Mandela, Zelda la Grange recounts her remarkable life at the right hand of the man we both knew and loved. It's a tribute to both of them—to Madiba's eye for talent and his capacity for trust and to Zelda's courage to take on a great challenge and her capacity for growth. This story proves the power of making politics personal and is an important reminder of the lessons Madiba taught us all.”—President Bill Clinton“President Nelson Mandela’s choice of the young Afrikaner typist Zelda la Grange as his most trusted aide embodied his commitment to reconciliation in South Africa. She repaid his trust with loyalty and integrity. I have the highest regard for her.”—Archbishop Emeritus Desmond Tutu“Zelda la Grange has a singular perspective on Nelson Mandela, having served as his longtime personal aide, confidante and close friend. She is a dear friend to both of us and a touchstone to all of us who loved Madiba. Her story of their journey together demonstrates how a man who transformed an entire nation also had the power to transform the life of one extraordinary woman.”—Morgan Freeman and Lori McCreary, actor, producer of InvictusA white Afrikaner, Zelda la Grange grew up in segregated South Africa, supporting the regime and the rules of apartheid. Her conservative family referred to the imprisoned Nelson Mandela as “a terrorist.” Yet just a few years after his release and the end of apartheid, she would be traveling the world by Mr. Mandela’s side, having grown to respect and cherish the man she would come to call "Khulu," or “grandfather."Good Morning, Mr. Mandela tells the extraordinary story of how a young woman’s life, beliefs, prejudices—everything she once believed—were utterly transformed by the man she had been taught was the enemy. It is the incredible journey of an awkward, terrified young secretary in her twenties who rose from a job in a government typing pool to become one of the president’s most loyal and devoted associates. During his presidency she was one of his three private secretaries, and then became an aide-de-camp and spokesperson and managed his office in his retirement. Working and traveling by his side for almost two decades, La Grange found herself negotiating with celebrities and world leaders, all in the cause of supporting and caring for Mr. Mandela in his many roles.Here La Grange pays tribute to Nelson Mandela as she knew him—a teacher who gave her the most valuable lessons of her life. The Mr. Mandela we meet in these pages is a man who refused to be defined by his past, who forgave and respected all, but who was also frank, teasing, and direct. As he renewed his country, he also freed La Grange from a closed world of fear and mistrust, giving her life true meaning. “I was fearful of so much twenty years ago—of life, of black people, of this black man and the future of South Africa—and I now was no longer persuaded or influenced by mainstream fears. He not only liberated the black man but the white man, too.”This is a book about love and second chances that honors the lasting and inspiring gifts of one of the great men of our time. It offers a rare intimate portrait of Nelson Mandela and his remarkable life as well as moving proof of the power we all have to change.

    This book, her personal account of the historic flight, sparkles with her high-spirited charm and adventurous determination. Through she would not make the Atlantic crossing alone until 1932, Earhart was already an accomplished aviator when selected in the spring of 1928 to accompany pilot Wilmer Stulz and mechanic Louis "Slim" Gordon in the Friendship.20 Hrs., 40 Min. offers a rare glimpse into the inner life of "Lady Lindy" who would become a legend following her disappearance over the Pacific Ocean while attempting a round-the-world flight. Amelia Earhart was a truly remarkable woman, and reading this book, writes series editor Anthony Brandt in the introduction, "will help you understand what all the fuss was about."

    Hailed for its scientific analysis and poetic grace when it was first published in 1952, the book remains a vital force today.

    We know her today primarily as a saintly character, perhaps as a heroic reformer of Britain’s health-care system. The reality is more involved and far more fascinating. In an utterly beguiling narrative that reads like the best Victorian fiction, acclaimed author Gillian Gill tells the story of this richly complex woman and her extraordinary family.Born to an adoring wealthy, cultivated father and a mother whose conventional facade concealed a surprisingly unfettered intelligence, Florence was connected by kinship or friendship to the cream of Victorian England’s intellectual aristocracy. Though moving in a world of ease and privilege, the Nightingales came from solidly middle-class stock with deep traditions of hard work, natural curiosity, and moral clarity. So it should have come as no surprise to William Edward and Fanny Nightingale when their younger daughter, Florence, showed an early passion for helping others combined with a precocious bent for power. Far more problematic was Florence’s inexplicable refusal to marry the well-connected Richard Monckton Milnes. As Gill so brilliantly shows, this matrimonial refusal was at once an act of religious dedication and a cry for her freedom–as a woman and as a leader. Florence’s later insistence on traveling to the Crimea at the height of war to tend to wounded soldiers was all but incendiary–especially for her older sister, Parthenope, whose frustration at being in the shade of her more charismatic sibling often led to illness. Florence succeeded beyond her wildest dreams. But at the height of her celebrity, at the age of thirty-seven, she retired to her bedroom and remained there for most of the rest of her life, allowing visitors only by appointment.Combining biography, politics, social history, and consummate storytelling, Nightingales is a dazzling portrait of an amazing woman, her difficult but loving family, and the high Victorian era they so perfectly epitomized. Beautifully written, witty, and irresistible, Nightingales is truly a tour de force.From the Hardcover edition.

