Now available in mass market paperback for the first time, this novel by the #1 New York Times bestselling author takes readers on an unforgettable journey into a harrowing world where forbidden passions have catastrophic consequences.

    Other bands are making it big and now his worst enemy is on MTV. Without being recognised among the great songwriters of our time, Keva feels he cannot confront his horrific past. That's why he formed the Grams.James Love wants all the sex, cocaine and groupies that fame can bring him. That's why he joined the Grams.Guy de Burnet wants to sell records the ethical way. That's why he formed a record label which prizes morality as highly as platinum discs. When he signs the Grams, it can only end in tears.

    The name indicates that this is a set of stories having it's own fragrance.

    At thirty-four she finds that her external life of dreary routine fails to match up to her lush, wistful and dreamy internal life. Norah, her energetic and chaotic friend, is equally settled in her own marriage to an irritable university professor.Then Hugh Miller and his sister Claire descend upon the quiet town. On all four, the hypnotic charm of these two visitors exerts an enchanting spell. And after their departure, life - having been violently disrupted - will never be quite the same again . . .

    publication of Simon Watson Taylor's authoritative translation, completed after consultations with the author. Unconventional in form--Aragon consciously avoided recognizable narration or character development--Paris Peasant is, in the author's words, -a mythology of the modern.- The book uses the city of Paris as a stage, or framework, and Aragon interweaves his text with images of related ephemera: cafe menus, maps, inscriptions on monuments and newspaper clippings. A detailed description of a Parisian arcade (nineteenth-century precursor to the mini-mall) and another of the Buttes-Chaumont park, are among the great set pieces within Aragon's swirling prose of philosophy, dream and satire. Andre Breton wrote of this work: -no one could have been a more astute detector of the unwonted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city. . . .-

    When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief.

    Lucius Valerius Quintius is prefect of the fictitious city of Tarcisis, charged to defend it against menaces from without -- Moors invading the Iberian peninsula -- and from within -- the decadent complacency of the Pax Romana. Lucius's devotion to civic duty undergoes its most crucial test when Iunia Cantaber, the beautiful, charismatic leader of the outlawed Christian sect, is brought before his court. A God Strolling in the Cool of the Evening is a timeless story of an era beset by radical upheaval and a man struggling to reconcile his heart, his ethics, and his civic duty.

    

    Traven's politically charged novels about life among the downtrodden, which have sold more than thirty million copies in thirty-six languages. Next to The Treasure of the Sierra Madre, it is his most celebrated work

    A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde. Italo Calvino, Umberto Eco, Gilles Deleuze, Jean Baudrillard, Philip K. Dick, Paul McCartney, DJ Spooky, Peter Greenaway, and J. G. Ballard are among his many admirers. A community of scholars and artists maintain a posthumous dialogue with Jarry's ideas through the Collège de 'Pataphysique in Paris (named after the "science of imaginary solutions" he conceived), while a steady stream of books on twentieth-century drama pay tribute to his absurd and grotesque play, Ubu Roi. Even so, most people today tend to think of Jarry only as the author of that play, and of his life as a string of outlandish "ubuesque" anecdotes, often recounted with wild inaccuracy. In this first full-length critical biography of Jarry in English, Alastair Brotchie reconstructs the life of a man intent on inventing (and destroying) himself, not to mention his world, and the "philosophy" that defined their relation. In short, Brotchie gives us the narrative version of what Jarry himself produced: a pataphysical life. Drawing on a wealth of new material, Brotchie alternates chapters of biographical narrative with chapters that connect themes, obsessions, and undercurrents that relate to the life.The anecdotes remain, and are even augmented: Jarry's assumption of the "ubuesque," his inversions of everyday behavior (such as eating backwards, from cheese to soup), his exploits with gun and bicycle, and his herculean feats of drinking. But Brotchie distinguishes between Jarry's purposely playing the fool and deeper nonconformities that appear essential to his writing and his thought, both of which remain a vital subterranean influence to this day.

    Contents: -Introduction by Brian Stableford-Early Stories: The Egregore/ Funeral Oration/ The Locked Room/ Magic Lantern/ The Glass of Blood/ Beyond/ Glaucous Eyes-Sensations: One of Them/An Undesirable Residence/ A Troubled Night/ A Posthumous Protest/ An Uncanny Crime/ The Holes in the Mask/ The Visionary/ The Possessed/ The Double-Souvenirs: The Toad/ Night-Watch/ The Spirit of the Ruins/ Récits: Dolmance/ One January Night/ The Spectral Hand/ Prey to Darkness-Contes: The Princess of the Red Lilies/ The Princess at the Sabbat/ Narkiss/ The Princess au miroirs-Notes

    When Brautigan took his own life in September of 1984 his close friends and network of artists and writers were devastated though not entirely surprised. To many, Brautigan was shrouded in enigma, erratic and unpredictable in his habits and presentation. But his career was formidable, an inspiration to young writers like Hjortsberg trying to get their start. Brautigan’s career wove its way through both the Beat-influenced San Francisco Renaissance in the 1950s and the “Flower Power” hippie movement of the 1960s; while he never claimed direct artistic involvement with either period, Jubilee Hitchhiker also delves deeply into the spirited times in which he lived.As Hjortsberg guides us through his search to uncover Brautigan as a man the reader is pulled deeply into the writer’s world. Ultimately this is a work that seeks to connect the Brautigan known to his fans with the man who ended his life so abruptly in 1984 while revealing the close ties between his writing and the actual events of his life. Part history, part biography, and part memoir this etches the portrait of a man destroyed by his genius.

    In To Walk the Night, Bark Jones and his college buddy Jerry Lister, a science whiz, head back to their alma mater to visit a cherished professor of astronomy. They discover his body, consumed by fire, in his laboratory, and an uncannily beautiful young widow in his house—but nothing compares to the revelation that Jerry and Bark encounter in the deserts of Arizona at the end of the book. In The Edge of Running Water, Julian Blair, a brilliant electrophysicist, has retired to a small town in remotest Maine after the death of his wife. His latest experiments threaten to shake up the town, not to mention the universe itself.

    They settle by the sea and have a daughter and conventional marriage does not seem such a tumultuous change after all. When a chance encounter awakens scandalous desires never acknowledged until now, however, Harry is forced to forsake the land and people he loves for a harsh new life as a homesteader on the newly colonized Canadian prairies. There, in a place called Winter, he will come to find a deep love within an alternative family, a love imperiled by war, madness and an evil man of undeniable magnetism.If you've never read a Patrick Gale, stop now and pick up this book. From the author of the bestselling NOTES FROM AN EXHIBITION comes an irresistible, searching and poignant historical novel of love, relationships, secrets and escape.

    A senior VP moving up, he arrives in San  Fransisco to open a West Coast store. His career is  skyrocketing, but his life is lacking a center.  When he looks into the wide, innocent eyes of  five-year-old Jane O'Reilly, and then into the equally  enchanting eyes of her mother, Liz, Bernie knows  he has found what he has been looking for. Bernie  thought he had found love to last a lifetime, but  when Liz is stricken with cancer shortly after the birth of  their first child, time becomes  painfully short. Alone with two children, Bernie  must face the loss and learn how to move on. New  people, new experiences, a new life alone with two  kids. He meets it with courage and humor, and  learns some of life's hard but precious lessons as he  does.From the Hardcover edition.