. .Karen Spears and Bob Parsons meet in college and embark upon the kind of enviable, picture-perfect relationship featured in romantic movies. Bob is ambitious and adoring; Karen is bright and beautiful. And nothing seems more natural to them than getting married right after Karen's graduation.Newlywed life meets all of Karen's expectations. Bob's career is soaring and Karen has a fulfilling job of her own--one that's put on hold when she becomes pregnant. But their caring partnership begins to slip away as Bob's single-minded pursuit of the next promotion blinds him to how overwhelmed Karen feels as a stay-at-home mom. When resentment and disenchantment build on both sides, Karen finds herself at a crossroads. What happens when reality erodes your ideal relationship? How do you know when to stay and when to go? And how much can any marriage endure before it becomes just another statistic?Profoundly honest and revealing, A Changing Marriage is a vivid portrait of relationships at their most intricate--and most familiar.

    Five get into Trouble, Five on Finniston Farm, Five are Together Again

    With small town journalist Cal Murphy quickly losing his big city dreams of writing for a metro newspaper, his passion is reignited when three star prep athletes are found dead in a 24-hour period.As he and fellow photographer Kelly Mendoza attempt to make sense of bizarre circumstances that led to the teens? deaths, Cal makes a chilling discovery, uncovering a vast conspiracy that grows darker with every twist and turn.With a mastermind determined to silence Cal and Kelly for good, the young reporters ultimately must decide if their lives are worth the risk to reveal the truth.

    I was moved."-Tao Lin, New York Times Book Review"A marvelously scathing indictment of a generation that has no choice but to burn. From Nothing’s outset, [Wirth Cauchon] crafts scenes with complexity and a scary prescience. [Nothing is] a riveting first piece of scripture from our newest prophet of misspent youth."-Paste"Like a movie adaptation of Daria as directed by Gregg Araki. The energy almost makes each page glow. Though this novel starts as Bret Easton Ellis, it ends as Nick Cave - thunderous, apocalyptic. The move into the grand and mythic separates Nothing from the usual stuff concerning the bored and the pretty."-Electric Literature"Nothing feels like the descendent of the masterful short stories of Denis Johnson’s Jesus’ Son. [A] noteworthy debut."-Bustle"A burning mean and darkly mysterious read."-Joy Williams"I could tell you that Anne Marie Wirth Cauchon has written an utterly contemporary novel of our fragmented culture, a novel that I think might be the great American novel of the selfie, brilliantly alternating the narratives of two young travelers partying and searching and losing themselves in the wild West — a Kerouac hitchhiker juxtaposed with the nihilistic, wanting, wandering Ruth and her toxic friendship with her prettier best friend. But this is what I want to tell you—this is what you need to know — Anne Marie Wirth Cauchon writes like a beast, brutal and ecstatic. You need to read this."-Kate Zambreno"An edgy debut. Cauchon's characters have serrated edges... they'll get under the reader's skin."-Publishers Weekly"Claustrophobic. It's August and the hills are on fire and I'm reading Nothing. I see Wirth Cauchon's characters lurking around Missoula, outside the bars and walking along the river, lost and fucked up, abused and abusers, seekers, trustafarians, and ne'er-do-wells. Stuck in the limbo of youthful identity crisis, desperate for a way in or a way out."-Jeff AmentRuth traded a dead-end life in Minneapolis for a dead-end life in Missoula. But in Missoula, she's got Bridget. "[Bridget] was gorgeous… but that wasn't it, that didn't quite explain it. What explained it was the curse. The curse of the unreasonably pretty, the curse of cult leaders and dictators. It sucked everyone to her, it consumed her, made her untouchable."After a local girl dies at a party, signaling the end of fun for the twentysomethings of Missoula, James and Ruth become involved. But jealousy over Bridget quickly complicates things.Nothing announces a nervy and assertive new voice, while also capturing the angst and foreboding that could mark it as an even grander generational statement.

    He was also a prolific writer of letters, sending as many as thirty in a week.These letters, culled from thousands written to famous writers, his family, friends, and lovers, paint an intimate and surprising self-portrait that is as vivid as any character Cheever invented.Edited and annotated by his son Benjamin, Cheever's letters trace his development as a writer and as a man. They reveal him to be complex, flawed, and full of contradictions. On display are not just his ambitions and weaknesses, or his cloaked bisexuality, but the evolution of his wit and style — and most of all, his immense love of life.

    Keyhoe states that while Earth has been visited by extraterrestrials for centuries, the Air Force was actively investigating these cases & hiding them. He researched sightings, concluding the saucers are interplanetary. Keyhow, who had some access to original military files, didn't believe in space visitors before starting this book. He examines the most prominent UFO cases up to 1950: the Kenneth Arnold sighting, the Mantell Crash, the Chiles-Whitted UFO sighting etc, offering his own views. After checking every other possible answer thoroughly, he saw that they didn't fit with the reports. This is a must for anyone who wants to know the truth about UFO phenomena. It wasn't only one of the 1st, but also one of the best reports ever written on the subject. There is no sensationalism in its pages, just cold, hard, well-researched facts. Keyhoe was one of the most prominent figures in the early history & development of UFO studies in the USA. His book established him as a leading figure in the field. Over the next two decades he'd be frequently interviewed on tv & radio. In '57 he became the leader of NICAP (National Investigations Committee on Aerial Phenomena), the largest, most influential civilian UFO research group of the '50s & 60s. He remained its leader until 1969.

    As you might imagine, he gets a lot of letters in response to his often iconoclastic views. As you might not expect, he writes a lot of letters, too. Now Rooney has collected the funniest, wisest, and most interesting of his letters, spanning several decades and addressing issues both momentous and trivial. He responds to complaints from viewers; he corresponds with old friends; and he writes to his children about the things he cares about most. Variously caustic, hilarious, and sage, these unfailingly entertaining letters reveal not only Rooney the iconoclast but Rooney the American Everyman. Sincerely, Andy Rooney is Andy Rooney at his best-and a wonderful gift book that will make readers chuckle and think twice.

    Ada, or Ardor is no less than the superb work of an imagination at white heat.This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

    Fifteen months later, his mother, her boyfriend and the boyfriend's brother were sent to prison. But media attention turned on those who worked to protect children, especially the social workers and their managers, who became the focus of the reporting and of the blame. Five years later they are still harassed by press reporters. This book tells what happened to 'Baby P', how the story was told and became focused on the social workers, its threatening consequences for those who work to protect children, and its considerable impact on the child protection system in England. This is the first book to draw together all evidence available on this high profile case and will make a unique and crucial contribution to the topic. It will make essential reading for everyone who is concerned about child protection and the care of children and about the media's impact.

    

    She now has a big decision to make, for her and the well being of her unborn child.

    All satellite communications are interrupted, as fear grips the cities of the world. When the skies return to normal, it becomes clear that a force of incredible magnitude has arrived on Earth. Its mission: to eliminate all human life on the planet.SILENT ZONECREATED BY DEAN DEVLIN & ROLAND EMMERICH NOVEL BY STEPHEN MOLSTADIn the official prequel to Independence Day, Dr Brackish Okun, head scientist of Area 51, begins to suspect that a massive government cover-up has successfully buried all evidence of alien visitation throughout the years—a cover-up in which Okun is now an unwilling participant.WAR IN THE DESERTCREATED BY DEAN DEVLIN & ROLAND EMMERICHNOVEL BY STEPHEN MOLSTADIt is the fourth of July. Reeling from the enemy onslaught, a few surviving military pilots gather in the Saudi Arabian desert. Two of the best fliers discover that their recent “victory” was an illusion—part of a secret ambush that will open the planet to unimaginable horror, unless several Middle Eastern nations can overcome long-standing hatreds and unite against the aliens in the fiercest hand-to-hand combat of the war.

    Probes the killer resentments and sinister fantasies, and find out what drove these apparently ordinary people to commit acts of savagery.

    In a vivid re-creation of Mary Magdalene's life story, Margaret George convincingly captures this renowned woman's voice as she moves from girlhood to womanhood, becomes part of the circle of disciples, and comes to grips with the divine.While grounded in biblical scholarship and secular research, Mary, Called Magdalene ultimately transcends both history and fiction to become a "diary of a soul."

    Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves.   In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.