This essay is an attempt to contribute effective strategies to engage our own time and culture once more with the Gospel of Jesus Christ and – for a weary world – to awaken the Catholic imaginative vision.

    Robin Routledge's Old Testament Theology is gauged to meet the needs of readers who want to dine on the meat of Old Testament theology but do not have time to linger over hors d'oeuvres and dessert. And his thematic approach makes it easy for selective readers to find what they need. Routledge provides a substantial overview of the central issues and themes in Old Testament theology. In a style that is clear, concise and nuanced, Routledge examines the theological significance of the various texts within their wider canonical context, noting unity and coherence while showing awareness of diversity. Readers looking for a substantial overview of the central issues and themes in Old Testament theology will find that in the main body of the text, and those with more specific interests will find more detailed discussion and references to further reading in the numerous and expansive footnotes.

    

    Everybody loves a good story. We have been reading, listening to, or watching stories all of our lives, so we intuitively know a lot about how they work. Yet, more and more, Christians are unfamiliar with the stories of the Bible and how the grand narrative of God's Word fits together. Indeed, God gave us the stories of the Bible to reveal great truth about Himself and about our lives, and He wants to draw us into the ongoing story of what He is doing in the world. By focusing on the narrative framework of Scripture we can better understand what the Bible teaches and live out its instruction more effectively. Reading God's Story takes that clear narrative approach to the Bible, arranging the complete text into a fresh chronological reading plan developed for the Read the Bible for Life biblical literacy initiative. In this plan the books, chapters, and verses of the Bible are thoughtfully arranged so readers can track the story of Scripture, day by day, from beginning to end, understanding the flow of events and how all the different parts fit together to make sense. Reading God's Story features two-color interior page layout and is organized into 52 weeks of readings (six readings per week). It presents Scripture in three main acts (God's Plan for All People; God's Covenant People; God's New Covenant People) and seventeen total scenes, providing an introduction for each act and scene to orient the reader to its importance in the grand story. Unlike other chronological Bibles, this arrangement is not date specific (e.g. "January 1"), so a person can begin using this edition at any point in the calendar year.

    Too many people sit on the fence and ignore, or are unaware of, the fact that Christianity is an historical religion. As Laurence Peter once said "History repeats itself because nobody listens." The point of having a debate is not to have a debate and then agree to differ (sitting around in a mutually affirming love-fest) - the point of debate, as the Apostle Paul clearly demonstrates time and again in the book of Acts, is to establish which position is best.Carl Trueman's intends to provoke you with this collection of essays into thinking for yourself and to have an opinion on THINGS THAT MATTER! You can listen to the author as he speaks about this book here on "Pilgrim radio."

    Gerhard O. Forde here provides an introduction to this theological perspective through an analysis of Luther's Heidelberg Disputation of 1518, the classic text of the theology of the cross. The book first clarifies the difference between a theology of glory and a theology of the cross and explains how each perspective shapes the very nature of being a theologian. The main body of the book provides commentary on the Heidelberg Disputation — the only complete analysis of this document currently available. Underlying Forde's exposition is the contention that one ought not speak of the theology of the cross as merely another item among a host of theological options; instead, one must pursue what it means to be a theologian of the cross and to look at all things through suffering and the cross.

    The Mind of the Maker will be relished by those already in love with Dorothy L. Sayers and those who have not yet met her. A mystery writer, a witty and perceptive theologian, culture critic, and playwright, Dorothy Sayers sheds new, unexpected light on a specific set of statements made in the Christian creeds. She examines anew such ideas as the image of God, the Trinity, free will, and evil, and in these pages a wholly revitalized understanding of them emerges. The author finds the key in the parallels between the creation of God and the human creative process. She continually refers to each in a way that illuminates both.

    Lewis, always “Jack” to family and friends, never shied from intellectual debate, and through his written works encouraged others to wrestle with the difficult questions of faith. A master of visual illustration and allegory, Lewis wrote with the intuitive understanding that his readers wrestled with the same questions about the Christian story, about pain, suffering, and notions of Heaven and Hell, as he himself had wrestled. He also understood that others found reason and imagination to be incompatible aspects of an understanding of God and the universe.