Once you own a flash, though, you'll have a lot of questions about how to get it to create the light you need—questions about camera and flash settings, questions about direction, quality, and quantity of light. And in addition to knowing how to use your flash, you need to know which modifiers and triggers you might need, and you need to learn use them quickly.That’s why this book was created: to quickly get you to the technique, the setting, or exactly the right thing you need to do right now to improve your work.Here’s how it works: When you need to know how to do a particular thing, you turn to the chapter where it would be found, find the thing you need to do (it’s easy, each page covers just one single topic), and Scott tells you exactly how to do it just like he was sitting there beside you, using the same casual style as if he were telling a friend. That way, you get back to shooting fast. This isn’t a book of theory, full of confusing jargon and detailed multi-step concepts. This is a book on which button to click, which setting to use, and exactly how and when to use it, so you’re never “stuck” wondering how to use your flash again. This will be your “go to” book that sits within reach any time you’re shooting with flash, and you are going to love having this type of help right at your fingertips.

    Acclaimed as both actor and director, as well as for his musical compositions, he’s won multiple Oscars for his achievements in front of and behind the camera and has established himself as a true cinematic great. This stunning volume presents a chronological look at his astonishing body of work, from the early “spaghetti westerns” to his iconic role as “Dirty” Harry Callahan in Dirty Harry (1971), to the soulful Bird (1988) and the revolutionary western Unforgiven (1992) through to more recent films such as the Academy Award-winning Mystic River (2003) and Million Dollar Baby (2004), and his latest picture, the rousing drama Invictus, starring Matt Damon and Morgan Freeman, which was released in December 2009. Over 300 spectacular images, including dynamic stills from memorable screen performances and revealing behind-the-scenes photos, are accompanied by Richard Schickel’s incisive and illuminating commentary.

    Chock full of easy to understand instructions and full color pictures for the 24 recipes included, you are sure to succeed with this book, regardless of your skill level. With a few simple ingredients, and a little bit of time, you’ll be making bath bombs in an afternoon. You’re in good hands with this quick and easy guide to showing you not only the basics, but also more fun and challenging recipes like the Fizzy Pops, designed to look like tasty cake pop treats. Taking it a step further she has also included cupcake bath bombs with a sugar scrub topping. Who wouldn't love to make these? This book can be a project for yourself, a gift for a friend, or an enhancement to your knowledge in the world of bath and body crafts. Whatever the purpose, the reader will enjoy!

    The laws of physics had turned out to be idiotic, erecting no barriers to hopping time. In fact, they make it hard to avoid. I’m in the business of preserving the timeline—making sure the world sticks to the sacred rule of One Second Per Second, and that history unfolds according to plan. The problem is, there is no plan until I make it.

    With over 57 recipes, this book is chock-full of tasty meals that are easy to prepare. This is sure to become your go-to resource time and time again.Recipes include:-Korean Short Ribs-Mexican Fiesta Chicken-Homestyle Chili-BBQ Pulled Pork-Beef Bourguignon-Pork Tenderloin-Roast Pork-Beef Burgundy-Pork Primavera Sandwiches-Barbecued Chicken-Lemon-Roasted Cornish Hens-Tangy Roast Ham-Cheese Soup-Slow Cooker Macaroni & Cheese-Chicken Chow Mein-Chicken & 40 ClovesAnd many, many more!

    Filled with a wealth of rare and unseen behind-the-scenes imagery, this book explores the creation of the film as seen through the eyes of the artists, costume designers, and creature creators who gave Labyrinth its distinctive look. Featuring in-depth commentary from the talented crew and cast—including exclusive new interviews with Jennifer Connelly, Brian Henson, Brian Froud, and George Lucas—this deluxe book brings together a wealth of rare sketches, concept art, and candid set photography to form and incredible treasure trove for Labyrinth fans. With stunning visuals and unparalleled insight into the creation of a true modern classic, Labyrinth: The Ultimate Visual History is the perfect companion piece to one of the best-loved fantasy films of all time.

    Discover hidden stories behind movies you love (and, er, don't love so much), and find out just why the most dangerous place to be is in a Tom Hanks film.Fascinating, surprisingly and hugely entertaining, this leftfield movie guide is gold for film buffs, and might just bring out the geek - hidden or otherwise - within you...Includes:Alternative movie endings that were binned Movie sequels you didn't know existedMassive box office hits that were huge gamblesThe collateral damage of Tom Hanks moviesHidden subtexts in family moviesDisastrous things that went wrong on modern movie sets...and much, much more!

