So when her husband gets the idea to uproot the family to run a quaint Vermont inn, Leelee is devastated…and her three best friends are outraged. But she's loved Baker Satterfield since the tenth grade, how can she not indulge his dream? Plus, the glossy photos of bright autumn trees and smiling children in ski suits push her over the edge…after all, how much trouble can it really be?But Leelee discovers pretty fast that there's a truckload of things nobody tells you about Vermont until you live there: such as mud season, vampire flies, and the danger of ice sheets careening off roofs. Not to mention when her beloved Yorkie decides to pick New Year's Eve to go to doggie heaven-she encounters one more New England oddity: frozen ground means you can't bury your dead in the winter. And that Yankee idiosyncrasy just won't do.The inn they've bought also has its host of problems: an odor that no amount of potpourri can erase, tacky décor, and a staff of peculiar Vermonters whose personalities are as unique as the hippopotamus collection gracing the fireplace mantle. The whole operation is managed by Helga, a stern German woman who takes special delight in bullying Leelee for her southern gentility. Needless to say, it doesn't take long for Leelee to start wondering when to drag out the moving boxes again.But when an unexpected hardship takes Leelee by surprise, she finds herself left alone with an inn to run, a mortgage to pay, and two daughters to raise. But this Southern belle won't be run out of town so easily. Drawing on the Southern grit and inner strength she didn't know she had, Leelee decides to turn around the Inn, her attitude and her life. In doing so, she makes friends with her neighbors, finds a little romance, and realizes there's a lot more in common with Vermont than she first thought.In this moving and comedic debut, Lisa Patton paints a hilarious portrait of life in Vermont as seen through the eyes of a southern belle readers won't soon forget. A charming fish-out-of-water tale of one woman who learns to stand up for herself-in sandals and snow boots-against the odds.

    In the wake of a wildly disastrous affair with her married archeology professor, Willie Upton arrives on the doorstep of her ancestral home in Templeton, New York, where her hippie-turned-born-again-Baptist mom, Vi, still lives. Willie expects to be able to hide in the place that has been home to her family for generations, but the monster's death changes the fabric of the quiet, picture-perfect town her ancestors founded. Even further, Willie learns that the story her mother had always told her about her father has all been a lie: he wasn't the random man from a free-love commune that Vi had led her to imagine, but someone else entirely. Someone from this very town. As Willie puts her archaeological skills to work digging for the truth about her lineage, she discovers that the secrets of her family run deep. Through letters, editorials, and journal entries, the dead rise up to tell their sides of the story as dark mysteries come to light, past and present blur, old stories are finally put to rest, and the shocking truth about more than one monster is revealed.

    Then comes the call she has always dreaded: There's been a shooting at police headquarters. Mike isn't hurt, but his long-time partner is grievously injured. As weeks pass and her husband's insomnia and disconnectedness mount, Jamie realizes he is an invisible casualty of the attack. Then the phone rings again. Another shooting but this time Mike has pulled the trigger.But the shooting does more than just alter Jamie's world. It's about to change everything for two other women. Christie Simmons, Mike's flamboyant ex, sees the tragedy as an opportunity for a second chance with Mike. And Jamie's younger sister, Lou, must face her own losses to help the big sister who raised her. As the press descends and public cries of police brutality swell, Jamie tries desperately to hold together her family, no matter what it takes.In her characteristic exploration of true-to-life relationships, Sarah Pekkanen has written a complex, compelling, and openhearted novel her best yet.

    Their relationship is made up of clandestine meetings and stolen moments because there is someone who will make them suffer if he discovers she is no longer 'his'. But life in the theatre doesn't always go according to plan and tragedy and heartache are waiting in the wings for all the players . . .Almost seventy years later, a new production of When the Curtain Falls arrives at the theatre, bringing with it Oscar Bright and Olive Green and their budding romance. Very soon, though, strange things begin to happen and they learn about the ghost that's haunted the theatre since 1952, a ghost who can only be seen on one night of the year. Except the ghost is appearing more often and seems hell bent on sabotaging Oscar and Olive. The young couple realise they need to right that wrong from years gone by, but can they save themselves before history repeats itself and tragedy strikes once more?

