Missing Nimama shows the human side of a tragic set of circumstances.An afterword by the author provides a simple, age-appropriate context for young readers. Includes a glossary of Cree terms.

    At the mountain's base sits a cabin under an old hickory tree. And in that cabin lives a family—loving, weaving, cooking, and singing. The strength in their song sustains them through trials on the ground and in the sky, as they wait for their daughter/sister/granddaughter/niece, a pilot, to return from war. With an author's note that pays homage to the true history of Native American U.S. service members like WWII pilot Ola Mildred "Millie" Rexroat.

    Here are poems that bring to life her rural Missouri childhood in a family with ten children (“Oh what a wedding train / of vagabonds we were who fell asleep just where we lay”); the love between men and women as well as the devastation of widowhood (“love’s house she goes dancing her grief-stricken dance / for his unpacked suitcases, . . . / . . . / his closets of clothes where I crouch like a thief”); and the moods of nature, which schooled her (“A tree will take you in, flush riot of needles light burst, the white pine / grown through sycamore”). Throughout, touching all subjects, either implicitly or explicitly, is the call to poetry itself.The final work from one of our finest poets, The Wind Blows Through the Doors of My Heart is a uniquely intimate collection, a sustaining pleasure that will stand to remind us of Digges’s gift in decades to come.

    and Canada dance, sell beadwork and books, and celebrate friendship and heritage. They are the heroes of their own stories.Featured contributors: Joseph Bruchac, Art Coulson, Christine Day, Eric Gansworth, Dawn Quigley, Carole Lindstrom, Rebecca Roanhorse, David A. Robertson, Andrea L. Rogers, Kim Rogers, Cynthia Leitich Smith, Monique Gray Smith, Traci Sorell, Tim Tingle, Erika T. Wurth, and Brian Young.

    Joshua’s grandfather is a Wisconsin Ojibwe Indian who, along with an array of quirky characters, runs a recreated sixteenth-century village for the tourists who visit the reservation. Joshua’s mother kept him from his Ojibwe heritage, so living on the reservation is liberating for him. The more he learns about Ojibwe traditions, the more he feels at home.One Ojibwe legend in particular captivates him. Pukawiss was a powerful manitou known for introducing dance to his people, and his nontraditional lifestyle inspires Joshua to embrace both his burgeoning sexuality and his status as an outcast. Ultimately, Joshua summons the courage necessary to reject his strict upbringing and to accept the mysterious path set before him.

    Here, an indigenous researcher issues a clarion call for the decolonization of research methods.The book is divided into two parts. In the first, the author critically examines the historical and philosophical base of Western research. Extending the work of Foucault, she explores the intersections of imperialism, knowledge and research, and the different ways in which imperialism is embedded in disciplines of knowledge and methodologies as 'regimes of truth'. Providing a history of knowledge from the Enlightenment to Postcoloniality, she also discusses the fate of concepts such as 'discovery, 'claiming' and 'naming' through which the west has incorporated and continues to incorporate the indigenous world within its own web.The second part of the book meets the urgent need for people who are carrying out their own research projects, for literature which validates their frustrations in dealing with various western paradigms, academic traditions and methodologies, which continue to position the indigenous as 'Other'. In setting an agenda for planning and implementing indigenous research, the author shows how such programmes are part of the wider project of reclaiming control over indigenous ways of knowing and being.Exploring the broad range of issues which have confronted, and continue to confront, indigenous peoples, in their encounters with western knowledge, this book also sets a standard for truly emancipatory research. It brilliantly demonstrates that "when indigenous peoples become the researchers and not merely the researched, the activity of research is transformed."

    An American Library Association Notable Children's BookThis is the land that's never been sold, where work the hands, so wise and old, that reach through the water, clear and cold, into the mud to pick the taro to make the poi for our ohana's luau.Acclaimed illustrator and animator Kenard Pak's light-filled, dramatic illustrations pair exquisitely with Ilima Loomis' text to celebrate Hawaiian land and culture.The backmatter includes a glossary of Hawaiian terms used, as well as an author's note.A Kirkus Reviews Best Book of the YearA New York Public Library Best Book of the YearA Bank Street Best Childrens Book of the Year!A Booklist Editor's Choice

    However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians—individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations.

    Each turn of the page represents both that which as been forgotten and that which is yet to be released. While this book is a rally cry for political action, it is also a celebration of wonder and longing and love.

    Fiction is matched in excitement by graphic novel excerpts and personal essays. Certain to become a literary touchstone for a new generation of writers and readers, Baby Remember My Name speaks to the broad range of queer girl experiences in work that is brave, irreverent, funny, sensitive, and hot.

    The problem is, he hasn't been entirely honest with his online boyfriend. Derek sent Ethan a photo taken before he got depressed and gained eighty pounds. Derek hasn't been honest with his employer either. When he lied about his age and experience to get a job with disabled adults, the last thing he expected was to meet a woman like Aaliyah. Smart, prickly and often difficult, Aaliyah challenges Derek's ideas about honesty and trust. Derek has to choose whether to risk telling the truth or to give up the most important relationship in his life.

    Winter mornings begin in darkness as deer, mice and other animals search for food, while spring brings green shoots poking through melting snow and the chirping of peepers. Brittany Luby and Joshua Mangeshig Pawis-Steckley have created a book inspired by childhood memories of time spent with Knowledge Keepers, observing and living in relationship with the natural world in the place they call home — the northern reaches of Anishinaabewaking, around the Great Lakes.

    It is also a world of boomtowns and bars, oil rigs and seismic soundings; of white energy speculators, ranchers, and sports hunters. Brody came to this dual world with the job of "mapping" the lands of northwest British Columbia as well as the way of life of a small group of Beaver Indians with a viable hunting economy living in the path of a projected oil pipeline. The result is Maps and Dreams, Brody's account of his extraordinary eighteen-month journey through the world of a people who have no intention of vanishing into the past. In this beautifully written book, readers go on a moose hunt; trap beaver; mourn at a funeral; drink in white bars; visit camps, cabins, and traplines by pickup truck, on horseback, and on foot. Brody's powerful commentary also retraces the history of the ever-expanding white frontier from the first eighteenth-century explorer to the wildest corporate energy dreams of the present day. In the process, readers see how Indian dreams and white dreams, Indians maps and white maps, collide.

    The collection contains stories about kelpies, selkies, and the Loch Ness Monster, alongside perhaps lesser-known mythical people and creatures, such as wulvers, Ghillie Dhu, and the Cat Sìth. These poems immerse readers in an enriching, diverse and enchanting vision of contemporary life. The poems in this collection are fun, surprising, and full of a magical mix of myth and contemporary LGBT themes – it is a perfect read for children who are learning more about themselves, other people, and the world around them. Wain is fully illustrated, and suitable for readers of all ages-https://theemmapress.glopal.com/en-US...

    Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature, and are a natural choice for the overarching subject of acclaimed editors Ellen Datlow and Terri Windling's third mythic anthology. The Coyote Road features a remarkable range of authors, each with his or her fictional look at a trickster character. These authors include Holly Black (The Spiderwick Chronicles), Charles de Lint (The Blue Girl), Ellen Klages (The Green Glass Sea), Kelly Link (Magic for Beginners), Patricia A. McKillip (Old Magic), and Jane Yolen. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess. The Coyote Road is essential reading for anyone interested in contemporary fantastic fiction.