There simply could not be a more important book at a more important juncture in American -- and world -- history.

    Duh. But the mother of modern physics never had to co-lead with Levi Ward. Sure, Levi is attractive in a tall, dark, and piercing-eyes kind of way. And sure, he caught her in his powerfully corded arms like a romance novel hero when she accidentally damseled in distress on her first day in the lab. But Levi made his feelings toward Bee very clear in grad school—archenemies work best employed in their own galaxies far, far away. Now, her equipment is missing, the staff is ignoring her, and Bee finds her floundering career in somewhat of a pickle. Perhaps it’s her occipital cortex playing tricks on her, but Bee could swear she can see Levi softening into an ally, backing her plays, seconding her ideas…devouring her with those eyes. And the possibilities have all her neurons firing. But when it comes time to actually make a move and put her heart on the line, there’s only one question that matters: What will Bee Königswasser do?

    Instead, he argues that it is better described as "ages of dawn," for it is in this rich and confused period that the complex and creative interaction of the Roman empire, the Christian Church, the classical tradition, and barbarous societies provided the foundation for a vital, unified European culture.In an age of fragmentation and the emergence of new nationalist forces, Dawson argued that if "our civilization is to survive, it is essential that it should develop a common European consciousness and sense of historic and organic unity." But he was clear that this unity required sources deeper and more complex than the political and economic movements on which so many had come to depend, and he insisted, prophetically, that Europe would need to recover its Christian roots if it was to survive.Glenn Olsen has noted that Dawson’s point "was that the spread and history of Christianity had provided the narrative which had formed Europe and taken out of this narrative, Europe could hardly be spoken of as existing." In a time of cultural and political ambiguity, "The Making of Europe" is an indispensable work for understanding not only the rich sources but also the contemporary implications of the very idea of Europe.

    Diana has stated in interviews that the book will be the story of the parents of James Fraser.As to when the OUTLANDER prequel will be published, look for it after the last major novel about Jamie and Claire. (And no, Diana does NOT know when that will be as of yet!)Don’t forget that there are other time travelers, too, that Diana may explore in future works as well…

    In a country where the headquarters of the secret police can become a museum literally overnight, and one in 50 East Germans were informing on their countrymen and women, there are a thousand stories just waiting to get out. Anna Funder tells extraordinary tales from the underbelly of the former East Germany - she meets Miriam, who as a 16-year-old might have started World War III, visits the man who painted the line which became the Berlin Wall and gets drunk with the legendary 'Mik Jegger' of the East, once declared by the authorities to his face to 'no longer to exist'. Written with wit and literary flair, Stasiland provides a rivetting insight into life behind the wall.

    Two rivals. A plot twist they didn’t see coming…Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

    But Lily is nothing if not resourceful, and now uses Duke’s coveted hand-drawn maps to guide tourists on fake treasure hunts through the red rock canyons of Utah. It pays the bills but doesn’t leave enough to fulfill her dream of buying back the beloved ranch her father sold years ago, and definitely not enough to deal with the sight of the man she once loved walking back into her life with a motley crew of friends ready to hit the trails. Frankly, Lily would like to take him out into the wilderness—and leave him there.Leo Grady knew mirages were a thing in the desert, but they’d barely left civilization when the silhouette of his greatest regret comes into focus in the flickering light of the campfire. Ready to leave the past behind him, Leo wants nothing more than to reconnect with his first and only love. Unfortunately, Lily Wilder is all business, drawing a clear line in the sand: it’s never going to happen. But when the trip goes horribly and hilariously wrong, the group wonders if maybe the legend of the hidden treasure wasn’t a gimmick after all. There’s a chance to right the wrongs—of Duke’s past and their own—but only if Leo and Lily can confront their history and work together. Alone under the stars in the isolated and dangerous mazes of the Canyonlands, Leo and Lily must decide whether they’ll risk their lives and hearts on the adventure of a lifetime.

    have a drug TSAR(!) who proudly destroys millions of lives and bullies the governments of the rest of the world into prosecuting an insane war on [some] drugs? How did a Nazi spy come to have an enormous influence on current U.S. foreign policy? Will the 'war on terrorism' put the last nail in the coffin of YOUR rights? Would Hannibal Lecter make a better president that George W. Bush?Bob's keen wit skewers those who are forcing us all into slavery, and warns us that there is little time left. How long will it be before Bob's books are banned as 'literary terrorism'?

    The beauty, grace and charm of Prince Christian's daughter had prevailed over the Queen's intense dislike of the Danish royal house, and had even persuaded the embarrassingly difficult Bertie to agree to the match. Thus began the fairy-tale saga of a family that handed on its good looks, unaffectedness, and democratic manners to almost every royal house of modern Europe. For, in the year that Alexandra became Princess of Wales, her brother Willie was elected King of the Hellenes ; her father at last succeeded to the Danish throne; her sister Dagmar was soon to become wife of the future Tsar Alexander III of Russia; and her youngest sister Thyra later married the de jure King of Hanover. A Family of Kings is the story of the crowned children and grandchildren of Christian IX and Queen Louise of Denmark, focusing on the half-century before the First World War. It is an intimate, domestic study of a close-knit family, the individual personalities, and the courts to which they came. Without doubt, the chic and beautiful Alexandra epitomized the spectacular flowering of the Danish dynasty; and just as she brought an unprecedented popularity to the sobriety of the English court, so her brothers and sisters helped enliven the staid European scene. The outstanding success of Theo Aronson's previous book, Grandmama of Europe, confirms his reputation as a chronicler of the fortunes of Europe's ruling houses. A Family of Kings bears the hallmark of the author's remarkable talent, and provides a fascinating evocation of the splendour and extravagance, and not infrequent tragedy, of nineteenth and twentieth century royalty.

    This classic by an associate of Yugoslavia's Tito created a sensation when it was published in 1957 because it was the first time that a ranking Communist had publicly analyzed his disillusionment with the system.

    Among the most prominent members of what became the Frankfurt School were the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. Not only would they change the way we think, but also the subjects we deem worthy of intellectual investigation. Their lives, like their ideas, profoundly, sometimes tragically, reflected and shaped the shattering events of the twentieth century.Grand Hotel Abyss combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism. Some of them, forced to escape the horrors of Nazi Germany, later found exile in the United States. Benjamin, with his last great work—the incomplete Arcades Project—in his suitcase, was arrested in Spain and committed suicide when threatened with deportation to Nazi-occupied France. On the other side of the Atlantic, Adorno failed in his bid to become a Hollywood screenwriter, denounced jazz, and even met Charlie Chaplin in Malibu.After the war, there was a resurgence of interest in the School. From the relative comfort of sun-drenched California, Herbert Marcuse wrote the classic One Dimensional Man, which influenced the 1960s counterculture and thinkers such as Angela Davis; while in a tragic coda, Adorno died from a heart attack following confrontations with student radicals in Berlin.By taking popular culture seriously as an object of study—whether it was film, music, ideas, or consumerism—the Frankfurt School elaborated upon the nature and crisis of our mass-produced, mechanised society. Grand Hotel Abyss shows how much these ideas still tell us about our age of social media and runaway consumption.

    This audio CD contains an introductory speech by author Walter Mosley followed by Stephen King's acceptance speech.

    Together, they presided over the last years of dynastic Europe and the outbreak of the most destructive war the world had ever seen, a war that set twentieth-century Europe on course to be the most violent continent in the history of the world.Miranda Carter uses the cousins' correspondence and a host of historical sources to tell the tragicomic story of a tiny, glittering, solipsistic world that was often preposterously out of kilter with its times, struggling to stay in command of politics and world events as history overtook it. George, Nicholas and Wilhelm is a brilliant and sometimes darkly hilarious portrait of these men--damaged, egotistical Wilhelm; quiet, stubborn Nicholas; and anxious, dutiful George--and their lives, foibles and obsessions, from tantrums to uniforms to stamp collecting. It is also alive with fresh, subtle portraits of other familiar figures: Queen Victoria--grandmother to two of them, grandmother-in-law to the third--whose conservatism and bullying obsession with family left a dangerous legacy; and Edward VII, the playboy "arch-vulgarian" who turned out to have a remarkable gift for international relations and the theatrics of mass politics. At the same time, Carter weaves through their stories a riveting account of the events that led to World War I, showing how the personal and the political interacted, sometimes to devastating effect.For all three men the war would be a disaster that destroyed forever the illusion of their close family relationships, with any sense of peace and harmony shattered in a final coda of murder, betrayal and abdication.

    He was a sailor and took part in the Klondike gold rush. The Call of the Wild, the classic story of sled-dog Buck brought him instant celebrity and established his readership to this day. Self-educated, London was heavily influenced by the works of Darwin, Marx, and Nietzsche. This, along with his earlier experiences converted him to socialism as he explains in this volume.Contents:- The Class Struggle- The Tramp- The Scab- The Question of the Maximum- A Review- Wanted: A New Law of Development- How I Became a SocialistThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web.

    When the old world is unexpectedly brought down in a total war, the band seizes control of the country, and the new regime it founds as the vanguard of a new world order is ruthlessly dominated from within by the former seminarian until he stands as the absolute ruler of a vast and terrible state apparatus, with dominion over Eurasia. But the largest country in the world is also a poor and backward one, far behind the great capitalist countries in industrial and military power, encircled on all sides. Shortly after seizing total power, Stalin conceives of the largest program of social reengineering ever attempted: the root-and-branch uprooting and collectivization of agriculture and industry across the entire Soviet Union. To stand up to the capitalists he will force into being an industrialized, militarized, collectivized great power is an act of will. Millions will die, and many more will suffer, but Stalin will push through to the end against all resistance and doubts. Where did such power come from? We think we know the story well. Remarkably, Stephen Kotkin’s epic new biography shows us how much we still have to learn. The product of a decade of scrupulous and intrepid research, Stalin contains a host of astonishing revelations. Kotkin gives an intimate first-ever view of the Bolshevik regime’s inner geography, bringing to the fore materials from Soviet military intelligence and the secret police. He details Stalin’s invention of a fabricated trial and mass executions as early as 1918, the technique he would later impose across the whole country. The book places Stalin’s momentous decision for collectivization more deeply than ever in the tragic history of imperial Russia. Above all, Kotkin offers a convincing portrait and explanation of Stalin’s monstrous power and of Russian power in the world. Stalin restores a sense of surprise to the way we think about the former Soviet Union, revolution, dictatorship, the twentieth century, and indeed the art of history itself.