As an adult, she is armed with skills that most would covet, yet she lives in a boarding house, works as a waitress and struggles financially. Most single women in the area didn’t stay single long. Most, but not her. The one man she had said yes to was dragging his feet. The townspeople all agree she is in need of a husband. Even the young girls in her Sunday School Class have taken action and writing an ad for the paper. Wanted: Husband for Rebecca Mueller. **Must be handsome, nice, like children, and live within walking distance of Carrie Town School. Will her circumstances change and allow her to hold out for true love?

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    The poems gathered here are delivered by a narrator who both loves the world and has intense quarrels with it. Often set against vivid landscapes - the rural America of Lux's childhood and unidentified places south of the border - these poems speak from rivers and swamps, deserts and lawns, jungles and the depths of the sea.

    It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Direct, humorous and disquieting, Satellite further develops the unique sensibility of an important young poet.

    Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history.

     "El Rayo de Luna" is one of his short stories.

    Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    They celebrate the wonders of nature and explore the nature of love and friendship.

     Worlds of achievement out of mind and remembering,           just as the poem lasts. In the concert of being present.                                                           —from “Arriving” Linda Gregg’s abiding presence in American poetry for more than thirty years is a testament to the longevity of art and the spirit. All of It Singing: New and Selected Poems for the first time collects the ongoing work of Gregg’s career in one book, including poetry from her six previous volumes and thirty remarkable new poems.

    His settings are a farmhouse porch, a used-clothing store, empty station platforms; his subjects love, futility, and the sense of an individual life lived among a crowd of literal and imaginary presences.Both sharp and sympathetic, the poems of this collection confirm Simic's place as one of the most important and appealing poets of our time. To Dreams I'm still living at all the old addresses, Wearing dark glasses even indoors, On the hush-hush sharing my bedWith phantoms, visiting in the kitchen After midnight to check the faucet.I'm late for school, and when I get thereNo one seems to recognize me.I sit disowned, sequestered and withdrawn. These small shops open only at nightWhere I make my unobtrusive purchases, These back-door movie houses in seedy neighborhoodsStill showing grainy films of my life, The hero always full of extravagant hopeLosing it all in the end?-whatever it was-Then walking out into the cold, disbelieving lightWaiting close-lipped at the exit.

    Happily ever after. Such are the classic promises of fairy tales. Yet in Texas we find a twist to the familiar storyline. In If the Devil Had a Wife, there is still the battle of Good vs. Evil, a beautiful maiden, a wealthy suitor, a kingdom of riches and the wicked witch, but any similarity with Cinderella and Snow White ends there. With the help of her life partner and an attorney (always necessary in these modern times), Nelda Stark executes a devious plan that elevates fraud and theft to a new high. A massive coverup reaches into the Texas Attorney General's Office, stealing from not only the Stark family, but the federal and state governments.

    Blunt talks to Mr. Henson, Charlie’s mentor, like he knows him, but Charlie knows that can’t be. John Peter Henson is a good man who would only spend time with someone like Blunt the day he put him into the ground…Unwilling to give up Mr. Henson’s secret and tarnish his good name, Charlie tries to put the pieces together himself. Maggie Buchanan knows he’s hiding something and she’s on his trail as well. Together, they turn the tables on Blunt’s outlaws. Charlie ends up in possession of a treasure map to Mexican gold that may just get him killed.“The pace is fast, the action plentiful, the characters colorful and memorable, and the writing is top-notch.” – Wayne D. Dundee

    As Louise Glück observes in her foreword, “Green Squall begins and ends in the garden”; however, Hopler’s gardens are not of the seasonal variety evoked by poets of the English lyric—his gardens flourish at lower, fiercer latitudes and in altogether different mindscapes. There is a darkness in Hopler’s work as deep and brutal as any in American poetry. Though his verbal extravagance and formal invention bring to mind Wallace Stevens’s tropical extrapolations, there lies beneath Green Squall’s lush tropical surfaces a terrifying world in which nightmare and celebration are indistinguishable, and hope is synonymous with despair.