A he said/she said series with a prince and princess twist.Rapunzel is having the ultimate bad day. She's been stolen from home by an evil witch, locked in an incredibly high tower, and doesn't even have a decent brush for her hair. Prince Benjamin is in a pretty uncomfortable situation himself. His father wants him to be more kingly, his mother wants him to never leave her sight, and his cousin wants to get him into as much trouble as possible. Plus, there's the little matter of prearranged marriages. . . . Both Rapunzel and Prince Benjamin are trapped--in very different ways. It's only when their paths cross, that things really start to change.

    The lurking wolf in Little Red Riding Hood, the gingerbread house that lures Hansel and Gretel, the beauty asleep in her castle—these fables represent some of our deepest, most primeval fears and satisfy our longing for good to win out over evil (preferably in the most gruesome way possible). In this captivating new collection, critically acclaimed author Jean Thompson takes the classic fairy tale and brings it into the modern age with stories that capture the magic and horror in everyday life. The downtrodden prevail, appearances deceive, and humility and virtue triumph in The Witch, as lost children try to find their way home, adults cursed by past unspeakable acts are fated to experience their own horror in the present, and true love—or is it enchantment?—conquers all. The Witch and Other Tales Re-Told is a haunting and deeply entertaining collection, showcasing the inimitable Thompson at the height of her storytelling prowess.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Your hands are empty. You are nearly naked.And the wolf is angry.Since her grandmother became her caretaker when she was four years old, Bisou Martel has lived a quiet life in a little house in Seattle. She’s kept mostly to herself. She’s been good. But then comes the night of homecoming, when she finds herself running for her life over roots and between trees, a fury of claws and teeth behind her. A wolf attacks. Bisou fights back. A new moon rises. And with it, questions. About the blood in Bisou’s past and on her hands as she stumbles home. About broken boys and vicious wolves. About girls lost in the woods—frightened, but not alone.

    Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

    But for an unfortunate few, that day-to-day existence is affected—perhaps infected is a better word—by memetic incursion: where fairy tale narratives become reality, often with disastrous results.That's where the ATI Management Bureau steps in, an organization tasked with protecting the world from fairy tales, even while most of their agents are struggling to keep their own fantastic archetypes from taking over their lives. When you're dealing with storybook narratives in the real world, it doesn't matter if you're Snow White, Sleeping Beauty, or the Wicked Queen: no one gets a happily ever after.Indexing is New York Times bestselling author Seanan McGuire’s new urban fantasy where everything you thought you knew about fairy tales gets turned on its head.

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    And, caught up in the whirlwind of first love, they kiss under the Bridge of Sighs at sunset. Which - according to legend - will tie them together forever. But ten years later, they've completely lost contact. That is, until Lucy moves to New York and the legend brings them back together. Again. And again. And again. But what if Nate isn't The One? How is she going to get rid of him? Because forever could be a very long time...A funny, magical romantic comedy about how finding The One doesn't always have to mean happily ever after.

    The interviews that follow have echoes of another, far more famous literary journey, undertaken long ago and in another world.Drawing on the original, unexpurgated tales collected by Jacob and Wilhelm Grimm, six of their most famous works are re-imagined in the rich and endlessly varied landscapes of contemporary America.From the glass towers of Manhattan to the remoteness of the Blue Ridge mountains; from the swamps of Louisiana to the jaded glamour of Hollywood, New World Fairy Tales reclaims the fairy tale for the modern adult audience. A haunting blend of romance and realism, these stripped-back narratives of human experience are the perfect read for anyone who has read their child a bedtime fairy story, and wondered who ever said these were stories meant for children.

