Babo grew up here, but he and Sian, his cream-skinned Welsh love, met in London. Babo's parents disapproved. And then they disapproved unless the couple moved back to Madras. So here they are. And as the twentieth century creaks and croaks its way along, Babo, Sian, and the children navigate their way through the uncharted territory of a "hybrid" family: the hustle and bustle of Babo's relatives; the faraway phone-line crackle of Sian's; the eternal wisdom and soft bosom of Great-Grandmother Ba; the perils of first love, lost innocence, and old age; and the big question: What do you do with the space your loved ones leave behind?Tishani Doshi, a prizewinning poet, plunges into fiction for the first time with this tender and uplifting debut. With rich feeling and dazzling language, Doshi evokes both Zadie Smith and Rohinton Mistry as she captures the quirks and calamities of one unusual clan in a story of identity, family, belonging, and all-transcending love.

    It’s about where they go from here, the changes they see in themselves and in other people in their lives and the choices they make. The choices make affects their relationships and shapes their personality.

    He believes he hasfound his perfect soul mate, and come what may, his love for her will lastforever.Seven years later, he gets married to her. Big mistake!A week later, he completely hates her and believes she has turned into adevil.But his perception about love and life change when he hears the poignantlove story of Shekhar, his Captain, on a ship that later gets hijacked bythe pirates of Somalia.As they are left fighting for their lives; they confront if love truly can lastforever…? Or does it get too late

    Guiding these tales are a motley group of characters ranging from a side hero who day-dreams about Mithun and Bacchan, to kids who believe in the reality of Nagraj, Ajooba and Super Commando Dhruv. ‘Namak Swadanusar’ as the name suggests will add salt to your palate and increase the taste of your literary collection.

    NINE NUANCED STORIES THAT EXPLORE THE THEMES OF DESIRE, INTIMACY AND LOVE...A contractor at a dam site develops so obsessive a desire for a tribal woman that he brings home and holds captive another man's wife; a kathak dancer trapped in a marriage of convenience redefines notions of fidelity; an accidental step into an occupied bathroom changes a Delhi servant boy's life forever; a young married couple beleaguered by infertility desperately tries to reignite the romance and passion of their honeymoon on a houseboat in Kashmir...Set across India, each of the stories in this collection unerringly locates the defiant undercurrent of individual expression in people shackled by societal norms.

    So when he proposes that they drop out of college and live-in, she readily agrees. But life with Michael soon turns into an emotional rollercoaster. Temperamental, opinionated and incredibly selfish, he expects Naina to run the household so that he is free to paint. Naina tries her hand at several odd jobs, but when an accident leaves Michael blind, their life together begins to come undone as she can only helplessly watch. And in trying to pull it together, Naina is driven to being what she has never been—a liar and a cheat. Will Michael forgive her when he learns the truth? Will she forgive him for what he has done to her?

    But you have died.’Anushtup Chatterjee is thirty-two years old.He hates his mother. His job is a dead end. And his girlfriend has left him.Then one silent moonlit night, he wakes up in a deserted field in the middle of nowhere, with no recollection of where he is or how he got there. His wallet is gone. So is his cell phone.He is not alone though.There is another man there, a stranger with a gentle voice and a humble mustache, who has something rather unbelievable to say to him.That he, Anushtup Chatterjee, has already died.Mysterious and achingly poignant, Arnab Ray’s Yatrik is a story about hope and aspiration, love and regret, of the choices we make and those that life makes for us.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    He knows there isn’t a man alive who can fulfill the promise of such a word. But when a caravan transporting a noble family is savaged in the haunted forest of Maug Maurai, Grae is ordered to be a hero. And a villain. It's quite a handful for an officer whose last assignment was capturing runaway orchard pigs. Such is the fate of a commoner among the high-born officer corps of the King's army.Until now.Grae is ordered to lead a small squad into the forest to kill the legendary Beast of Maug Maurai. It's a suicide mission, but if he succeeds he will reap glory, a noble title, lands, and, most importantly, respect. All he has to do is slay the most dangerous creature in the kingdom with the squad of misfits and criminals that he’s been assigned. A female archer that Grae presses into service makes things even more difficult. Her kindness and odd philosophies begin to chip away at his deepest conviction.Before he sets out Grae receives one last ugly detail. A secret secondary assignment that makes it clear to him why he was chosen to lead the squad. It’s the first order Grae has ever considered disobeying, an order that will force him to choose between his loyalty and his morality. And he’s certain that the wrong choice will plunge the kingdom into civil war.The Culling is the first of a three-part novel.

    But after sending every man she meets to the hospital, she finds herself falling for the one she cannot stand. This is the intriguing and hilarious love story of Naina Kashyap and her arch enemy.

    Like libertines. To their hormonal despair, when Professor Ram stages his remake of A Midsummer Night's Dream at their college fest, he casts these four as fairies. The farce that follows gradually takes over the lives of the rest of the characters in this achingly funny novel about the pratfalls that accompany caste pride. On and off the campus of Chennai University, you will encounter onion-and-garlic-free TamBrahms who rewrite Shakespeare to uphold the Hindu order, smug NRIs who call the shots in matrimonials, visiting Canadians who are aghast at the plight of Dalits (pronounced 'daylights') and, at the apex of the whole tumbling structure, a bibulous builder who invokes the gods even as he defrauds his clients. Tailing the characters around this plot is an unseen but all-seeing spectator. You may never guess who that is, but will laugh all the way to the answer.

    My parents are having a tough time finding a suitable groom for me. However, recently they have a proposal from this very interesting guy from Mumbai. I almost get mesmerised when he starts talking to me. I think I like him very much. Kunal – I'm owner of a textile company in Mumbai. My Mom wants me to get married. Again. She has recently suggested a suitable girl from Delhi. What my Mom doesn't know is that I've met Shreya before once in my life and I've been looking for her ever since. I have a vendetta to settle. ]The author takes you along on a journey via roads of revenge, agony, remorse, attraction, titillation, tantalisation and romance. Do Shreya and Kunal make it, or do they fall prey to their past?

    Musafir Cafe is about all these lists in life and more. It is a like a stopover, in life, when we try and slow ourselves down to assess where are we, and where do we want to go from here? Musafir Cafe is story of two young and modern individuals, Sudha and Chandar. Sudha who is a lawyer by profession and a strong free spirited girl in person. she wants to become top lawyer of country while Chandar is a confused software engineer. Though both of them are sure that they don’t want to get married and settle down with anyone, they play this meeting game every weekend for they parents sake. Events lead them to stay together for a weekend, but they become so habitual to each other’s presence and interference in the life, that it becomes an unplanned live-in relation.Musafir Cafe is not only story of Sudha & Chandar, it’s story of everyone of us. Who are trying to tick off bucket list and searching for a perfect life.

    Series of letters that address a wide range of concerns. Compassionate, loving, witty, and as always, provocative. By a leading best-selling novelist. South Asia Books carries several of De's novels.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.