    In desperate attempts to cure their patients, physicians injected them with deadly medications, cut holes in their heads, and sterilized them. Years of insufficient funding caused the hospital to decay into a crumbling facility with too few staff, as seen in the 1975 film "One Flew Over the Cuckoo's Nest." Today, after a $360 million makeover, Oregon State Hospital is a modern treatment hospital for the state's civil and forensic mentally ill. In this compelling account of the institution's tragedies and triumphs, author Diane Goeres-Gardner offers an unparalleled look at the very human story of Oregon's historic asylum.

    Throughout history, humans have been saved a moment before they died. Those that are taken, awake to find themselves in a strange new world different from anything they had ever seen. They discover that some agency has taken them out of the time they lived and dropped them into the early Cretaceous Age. They are now faced with surviving in a world that was called the Golden Age of the Dinosaurs. Not only must they learn how to survive the giant carnivores but also survive other humans. They are challenged to build a civilization ninety million years before the first Homo sapiens appeared on Earth. The humans struggling to survive wonder if the Time Takers are a larger danger than any they face in the prehistoric world they now inhabit. One of them is determined to find out why they were taken and his quest could endanger everyone. Excerpt from: The Time Takers Suddenly, the cave was filled with a deafening roar. Everyone in the cave turned, grabbed their ears and looked to the left, where they saw an opening in the cave wall at the end of a short corridor. Something was filling the opening. Andy was stunned at what he saw. This was a nightmare that could only come from an overdose of bad drugs. Everyone fled across the cave to the wall furthest from the opening. The Romans broke formation and ran with the others. The Roman Leader held his ground and Andy saw he was shocked and frightened out of his wits. It was easy to see why. Andy sprinted across the cave and moved into the short corridor leading to the opening where a giant head with rows of sharp teeth was being pushed further into the cave. He stopped twenty feet from the head, raised the bow and fired an arrow directly into the open mouth of the huge Allosaurus. The giant reptile screamed and jerked its head back out of the opening but not before Andy had notched another arrow and hit it between the eyes with an arrow that buried itself to the fletching. The giant’s roar was silenced as it straightened up and then fell backwards. Andy put the bow over his shoulder and ran toward the entrance. He saw a large stone wheel on the right side of the opening designed to block the entrance and he ran behind it and tried to push it forward. The roars from outside the cave were getting louder…and numerous; everyone inside could hear that there were more of the nightmares that had stuck its head in the cave outside the opening. He pushed as hard as he could but the wheel was just too heavy to move. There was a channel cut into the floor for it to roll in; but it was just too massive to budge. The Roman Leader sprinted over and started pushing with Andy. They looked out of the opening as they struggled to move the stone wheel and saw ten of the giant carnivores were just outside the entrance surrounding the dead Allosaurus,. They appeared to be trying to determine what killed it. One of them looked at the cave opening and started moving toward it. Ten Samurai and five Vikings arrived at that moment and began pushing with Andy and the Roman. The wheel started moving and then rolled over the entrance just before the dinosaur arrived. The men gathered at the wheel felt it lean into the cave for a moment…and then fall back against the opening. This book is dedicated to my brother, Wayne. I wish you could have read this one. Thanks for reading Science Fiction to me when I was five years old. You started me on the path that led me to all the stories that spring from my imagination, I miss you and love you. Visit us on face book at www.facebook.com/SaxonAndrewsUniverse or our website at www.annihilationseries.com. You may contact me directly at saxonandrew@msn.com

    What she does not expect is to also inherit an Antique Shop which has not been opened in more than sixty years. She takes her friend, Peter Attwood, an archaeologist and historian to investigate the shop, but what they find is far more than a simple neglected retail store. They discover a coin minted at the time of the young King Edward V, but when they try to remove it from the shop, they step outside and into 1483, the year the coin was minted. Wanting to see the princes in the Tower and perhaps discover the truth of what happened to them, Peter persuades Rachel to dress in some of the historical clothing in the back room of the antique shop, and visit the Tower. There they watch the young King Edward V writing and when he leaves his scroll on a stone bench, Peter takes the opportunity to grab it. A journal written by one of the princes could be worth a fortune, but when they try to take it out of the shop, they find the same problem: it cannot be taken into the twenty first century. A scheme to hide the scroll in the fifteenth century and find it again in the twenty-first seems an easy option, until they are observed digging it up and accused of witchcraft.

