You already know David as the legendary warrior king of Israel, husband of Bathsheba, and father of Solomon; now meet David as he really was: the cocky Jewish kid, the plagiarized poet, and the Jewish father. Listen as David tells his own story, a story both relentlessly ancient and surprisingly modern, about growing up and growing old, about men and women, and about man and God. It is quintessential Heller.

    The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries—and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant—and ultimately has Griet sit for him as a model.

    The time is World War II. The family is the Macauley's -- a mother, sister, and three brothers whose struggles and dreams reflect those of America's second-generation immigrants.. In particular, fourteen-year-old Homer, determined to become one of the fastest telegraph messengers in the West, finds himself caught between reality and illusion as delivering his messages of wartime death, love, and money brings him face-to-face with human emotion at its most naked and raw. Gentle, poignant and richly autobiographical, this delightful novel shows us the boy becoming the man in a world that even in the midst of war, appears sweeter, safer and more livable than out own.

    One night at a cocktail party Mary meets Frank Renzo, a reporter who has covered stories from the fall of Dienbienphu to the Emmett Till murder trial in Mississippi. Slowly, reluctantly, they fall in love. Their ensuing affair, in all its desperate elation, plays out against a backdrop that ranges from the jazz clubs of Greenwich Village to the smoke-filled rooms of the Kennedy campaign. A romance in the grand tradition that is also a neon-lit portrait of America at its apogee, On Green Dolphin Street is Sebastian Faulks at the peak of his powers.

    Hugh Conway saw humanity at its worst while fighting in the trenches of the First World War. Now, more than a decade later, Conway is a British diplomat serving in Afghanistan and facing war yet again—this time, a civil conflict forces him to flee the country by plane.   When his plane crashes high in the Himalayas, Conway and the other survivors are found by a mysterious guide and led to a breathtaking discovery: the hidden valley of Shangri-La.   Kept secret from the world for more than two hundred years, Shangri-La is like paradise—a place whose inhabitants live for centuries amid the peace and harmony of the fertile valley. But when the leader of the Shangri-La monastery falls ill, Conway and the others must face the daunting prospect of returning home to a world about to be torn open by war.   Thrilling and timeless, Lost Horizon is a masterpiece of modern fiction, and one of the most enduring classics of the twentieth century.

    The setting for each is the same--Provence--and each has at its heart a love story. The narratives intertwine seamlessly, but what joins them thematically is an ancient text--"The Dream of Scipio"--a work of neo-Platonism that poses timeless philosophical questions. What is the obligation of the individual in a society under siege? What is the role of learning when civilization itself is threatened, whether by acts of man or nature? Does virtue lie more in engagement or in neutrality? "Power without wisdom is tyranny; wisdom without power is pointless," warns one of Pears's characters.

    * ' With Wilbur Smith the action is never further than the turn of a page.' – The Independent * 'Sex, money, ambition fear and blood ... an emotional stampede.' – The Daily Mail

    Born in Shanghai during the chaos of World War I, he is the son of an aristocratic Russian mother and a mysterious German father and is the protégé of a Japanese Go master. Hel survived the destruction of Hiroshima to emerge as the world’s most artful lover and its most accomplished—and well-paid—assassin. Hel is a genius, a mystic, and a master of language and culture, and his secret is his determination to attain a rare kind of personal excellence, a state of effortless perfection known only as shibumi.Now living in an isolated mountain fortress with his exquisite mistress, Hel is unwillingly drawn back into the life he’d tried to leave behind when a beautiful young stranger arrives at his door, seeking help and refuge. It soon becomes clear that Hel is being tracked by his most sinister enemy—a supermonolith of international espionage known only as the Mother Company. The battle lines are drawn: ruthless power and corruption on one side, and on the other . . . shibumi.

    Over the course of one long, tense and unbearable hot afternoon, Charlie Decker explains what led him to this drastic sequence of events, while at the same time deconstructing the personalities of his classmates, forcing each one to justify his or her existence.

    And before long The Wave, with its rules of "strength through discipline, community, and action", sweeps from the classroom through the entire school. And as most of the students join the movement, Laurie Saunders and David Collins recognize the frightening momentum of The Wave and realize they must stop it before it's too late.

    As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

    Asher Lev is an artist who is compulsively driven to render the world he sees and feels even when it leads him to blasphemy. In this stirring and often visionary novel, Chaim Potok traces Asher’s passage between these two identities, the one consecrated to God, the other subject only to the imagination.Asher Lev grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. But in time his gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous portrait of the artist, by turns heartbreaking and exultant, a modern classic.

    The complete novels of George Orwell in a single tome - a can't miss for fans and those new to Orwell alike!

    He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

    Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," she has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence.