Eighteen-year-old Jenny is under no illusions—it’ll take a miracle to survive, much less thrive, in the unforgiving wilderness, particularly when twelve-year-old David fights her every attempt to prepare. Unexpected help arrives when John Beck—once a close friend of their father’s—arrives at their cabin. The tough-as-nails bounty hunter reluctantly agrees to stay through the winter. He owes it to his murdered friend to help Foster’s children build a working ranch, even if it’s the last thing he wants to do. Their uneasy alliance is fraught with hardships, danger, and back-breaking work that still doesn’t guarantee anyone will survive until spring. Especially with their father’s killer still on the loose.

    Written with compassionate tenderness and magical thinking, it explores the courage of conviction, the transformative power of grief, the desire for knowledge and the pull of home, from an exceptionally talented and original British writer. It is a radiant and timeless epic-in-miniature, an eerie, electric monument to possibility.

    A force to be reckoned with. The stuff of legend.So is she... May the best sheriff win. Paisley Bell knows the eccentric people of Savage Wells. From the absentminded shopkeeper who always thinks she's been robbed to the young man who has returned shell-shocked from the war, Paisley has compassion for them all. When the sheriff up and leaves town, Paisley steps up and assumes the responsibility, partly because she loves the work, but also because she needs the income to take care of her sick father. So when the town council decides that the position of sheriff should really go to a man, Paisley finds herself fighting to prove that she's the perfect candidate for the job, even though she wears a skirt.Cade O'Brien is heartily sick of shooting people. In his many years as a lawman, Cade has seen his share of blood and violence. So when he answers an advertisement for a sheriff job in the sleepy town of Savage Wells, he believes he's found the peace and quiet he's always desired. But when he discovers that his biggest competition for the job is a woman, he begins to question his decisions.Tension between the two begins to sizzle when both Cade and Paisley realize the attraction they have for each other, but when Paisley's former beau shows up in town, along with a band of bank robbers, the blossoming relationship between the two sheriffs is tested. They will have to work together to thwart the bank robbers and keep the town safe.

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    Most men would end their days in bed or take their own lives, but a gunfighter has a third option, one that Books decides to exercise. He may choose his own executioner.As word spreads that the famous assassin has incurable cancer, an assortment of human vultures gathers to feast on the corpse—among them a gambler, a rustler, a clergyman, an undertaker, an old love, a reporter, even an admiring teenager. What follows is the last courageous act in Books’s own legend.This classic, Spur Award–winning novel was chosen by the Western Writers of America as one of the best western novels ever written and was the inspiration for John Wayne’s last great starring role in the acclaimed 1976 film adaptation. The Bison Books edition includes a new introduction by the author’s son, Miles Swarthout, in which he discusses his father’s work and the making of the legendary film.

    After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure. Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross? As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

    It is the story of Lassiter, a gunslinging avenger in black, who shows up in a remote Utah town just in time to save the young and beautiful rancher Jane Withersteen from having to marry a Mormon elder against her will. Lassiter is on his own quest, one that ends when he discovers a secret grave on Jane’s grounds. “[Zane Grey’s] popularity was neither accidental nor undeserved,” wrote Nye. “Few popular novelists have possessed such a grasp of what the public wanted and few have developed Grey’s skill at supplying it.”

    An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

    In classic Western style Larry McMurtry illustrates the timeless conflict between the modernity and the Old West through the eyes of Texas cattlemen.Horseman, Pass By tells the story of Homer Bannon, an old-time cattleman who epitomizes the frontier values of honesty and decency, and Hud, his unscrupulous stepson. Caught in the middle is the narrator, Homer's young grandson Lonnie, who is as much drawn to his grandfather’s strength of character as he is to Hud's hedonism and materialism. When first published in 1961, Horseman, Pass By caused a sensation in Texas literary circles for its stark, realistic portrayal of the struggles of a changing West in the years following World War II. Never before had a writer managed to encapsulate its environment with such unsentimental realism. Today, memorable characters, powerful themes, and illuminating detail make Horseman, Pass By vintage McMurtry.

    Set in Arizona mining country, Hombre is the tale of a white man raised by Indians, who must come to the aid of people who hate him when their stagecoach is attacked by outlaws.

    In the lonely years that follow, his new son, his fourth, grows to become a skillful, aggressive jockey and his father, with equal fervor, stakes his land and fortunes on his success. In 1910, father and son, distant yet strangely joined in this venture, race to a point of no return for the entire family. What happens to the son beyond that juncture will not reconfigure his past, but it will burnish him into unexpected maturity.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Relive the adventure and beauty of the incredible movie, Dances with Wolves.

    Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart. John’s heritage gains them safe passage through hostile territory only to come between them as they seek to build a life together.When a horrific tragedy strikes, decimating Naomi’s family and separating her from John, the promises they made are all they have left. Ripped apart, they can’t turn back, they can’t go on, and they can’t let go. Both will have to make terrible sacrifices to find each other, save each other, and eventually…make peace with who they are.