They are our neighbors, our mothers, our lovers.They change.When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is.Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero.Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy. So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge...and the battle for humanity will begin.

    . .Five years ago, three-year-old Dillon disappeared. For his father Harry - who left him alone for ten crucial minutes - it was an unforgivable lapse. Yet Dillon's mother Robyn has never blamed her husband: her own secret guilt is burden enough.Now they're trying to move on, returning home to Dublin to make a fresh start.But their lives are turned upside down the day Harry sees an eight-year-old boy in the crowd. A boy Harry is convinced is Dillon. But the boy vanishes before he can do anything about it.What Harry thought he saw quickly plunges their marriage into a spiral of crazed obsession and broken trust, uncovering deceits and shameful secrets. Everything Robyn and Harry ever believed in one another is cast into doubt.And at the centre of it all is the boy that never was . . .

    He should know. Hazel's father is Jack Nash, the host of America's favorite conspiracy TV show, The House of Secrets.Even as a child, she loved hearing her dad's tall tales, especially the one about a leather book belonging to Benedict Arnold that was hidden in a corpse.Now, years later, Hazel wakes up in the hospital and remembers nothing, not even her own name. She's told she's been in a car accident that killed her father and injured her brother. But she can't remember any of it because of her own traumatic brain injury. Then a man from the FBI shows up, asking questions about her dad - and about his connection to the corpse of a man found with an object stuffed into his chest: a priceless book that belonged to Benedict Arnold.Back at her house, Hazel finds guns that she doesn't remember owning. On her forehead she sees scars from fights she can't recall. Most important, the more Hazel digs, the less she likes the person she seems to have been.Trying to put together the puzzle pieces of her past and present, Hazel Nash needs to figure out who killed this man - and how the book wound up in his chest. The answer will tell her the truth about her father, what he was really doing for the government - and who Hazel really is.Mysteries need to be solved. Especially the ones about yourself.

    Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.The Witch Elm asks what we become, and what we're capable of, when we no longer know who we are.

    Why else would her Amish mother, a plain and simple woman who embraces the Old Order laws, hide the beautiful baby dress in the attic? But nothing could have prepared Katie for the startling news that stumbles out of her anguished parents on the eve of her wedding to Bishop John. Will Katie suddenly find herself a stranger in the community she has always called home?

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    But when Alex’s mother, Patsy, commits suicide without leaving behind any information, Alex is left wondering: could she be haunted by something from the childhood she doesn’t remember?Naked, writhing bodies…Detective Daniel Reed was the last person to speak to Patsy. What he reveals to Alex is shocking. Twenty-five years earlier, Patsy was married to Harlan Sommer, one of Sonoma County’s most prominent vintners, when their infant son disappeared without a trace. The loss destroyed the Sommers’ marriage, causing Patsy to leave and take Alex with her.A dead child…Called on to investigate the identity of a baby’s remains unearthed in a Sonoma vineyard, Reed had picked up a trail that led him to Patsy in San Francisco. Now Reed and Alex both wonder if the cold bones could be her baby brother Dylan, and Alex decides to accompany Reed back to Sonoma for the investigation. No sooner does she arrive, however, than she is drawn deep into the search for a twisted killer…

    

    When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn’t think much of it. They haven’t seen each other in nearly a year and thanks to Nora’s fierce aloofness, their relationship consists mostly of infrequent phone calls and an occasional email or text. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora’s “something” is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and not to utter a word about the child to anyone, especially not their buttoned-up mother who seems determined to pretend everything is perfect. But before Quinn can ask even one of the million questions swirling around her head, Nora disappears, and Quinn finds herself the unlikely caretaker of a girl introduced simply as Lucy. While Quinn struggles to honor her sister’s desperate request and care for the lost, scared Lucy, she fears that Nora may have gotten involved in something way over her head—something that will threaten them all. But Quinn’s worries are nothing compared to the firestorm that Nora is facing. It’s a matter of life and death, of family and freedom, and ultimately, about the lengths a woman will go to protect the ones she loves.

    Henry Prize winner Jan Ellison delivers a brilliantly paced, beautifully written debut novel about one woman's reckoning with a youthful mistake. Named one of the best books of the year by San Francisco ChronicleAt nineteen, Annie Black trades a bleak future in a washed-out California town for a London winter of drinking and abandon. Twenty years later, she is a San Francisco lighting designer and happily married mother of three who has put her reckless youth behind her. Then a photo from that distant winter in Europe arrives inexplicably in her mailbox, and an old obsession is awakened. Past and present collide, Annie's marriage falters, and her son takes a car ride that ends with his life hanging in the balance. Now Annie must confront her own transgressions and fight for her family by untangling the mysteries of the turbulent winter that drew an invisible map of her future. Gripping, insightful, and lyrical, A Small Indiscretion announces the arrival of a major new voice in literary suspense as it unfolds a story of denial, passion, forgiveness—and the redemptive power of love.

    After his body was found in a shallow grave in the woods two months later, the repercussions were felt for years.Janet Manning has been haunted by the murder since the day she lost sight of her brother in the park. Now, with the twenty-fifth anniversary of Justin’s death looming, a detective and a newspaper reporter have started to ask questions, opening old wounds and raising new suspicions. Could the man convicted of the murder — who spent more than two decades in prison — really be innocent? Janet’s childhood friend and high school crush, who was in the park with her that day, has returned to Dove Point, where he is wrestling with his own conflicted memories of the events. And a strange man appears at Janet’s door in the middle of the night, claiming to know the truth.Soon, years of deceit will be swept away, and the truth about what happened to Janet’s brother will be revealed. And the answers that Janet has sought may be found much closer to home than she ever could have imagined.

    The kids aren't much trouble, but the thieves, drug dealers and kidnappers they're about to encounter are. Detective Jack Dunlevy, a cop down on his luck, draws the cases no one else wants. A simple investigation involving a dead homeless man quickly changes as Crystal enlists Jack's help with the children. Drawn into a mystery that none of them could have anticipated, they're faced with a situation that will change their lives forever.

    The second thing is that it matters.On her way to her nineteenth wedding anniversary celebration, Natalie Falcone leaves the struggling restaurant she owns with her brother-in-law Vince. She doesn’t speak to him on her way out; they haven’t spoken in months. Out on the sidewalk, she gets a phone call every mother dreads: It’s from a hospital emergency room in the town where her daughter, Arden, attends college. Arden’s been in a fire, along with Natalie’s niece, Rory—Vince’s daughter and Arden’s best friend.Natalie rushes to the hospital and learns that both Arden and Rory lie unconscious, and that another student has died in the blaze. The police suspect arson.As the investigation mounts, Natalie struggles to piece together the elusive details of Arden’s and Rory’s freshman year. Growing up, Rory was charming, popular, and charismatic, while Arden was artistic, perceptive, and reserved. They were different yet inseparable, more like sisters than cousins. But the case unearths a different portrait—of a complex friendship, a love triangle, a fight, and a girl who was struggling more than anyone realized. To discover what really happened that tragic night, Natalie’s and Vince’s families must confront the one truth that ultimately emerges: Nothing is ever exactly what it seems.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    It has been seven years since she disappeared, and nobody said a word. Now, following the death of his wife, her father Leon feels compelled to find her. Rumour had it she ran off when her baby boy was born with the family's genetic disorder. Leon is not so sure. He wants to know the truth and he hires a private investigator to discover it - Ray Lovell. Ray starts to delve deeper, but his investigation is hampered by the very people who ought to be helping him - the Jankos. He cannot understand their reluctance to help. Why don't they want to find Rose Janko?