    But that doesn't mean that what Trudy overhears there during her great-aunt Gertrude's funeral won't change the rest of her life.Trudy has a daughter in the middle of a major rebellion; a two-timing husband who has been cheating for their entire married life; and a mother with Alzheimer's residing in the local nursing home. She doesn't really need a crumbling old house about to fall into nothing but a pile of memories and broken knickknacks. Billy Lee Tucker, resident oddball in Tishomingo, Oklahoma, lived next door to Gert, and in her will she leaves him the funds to help Trudy remodel the old house. That's fine with Billy Lee, because he's been in love with Trudy since before they started school. And just spending time with her is something he'd never ever allowed himself to dream about.A beautiful home rises up from the old house on Broadway, and right along with it rises up a relationship. But is Trudy too scarred from what she heard in the ladies' room to see a lovely future with Billy Lee?

    Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights--and, at times, the dark lows--of the art world and the country from the late 1990s through today.

    Set in a turn-of-the-century New York apartment building on the Upper East Side, 'The Girl Next Door' features a collection of interwoven stories about love, life, and living together.

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Unless, that is, you've just lost your mother to cancer, your sister to her extremist husband, and your husband to his executive assistant. Meet Gray Howard. Right when Gray could use a serious infusion of good karma in her life, she inadvertently gets a stranger, Diana Harrington, fired from her job at the local pharmacy. Diana Harrington's summer isn't off to the greatest start either: Hours before losing her job, she broke up with her boyfriend and moved out of their shared house with only a worn-out Impala for a bed. Lucky for her, Gray has an empty guest house and a very guilty conscience. With Gray's kindness, Diana's tide begins to turn. But when her first love returns, every secret from her past seems to resurface all at once. And, as Gray begins to blaze a new trail, she discovers, with Diana's help, that what she envisioned as her perfect life may not be what she wants at all

    Cloud tells the haunting story of a young man who narrowly survives a terrible car wreck that kills his little brother. Years later, the brothers’ bond remains so strong that it transcends the normal boundaries separating life and death. Charlie St. Cloud lives in a snug New England fishing village. By day he tends the lawns and monuments of the ancient cemetery where his younger brother, Sam, is buried. Graced with an extraordinary gift after surviving the accident, he can still see, talk, and even play catch with Sam’s spirit. But townsfolk whisper that Charlie has never recovered from his loss.Into his carefully ordered life comes Tess Carroll, a captivating, adventuresome woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that blows her back to harbor, to a charged encounter with Charlie, and to a surprise more overwhelming than the violent sea itself. Charlie and Tess discover a beautiful and uncommon connection that leads to a race against time and a desperate choice between death and life, between the past and the future, between holding on and letting go.Luminous, soulful, and filled with unforgettable characters, The Death and Life of Charlie St. Cloud is one of those rare, wise books that reveal the mysteries of the unseen world around us, gently transforming the worst pain of loss into hope, healing, and even laughter. Suspenseful and deeply moving, its startling climax reminds us that sometimes tragedies can bring about miracles if we simply open our hearts.

    She's getting tired of being the hostess, the mother hen, the woman who has to bake her own birthday party. To make things worse, the network execs at the Cooking Channel want to boost her ratings by teaming Gus with the beautiful, ambitious Carmen Vega, a former Miss Spain, who is decidedly not middle-aged.But Gus won't go without a fight. She recreates her show as an on-air cooking class, which she uses as an excuse to bring together her extended family for some lessons in life as well as cuisine. The new cast includes her bickering daughters, fickle Sabrina, who has just gotten engaged for the third time, and overserious Aimee; Troy, Sabrina's ex-boyfriend, and Hannah, Gus's timid neighbor. And while Gus may have to deal with Carmen's diva behavior, she also has to contend with a new culinary producer, Oliver, a handsome ex-banker who raises the temperature just a little beyond Gus's comfort zone. In the pursuit of higher ratings and culinary delights, Gus realizes that she might be able not just to rejuvenate her career but to improve her family life - and perhaps her love life as well...

    In that instant, the lives of those who live and work there are changed forever. Skip Cuddy, the caretaker, finds a baby girl asleep in that box and decides he wants to keep the child . . . while Lydia Blessing, the matriarch of the estate, for her own reasons, agrees to help him. "Blessings" explores how the secrets of the past affect decisions and lives in the present; what makes a person or a life legitimate or illegitimate and who decides; and the unique resources people find in themselves and in a community. This is a powerful novel of love, redemption, and personal change by the Pulitzer Prize-winning writer about whom "The Washington Post Book World" said, "Quindlen knows that all the things we ever will be can be found in some forgotten fragment of family."

    Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.