    Telling the story of her family, growing up in California in the '60s and '70s, her life in visual art, her move to New York City, the men in her life, her marriage, her relationship with her daughter, her music, and her band, Girl in a Band is a rich and beautifully written memoir.Gordon takes us back to the lost New York of the 1980s and '90s that gave rise to Sonic Youth, and the Alternative revolution in popular music. The band helped build a vocabulary of music—paving the way for Nirvana, Hole, Smashing Pumpkins and many other acts. But at its core, Girl in a Band examines the route from girl to woman in uncharted territory, music, art career, what partnership means—and what happens when that identity dissolves.Evocative and edgy, filled with the sights and sounds of a changing world and a transformative life, Girl in a Band is the fascinating chronicle of a remarkable journey and an extraordinary artist.

    You’re going to have to get a light-skinned husband for the sake of your children as it is.”In these words from her mother, novelist and memoirist Marita Golden learned as a girl that she was the wrong color. Her mother had absorbed “colorism” without thinking about it. But, as Golden shows in this provocative book, biases based on skin color persist–and so do their long-lasting repercussions. Golden recalls deciding against a distinguished black university because she didn’t want to worry about whether she was light enough to be homecoming queen. A male friend bitterly remembers that he was teased about his girlfriend because she was too dark for him. Even now, when she attends a party full of accomplished black men and their wives, Golden wonders why those wives are all nearly white. From Halle Berry to Michael Jackson, from Nigeria to Cuba, from what she sees in the mirror to what she notices about the Grammys, Golden exposes the many facets of "colorism" and their effect on American culture. Part memoir, part cultural history, and part analysis, Don't Play in the Sun also dramatizes one accomplished black woman's inner journey from self-loathing to self-acceptance and pride.

    Not long after, she also became mute. Her tenacious struggle to overcome these handicaps-with the help of her inspired teacher, Anne Sullivan-is one of the great stories of human courage and dedication. In this classic autobiography, first published in 1903, Miss Keller recounts the first 22 years of her life, including the magical moment at the water pump when, recognizing the connection between the word "water" and the cold liquid flowing over her hand, she realized that objects had names. Subsequent experiences were equally noteworthy: her joy at eventually learning to speak, her friendships with Oliver Wendell Holmes, Edward Everett Hale and other notables, her education at Radcliffe (from which she graduated cum laude), and-underlying all-her extraordinary relationship with Miss Sullivan, who showed a remarkable genius for communicating with her eager and quick-to-learn pupil.

    Unlike those organized Islamist activities that seek to seize or transform the state, this is a moral reform movement whose orthodox practices are commonly viewed as inconsequential to Egypt's political landscape. Saba Mahmood's compelling exposition of these practices challenges this assumption by showing how the ethical and the political are indelibly linked within the context of such movements.Not only is this book a sensitive ethnography of a critical but largely ignored dimension of the Islamic revival, it is also an unflinching critique of the secular-liberal principles by which some people hold such movements to account. The book addresses three central questions: How do movements of moral reform help us rethink the normative liberal account of politics? How does the adherence of women to the patriarchal norms at the core of such movements parochialize key assumptions within feminist theory about freedom, agency, authority, and the human subject? How does a consideration of debates about embodied religious rituals among Islamists and their secular critics help us understand the conceptual relationship between bodily form and political imaginaries? Politics of Piety is essential reading for anyone interested in issues at the nexus of ethics and politics, embodiment and gender, and liberalism and postcolonialism.

    Using Joseph Conrad's Heart of Darkness as his point of departure, Sven Lindqvist takes us on a haunting tour through the colonial past, interwoven with a modern-day travelogue. Retracing the steps of European explorers, missionaries, politicians, and historians in Africa from the late eighteenth century onward, the author exposes the roots of genocide in Africa via his own journey through the Saharan desert. As Lindqvist shows, fantasies not merely of white superiority but of actual extermination--"cleansing" the earth of the so-called lesser races--deeply informed European colonialism and racist ideology that ultimately culminated in Europe's own Holocaust.Chosen as one of the Best Books of 1998 by the New Internationalist, which called it "a beautifully written integration of criticism, cultural history, and travel writing, underpinned by a passion for social justice," "Exterminate All the Brutes" is a powerful reckoning with the past and an indispensable contribution to the literature of colonial Africa and European genocide.