You will be all in—blood and salt.” These are the last words Ash Larkin hears before her mother returns to the spiritual commune she escaped long ago. But when Ash follows her to Quivira, Kansas, something sinister and ancient waits among the rustling cornstalks of this village lost to time. Ash is plagued by memories of her ancestor, Katia, which harken back to the town’s history of unrequited love and murder, alchemy and immortality. Charming traditions soon give way to a string of gruesome deaths, and Ash feels drawn to Dane, a forbidden boy with secrets of his own. As the community prepares for a ceremony five hundred years in the making, Ash must fight not only to save her mother, but herself—and discover the truth about Quivira before it’s too late. Before she’s all in—blood and salt.

    For fans of Michelle Paver and Sarah Waters, this gothic tale will weave its way into your imagination and chill you to the bone.Maybe you've heard tales about Scarcross Hall, the house on the old coffin path that winds from village to moor top. They say there's something up here, something evil.Mercy Booth isn't afraid. The moors and Scarcross are her home and lifeblood. But, beneath her certainty, small things are beginning to trouble her. Three ancient coins missing from her father's study, the shadowy figure out by the gatepost, an unshakeable sense that someone is watching.When a stranger appears seeking work, Mercy reluctantly takes him in. As their stories entwine, this man will change everything. She just can't see it yet.

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.

      When Fumihiro Kuki is eleven years old, his elderly, enigmatic father calls him into his study for a meeting. "I created you to be a cancer on the world," his father tells him. It is a tradition in their wealthy family: a patriarch, when reaching the end of his life, will beget one last child to cause misery in a world that cannot be controlled or saved. From this point on, Fumihiro will be specially educated to learn to create as much destruction and unhappiness in the world around him as a single person can. Between his education in hedonism and his family's resources, Fumihiro's life is one without repercussions. Every door is open to him, for he need obey no laws and may live out any fantasy he might have, no matter how many people are hurt in the process. But as his education progresses, Fumihiro begins to question his father's mandate, and starts to resist.

    Akin to the trade in rhino horns or tigers' bones, this group trafficks in mummified satyrs, gryphons' claws, and more. When Angela Gough's lover Vince goes missing, she sets out to find him whatever the risk. She learns that he was employed by the infamous London crime lord Frederick Meloy, providing bizarre objects beyond imagining. Descending into the city's underbelly, she uncovers a deadly side to the black market. It might have claimed Vince, and Angela may be next. Gripping supernatural terror launching a new trilogy by the acclaimed author of Coldbrook (distinct, unique, and absorbing), The Silence (truly addictive), and the Alien-Predator Rage War. Tim Lebbon's RELICS opens a darkly beautiful glimpse into another world, one lurking in the shadows, hovering at the corner of the eye. If Anne Rice and Clive Barker had written a story together, it might have looked something like this novel: richly imagined, fantastical, yet grounded in the grit and reality of modern-day London. I look forward to the wonders and terrors yet to come. --JAMES ROLLINS, New York Times bestselling author of The Bone Labyrinth A magical, perilous drama full of characters who live and breathe, darkness you can feel... --Christopher Golden, New York Times bestselling author of Ararat "Tim Lebbon is an immense talent."--Joe R. Lansdale, creator of Hap and Leonard

    Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.

    A rich, gothic story of murder and mystery, A God in The Shed is quite possibly one of the most enthralling novels I've read in the last ten years. Dubeau is a force to be reckoned with.- --Jerry Smith, Fangoria Magazine and Blumhouse.com The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafes, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing--a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play. When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand's teenage residents, she learns that this creature's power has a long history with her town--and that the serial murders merely scratch the surface of a past burdened by evil secrets.

    Grant is now a detective with the Seattle Police Department and long estranged from his sister. But his investigation into the bloody past of a high-class prostitute has led right to Paige's door, and what awaits inside is beyond his wildest imagining.OVER ANYONE WHO ENTERSHis only hope of survival and saving his sister will be to confront the terror that inhabits its walls, but he is completely unprepared to face the truth of what haunts his sister's brownstone.

    Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly -Slipping away from them -And when one dark night she vanishes entirely, the survivors are left to tell her story."Miri I conjure you "This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.

    Its arteries run throughout the country. Its lifeblood flows into Westminster, into Scotland Yard, into every village and every city. It flows into you, and into your mother. It keeps you alive. It makes you feel safe. Those same arteries tangle you up and night and make it hard for you to breathe. But come morning, you thank it for what it has done for you, and you sip from its golden cup, and kiss its perfect feet, and you know that all will be right in this godforsaken world as long as it is there to watch over you.Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, going to parties she hates, drinking herself to sleep. She hasn’t spoken to Ila since they went into the House. She hasn’t seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together Alice and Ila must face the horrifying occurrences that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, who the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that confronts both supernatural and real-world horrors as it examines the devastating effects of trauma and the way fascism makes us destroy ourselves and each other.

    For two hundred years he has wandered the world, enslaved by his lunatic appetites and tormented by the memory of his first and most monstrous crime. Now, the last of his kind, he knows he cannot go on.But as Jake counts down to suicide, a violent murder and an extraordinary meeting plunge him straight back into the desperate pursuit of life — and love.Sexy, smart, bloody and heartbreaking, The Last Werewolf takes literature by the throat.

    Now, unable to play, adrift in an alcoholic daze, and with only fragmented memories of his past, Braden wants desperately to escape the darkness of the last eleven years.When his ex-wife and son are killed in a car accident, Braden returns home, hoping to forge a relationship with his troubled seventeen-year-old daughter, Allie. But how can he hope to rescue her from the curse that seems to shadow his family?Ophelia “Phee” MacPhee, granddaughter of the eccentric old man who sold Braden his cello, believes the curse is real. She swore an oath to her dying grandfather that she would ensure Braden plays the cello as long as he lives. But he can’t play, and as the shadows deepen and Phee finds herself falling for Braden, she’ll do anything to save him. It will take a miracle of forgiveness and love to bring all three of them back to the healing power of music.

    It was a place of fear, pain and misery at the hands of an abusive father. But now her father is dead, and she is forced to break that vow and return home - to lay his body to rest and face up to the ghosts of her past. However, Danni is about to learn that some ghosts are more real than others. Something beyond her understanding waits for her there, lurking in the shadows. An evil that intends to kill her family and claim her very soul.Experience supernatural horror in the vein of The Conjuring, Insidious and the legendary Ghost Watch. The Demonic will get under your skin, send chills down your spine and have you sleeping with the lights on!

    You don't just kill vampires for the money, you do it for the satisfaction. You do it because somebody has to. You do it no matter what it does to you. And you drink'a lot. Some jobs just suck. This one bites.But nobody does it better than Jack Crow, the leader of VAMPIRE$ Inc. His crack team of hunters takes down the blood suckers with a lethal combination of cojones and crossbows.After members of Jack's team are ambushed and slaughtered; however, the survivors need to rethink their strategy. With a new recruit from the Vatican? A priest who's not afraid to wield a stake'and a sharpshooter loaded up with silver bullets, it's payback time. The only problem is that the vampires have no intention of going down easy. They have their own hit list, and Jack Crow's name is scrawled in blood right at the top.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.