Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    Their short honeymoon results in a baby, but on the birth of her daughter, Joy, Esther's world falls apart. Esther's dying mother confesses to a dark secret that she has kept to herself for twenty years: Esther is not her natural daughter but the result of an exchange of babies after her own child was stillborn. Esther's real mother was being forced to give up her baby to an orphanage by her furious family who were incensed about the unsuitability of their daughter's lover, and Joy's birth makes the reason clear. Harshly rejected by Monty, and with the man Esther believed was her father breathing fire and damnation, she takes her precious baby and leaves everything and everyone she's ever known, determined to fend for herself and her child. But her fight is just beginning . . .

    Hard-backed with brown and pale yellow marbling on the cover, like chocolate in cream.'I want you to write something for me,' said Jonathan, his dark eyes locking onto mine. 'I want you to write your story, Mam.'Peggy's story is the story of her Snowdonia village – of a community that that shares its joys and its woes across floured kitchen tables and scrubbed shop counters.Throughout Peggy's life food looms large – the lack of it, the sharing of it, the eating of it – from gingerbread to cawl, ce-cream to bara-brith. Her recipes are well-used and much ppreciated, but no one is quite sure where her inspiration comes from, why she is the way she is.Not until everyone's tale is told does Peggy's story unfold... as thick, dark and sticky as treacle.

    Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.

    From enchantment and shapeshifting to the age-old dichotomies of conflict versus peacemaking and love versus betrayal, all of these tales are uniquely reinvented, creating fresh, contemporary narratives that portray the real world as much as they depict the past. Based on the fable of Branwen, Daughter of Llyr, this interpretation revives one of the most action-packed stories in the whole myth cycle. Moving this bloodthirsty tale of Welsh and Irish power struggles and family tensions into the 21st century, this retelling retains many of the bizarre and magical happenings of the original. After being wounded in Italy, Matthew O’Connell is seeing out WWII in an obscure government department, spreading rumors and myths to the enemy. When he is assigned the bizarre task of escorting a box containing six raven chicks from a remote hill farm to the Tower of London, he soon finds himself ensnared in an adventure that leaves him powerless.

    He also has the tender memories of his grandfather's exaggerated stories of Irish wonder and magic stories of leprechauns and legends and the mysterious power of fate. But he doesnot have the story of why his grandfather left Ireland as a young man.Mesmerized by his romantic vision of Ireland, Cooper begins his search with a charming, down-on- his-luck Irish actor. He is also unprepared for the presence of Kathleen O'Reilly. As Cooper hunts for his grandfather's ghost, the landmarks and the fate of the Irish that Finn Coghlan talked of magically brings Cooper and Kathleen together. Yet, there is a truth between the two of them that not even the enchanting tale of Finn McCool and Sally Cavanaugh can resolve. For that, Cooper must use the one gift bestowed on him as a child by his grandfatherBogmeadow's wish.

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    Readers of Denis Johnson, David Foster Wallace, Mary Gaitskill, Susanna Moore, and other contemporary fiction writers will welcome this haunting novel about a 27-year-old woman who flees her failed marriage only to find herself involved in a perplexing spiral of murder, counterfeit, and false identity.

    'All for Love' is a collection of brief quotations by many hands, chosen and illustrated with exquisite wit by Laura Stoddart.Here the raptures of love are counter-balanced by the rueful, comic, and often rather crisply cynical observations of men and women who have been there before. Divided into sections on the nature of love, the pursuit of love, love and marriage and the love affair, the book ranges from the passionate to the severely practical. We can smile at the silliness of those blinded by love (Shakespeare), feel a pang of heartache for jilted lovers (Dorothy Parker) reflect with Byron that there is little to be said about a happy marriage, and take note of P G Wodehouse advising girls that chumps make the best husbands, while relishing snatches of great poetry about great loves, from Sappho, Marlowe, Wordsworth, John Clare and Thomas Hardy.'All for Love' is a rare treat for everyone who is in love, contemplating marriage, has a broken heart, or has put the whole business behind them, and wants to be cheered up by some brilliant insights and by Laura Stoddart's enchanting visual comments on them.

    Meanwhile, her husband Daniel mourns the demise of his marriage and his life.Full of Dorothy Porter's customary bite and sensuality, Wild Surmise is an engrossing duet between two passionately estranged voices. An intensely moving verse novel of passions and vulnerabilities, love and death.

    Jekyll and Mr. Hyde --The Suicide Club --The bottle imp --The body-snatcher --Olalla.

    In 55 poems that swerve and crackle with a rare music, Inua Ellams unleashes a full-throated assault on empire and its legacies of racism, injustice and toxic masculinity.Written on the author's phone, in transit, between meetings, before falling asleep and just after waking, this is poetry as polemic, as an act of resistance, but also as dream-vision. At its heart, this book confronts the absolutism and 'foolish machismo' of hero culture-from Perseus to Trump, from Batman to Boko Haram. Through the thick gauze of history, these breathtaking poems look the world square in the face and ask, "What the actual - ?".'This is what poetry looks like when you have nothing to lose, when you speak from the heart, when you have spent years honing your craft so that you can be free. This is what poetry looks like when you are a word sorcerer, a linguistic swordsman, a metaphor-dazzler, a passionate creator of poetry as fire, as lament, as beauty, as reflection, as argument, as home. I was blown away by this book' Bernadine Evaristo'This first collections is a masterclass in subtlety: poems that manage to be tender, angry, vulnerable, sad, funny, yearning and interrogating of history, both recent and long ago, all at once. It's a phenomenal piece of work about what it is to exist in this time, and his dissection of pop culture, colonialism, social interactions and the cruelty of the world, of men, of systems will be read and studied for years.' Nikesh Shukla

    Her novels and short stories speak to women and men about their most intense relationships and heartfelt feelings.In this collection of five short stories and a novella, Ms. Godwin is at her best. In the title novella, "Mr. Bedford," a young would-be writer spends time in England under the strange and watchful eye of a rather unusual elderly couple; in "Amanuensis," a charming college student cares for a famous but blocked novelist, with unpredictable results; and in "The Angry Year," a rebellious student is drawn to two different kinds of men until she discovers what she has been running to and from.

    Marriage and motherhood have changed her identity and challenged her previous beliefs about love and romance. The demands of family and career have buried the truths she once knew beneath a mountain of resentment, dirty laundry, and endless bas of groceries. Then, on one of her late-night excursions to the supermarket, Christine runs into Joe again... and everything changes.