    Pendel's attention. It is very interesting and throws many sidelights on the life of the White House. Pendel writes: "In 1861, or 1862, the Metropolitan Police was established by Congress at the Capital, and I made application for and received an appointment on the force. I made the first arrest, with the assistance of "Buck" Essex. The case was that of a fellow named Grady, one of the English Hill toughs. A roundsman said to us, "Boys, you take a walk down Seventh Street, and if you see anything going on, take a hand in it." Just as we got opposite the Patent Office, this Grady had assaulted, or rather was assaulting, a young fellow with a whip. I went up and grabbed him and put him under arrest, then took him to Squire Dunn's court and preferred charges against him. The Squire was busy writing for some time. When he got through he handed me the paper he was writing, and I was so green at the business I did not know what it was, so said: "What is this, Squire?" He replied, "Why, that is the paper of commitment for this fellow. Take him to jail." "On November 3, 1864, Sergeant John Cronin, Alfonso Dunn, Andrew Smith, and myself were ordered to report at the First Precinct, in the old City Hall, at one o'clock in the afternoon. We supposed we were to be detailed for detective work in New York City on account of the great riot then on there, especially as we were ordered to report in citizens' clothes, to conceal our revolvers, and to be sure to have them all clean and in good order. We arrived at the City Hall, and then were told where we were to go, which was to the President's Mansion, there to report to Marshal Lanham, at that time United States Marshal of the District of Columbia, and a bosom friend of Abraham Lincoln. "These were days that tried men's hearts, and women's, too. Men were falling at the front by hundreds, both in the Union and in the Confederate armies. There was weeping and mourning all over the land. Our nation was trembling with anxiety; we were all hoping that the great strife was over or soon to be. "Marshal Lanham took us upstairs and into the President's office, where we were introduced to him and to his two secretaries, Mr. Nicolay and Mr. Hay, the latter now being Secretary of State. We were then instructed to keep a sharp lookout in the different parts of the house, more particularly in the East Room and at the door of the President's office. " CONTENTS I — Under President Lincoln II — Under President Johnson III — Under President Grant IV — Under President Hayes V — Under President Garfield VI — Under President Arthur VII — Under President Cleveland VIII — Under President Harrison IX — Cleveland's Second Administration X— Under President McKinley XI — Furniture in Executive Mansion Originally published in 1902; reformatted for the Kindle; may contain an occasional imperfections; original spellings have been kept in place.

    But he soon learns that rats in suits are even worse. What do you do when rats invade your barn? Kill them or negotiate? Mason finds out the hard way that force does not always work! An allegory of war and violence? A statement on the arms race? Neal Asher’s work takes Orwell’s Animal Farm into a grimly humorous future where evolution is outrunning humanity. You may never trust a rat again! “I’ve never read anything like MASON’S RATS before … it’s sharp, funny and highly inventive. There’s more fun in this one slim volume than in many a full-length novel!” – Stephen Gallagher

    Now, in The Good, The Bad and The Multiplex, he takes us into the belly of the beast to ask: 'What's wrong with modern movies?'If blockbusters make money no matter how bad they are, then why not make a good one for a change? How can 3-D be the future of cinema when it's been giving audiences a headache for over a hundred years? Why pay to watch films in cinemas that don't have a projectionist but do have a fast-food stand? And, in a world in which Sex and the City 2 was a hit, what the hell are film critics for?Outspoken, opinionated and hilariously funny, The Good, The Bad and The Multiplex is a must for anyone who has ever sat in an undermanned, overpriced cinema and asked themselves: 'How the hell did things get to be this terrible?'

    But the drama on-screen has been matched, and often exceeded, by the lives off-screen."As the title suggests the book covers the history of Hollywood from its origins in the early part of the 20th century through its heyday under the studio system and finally to the Hollywood of CGI and summer blockbusters.

    R. R. Tolkien’s magic world was brought to vivid life on the big screen in the record-breaking film trilogies The Lord of the Rings Motion Picture Trilogy and The Hobbit Motion Picture Trilogy. Drawing on resources, stories, and content from the archives of the companies and individuals behind the films, much of which have never appeared in print before, as well as interviews with director Peter Jackson and key members of the Art Department, Shooting Crews, Park Road Post, and Weta Digital teams who share their personal insights on the creative process, this astonishing resource reveals: How the worlds were built, brick by brick and pixel by pixel; How environments were extended digitally or imagined entirely as computer generated spaces; How the multiple shooting units functioned; How cast members and characters interacted with their environments. Daniel Falconer takes fans from storyboard concepts to deep into the post-production process where the films were edited, graded, and scored, explaining in depth how each enhanced the films. He also discusses how the processes involved in establishing Middle-earth for the screen have evolved over the fifteen years between the start and finish of the trilogies. Going region by region and culture by culture in this fantasy realm, The Making of Middle-Earth describes how each area created for the films was defined, what made it unique, and what role it played in the stories. Illustrated with final film imagery, behind-the-scenes pictures and conceptual artwork, including places not seen in the final films, this monumental compilation offers unique and far-reaching insights into the creation of the world we know and love as Middle-earth.