her more deeply in deception and placing her and her son Mehy, whom handmaiden Miriam calls Moses, in mortal danger.   As bloodshed and savage politics shift the balance of power in Egypt, the gods reveal their fickle natures and Anippe wonders if her son, a boy of Hebrew blood, could one day become king. Or does the god of her Hebrew servants, the one they call El Shaddai, have a different plan—for them all?

    Modern Art: A Very Short Introduction engages general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. The book focuses on interrogating the idea of modern art by asking such questions as: What makes a work of art qualify as modern, or fail to? How has this selection been made? What is the relationship between modern and contemporary art? Is postmodernist art no longer modern, or just no longer modernist? In either case, why--and what does this claim mean, both for art and the idea of the modern?Cottingham examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed (1999). He also looks at the role of the dealer from the main Cubist art dealer Kahnweiler, to Charles Saatchi.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam

    'Playing Cards in Cairo' is his sideways look at the lives of young Egyptians.

    Two of Ruskin's famous essays: "The Nature of the Gothic" and "The Work of Iron" from his book The Stones of Venice.

    Controlled by the Fates. Can Macy's love for her soul mate survive the bonds of time... and death?17-year old Macy Lockhart is as far from normal as any one girl can be. The problem is, she doesn’t know it yet.After a bloodstone pendant is mysteriously left on her door, Macy’s life begins to change in ways she’d never dreamed. And while she will eventually come to realize that nothing is ever what it seems, that her life is a tangled web of lies and the Fates themselves pull the strings, for now she is left with only the explanations that they offer her.Macy is led to believe that if she doesn’t return to a previous doomed life, one in which she served as Queen Cleopatra ‘s handmaiden, the fate of the entire world will be threatened in a way that would destroy history as we know it. She learns that she has lived thousands of lives, each one ending tragically…but none as tragic as this one.After returning to ancient Egypt, she is faced with heart-wrenching decisions. Unless she interferes with Fate’s plan, the very thing she was born to protect, her soul mate will die leading Marc Antony’s forces against Rome. Can she really stand aside and watch the love of her life die all over again?In this fascinating novel-length prequel to The Bloodstone Saga, Courtney Cole sets the stage for an epic journey that will have readers holding their breath until the very last page of the very last book has been turned.What would you do if you held Fate in your hands?