In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

     But when a casual fling turns serious, will they both be down for the ride? Riley Pratt is content living her quiet, less-than-thrilling life in the city minding her own business. Due to her hectic work schedule and self-made career as one of Savannah's up-and-coming interior designers, she's learned to keep her thoughts to herself and her eyes on the prize-- a fruitful, shining career in design. Until Cameron Alden waltzes into town.Always thinking up his next cocky comeback, Cameron is arrogant and annoyingly charming in all the wrong ways. Heir to the largest whiskey distillery in the South, he prides himself on being well-endowed but also claims he's prudish as hell. Official word around town? He's Savannah's hottest bachelor. And he takes complete advantage of it.Which... isn’t Riley’s glass of rosé. Though she can feel sparks flying rampant when they’re together, will Riley give him a chance? Or is she too sure that Cameron's old habits will die hard, making her just another one-night stand?

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    Subodh, a regular IT employee, is perceived as an immature man by everyone, but he isn't bothered until his love interest rejects him citing the same. Although dejected and crestfallen, he soon befriends an unusual, mysterious woman who knows everything about him and seems to have all the answers. Soon, his life goes through a lot of unexpected turns—from doubting his sanity and visiting a psychologist to a failed arranged marriage attempt made by his parents. Everything in his life seems to be in fast-forward mode. One thing that does not change, however, is this unusual “friend” of his who refuses to reveal her identity and chooses to appear at her whim. Who is this mysterious woman? Why is she prying into his life? Where will this strange friendship lead him? Is some impending danger awaiting Subodh or is it something else altogether?

    She had a few friends who consisted of her roommate since freshmen year Carissa and Chantel who was the only friend that she’s had since her childhood, she was mainly the only thing that she vaguely remembered from her childhood. She’s in a relationship with Chantel’s fraternal twin brother Mike who later cheats on her. In the beginning of her junior year in college she meets this guy named August, and he's known for only wanting one thing from girls and that's sex but he see’s something different in Melissa and he’s willing to try committing with her. Melissa's been hurt one too many times that she doesn’t want another relationship, so being the type of person that August is he makes an deal with her. Which is Sex and no Commitment, but at this rate they are both going it's going to be a tough deal to follow through with. And there's something that Melissa forgets to mention to August, will he still want her after she tells him? So many questions, but you gotta read to find out.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Moments that make us who we are. But what if they don't unfold the way they're supposed to...?What if you get on the wrong bus, or don't speak to the right person at a party, or stay in a job that isn't for you? Will you miss your one chance at happiness? Or will happiness find you eventually, when the moment is right?Meet Matthew and Myrtle. They have never really felt like they fitted - in life or with anyone else. But they are meant to be together - if only they can find each other.A powerful and emotional story about missed chances, interwoven lives and the moments that define us.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    And when a vicious migraine sends her to a saggy hotel bed and him to the marketing conference in her place, she is first relieved and then thankful.Weeks later, upon discovering she’s pregnant, Claire has no reason for concern. With the help of genetic counselors and fertility specialists, she and her college-sweetheart husband, Tim, have been striving for a sibling for their ten-year-old daughter, Ally. And now they have one: a precious baby boy they name Owen.But all is not well, and soon Claire begins spotting alarming quirks in Owen’s behavior that suggest he may be stricken with Batten Disease, the terminal illness that took her brother, Ricky, back in nineteen seventy-nine. If Claire is right and Owen is sick, other disturbing things may also be true. Things like: Claire has been raped; Owen is not Tim’s son; and Owen is going to die. As events unfold, Claire finds herself confronting unthinkable choices, the consequences of which could jeopardize her career, her marriage, and even her freedom.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

     Part 2 continues the saga of the Bassett brothers and their twin wives as they return to Riverbreeze and begin their married lives. All is not well at the Bassett home though. A pair of misfortunes set the stage for this action-packed sequel. Robert must also face the consequences of his reckless behavior in Part 1; and Elizabeth and Evelyn discover a strange phenomenon about themselves that threatens to destroy their young relationships with their husbands; and finally Robert makes the one dreaded mistake that almost drives a wedge between the two brothers. Full of drama, excitement, humor, romance and details of early American life, Riverbreeze, the series will appeal to a wide range of readers.

    Though, one month out of the Kansas Territory, Hank disappears leaving Rebecca and Jace, their older son, responsible for finding the wagon train in his absence. Without Hank, Rebecca is forced to kill an outlaw who threatens her and her children. The courageous act thrusts her on a course of unforeseen danger. Rebecca finds it necessary to make one critical decision after another for the survival of her family. Joining the wagon train, Rebecca begins the long journey west. Two thousand miles of untamed wilderness and overwhelming adversities draw her closer to the group of travelers whom she soon considers family. Their strength overshadows her fears of retaliation by the outlaw’s brothers determined to make good on their promise. Music by the campfires, starlit nights, and God’s constant presence make the unrelenting wind and long, hot days bearable. Along with the unexpected romance which catches Rebecca by surprise. Gentle Courage tells the story of a woman with extraordinary faith and courage to give her children a future. With powerful insight, author of the Tales of Hackett County series, Connie Johnson captures the essences of the historical epic of the Oregon Trail seen through the eyes of Rebecca Quaid.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.