    These are the stuff of fairy tale, myth, and folklore that have drawn us in for centuries. Fifteen bestselling and acclaimed authors reimagine the folklore and mythology of East and South Asia in short stories that are by turns enchanting, heartbreaking, romantic, and passionate. Compiled by We Need Diverse Books’s Ellen Oh and Elsie Chapman, the authors included in this exquisite collection are: Renee Ahdieh, Sona Charaipotra, Preeti Chhibber, Roshani Chokshi, Aliette de Bodard, Melissa de la Cruz, Julie Kagawa, Rahul Kanakia, Lori M. Lee, E. C. Myers, Cindy Pon, Aisha Saeed, Shveta Thakrar, and Alyssa Wong. A mountain loses her heart. Two sisters transform into birds to escape captivity. A young man learns the true meaning of sacrifice. A young woman takes up her mother’s mantle and leads the dead to their final resting place. From fantasy to science fiction to contemporary, from romance to tales of revenge, these stories will beguile readers from start to finish. For fans of Neil Gaiman’s Unnatural Creatures and Ameriie’s New York Times–bestselling Because You Love to Hate Me.

    Traveling to Arabia as an ambassador from the exiled Fables community, Snow White is captured by the local sultan who wants to marry her (and then kill her). But clever Snow attempts to charm the sultan instead by playing Scheherazade, telling him fantastic stories for a total of 1001 nights, saving her very skin in the process.Running the gamut from unexpected horror to dark intrigue to mercurial coming-of-age, Fables: 1001 Nights of Snowfall reveals the secret histories of familiar Fables characters through a series of compelling and visually illustrative tales. Writer Bill Willingham is joined by an impressive array of artists from comic book industry legends to the amazing young painters of the next wave. Fables: 1001 Nights of Snowfall is both a welcome entry point to the critically acclaimed series and an essential part of Willingham's enchanting and imaginative Fables mythos.

    If only his mother hadn’t started college at thirty-six (and fallen for her psychology professor). If only he were more like his rebellious older brother (suspended from Hebrew school for drawing the rabbi in a threesome with a lobster and a pig). If only Jacob could confront his overbearing father and tell him he doesn’t want to sing in synagogue, attend est classes, write the perfect thank-you note, or even live in the same house with Abram Green. But, of course, he can’t. That would be unthinkable.

    Each year on Legacy Day, students sign the Storybook of Legends to seal their scripted fates. For generations, the Village of Book End has whispered that refusing to sign means The End-both for a story and for a life.As the daughter of the Evil Queen, Raven Queen's destiny is to follow in her mother's wicked footsteps, but evil is so not Raven's style. She's starting to wonder, what if she rewrote her own story? The royal Apple White, daughter of the Fairest of Them All, has a happy ever after planned for herself, but it depends upon Raven feeding her a poison apple in their future.What if Raven doesn't sign the Storybook of Legends? It could mean a happily never after for them both.

    Cinderella is the evil one in the family and Letty is determined to prove it. Unfortunately, that’s kinda hard to do from behind bars. After the debacle at the ball, Letty and her sister Dru were dragged off to the Wicked, Ugly and Bad Mental Health Treatment Center and Maximum Security Prison. While Cindy’s planning her dream wedding, her two stepsisters are being forced to endure life in the dreariest dungeon in the land.Luckily, Letty has a plan to change that unhappy ending. If she can just get to Prince Charming and prove the glass slipper doesn’t fit Cinderella’s foot, she can reclaim her life. In order to do that, though, she needs to convince The Big Bad Wolf to lend a hand in organizing a jailbreak.Marrok Wolf isn’t sure what to make of the idealistic redhead in his group therapy sessions. With fifty counts of Badness on his criminal record, Marrok’s used to being surrounded by crooks and scumbags. Scarlett wants to lecture him about equal rights for trolls! When the little do-gooder comes up with an elaborate plan to break their entire “share circle” out of prison, though, Marrok is certainly willing to go along with the plot. And not just because he wants to see her naked. The woman may not be wicked, ugly, or Bad, but she’s definitely the only one who can save him.Together with a wicked witch, a timid bridge ogre, an evil prince, and other villains straight out of a storybook, Scarlett and Marrok are about to make sure that Baddies finally have a happily ever after.

    Tales of blood and intrigue, betrayal and enchantment from a leading Irish YA author.With 13 stunning black and white illustrations by new Irish illustrator Karen Vaughan.