M. Forster, by E. M. Forster. To purchase the entire book, please order ISBN 1417908599.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    100% of author profits from this edition of the book will go to The Trussel Trust, a charity that supports 1,200 UK food banks and provides emergency food and support to people locked in poverty, people who need help more than ever at this time.

    But when a job gone wrong puts a price on Varian's head, can Radovan hunt down the assassin and save his boss from their enemies—and himself—before it's too late?From fan-favorite author Dave Gross, author of the Pathfinder Tales novel Prince of Wolves, comes a rollicking urban adventure story set in the award-winning world of the Pathfinder campaign setting. Though this short story stands on its own, the further adventures of Radovan and Jeggare can be found in the novel Prince of Wolves, which begins shortly after this story ends.

    Also includes a few Christmas poems by the author.

    

    Adapted by Marty Ross, whose previous audio dramas include Romeo and Jude, Doctor Who, Treasure Island and Arabian Nights: Volume 1, listeners can expect to hear Sinbad the Sailor as they've never done before. In volume 2 of Arabian Nights we return to Sultan Shahriyar’s palace, where Scheherezade is using her spellbinding storytelling abilities to save both her and her sister’s lives. As much as the Sultan wants to kill her, each night he is drawn in by her tales and spares them. Scheherezade weaves a long, winding and exciting tale about Sinbad the Sailor, a reckless young man who has inherited his father’s wealth and spends it foolishly. His debts eventually force him to leave Baghdad and find his way alone. However, his journey quickly takes a turn when he is led to sea by a mysterious woman dressed in blue, which begins his long and dramatic adventures at sea.Starring Abraham Popoola, Adam Sina, Akin Gazi, Alyssa Kyria, Anoushka Rava, Aso Sherabayani, Bamshad Abedi-Amin, Daniel Naddafy, David Ahmad, Firdous Bamji, Gisele Payvandi, Hakan Silahsiz Hemi Yeroham, Ian Abeysekera Jonathan Morrison, Josh Zare Karim Kronfli, Mandana Jones Nezar Alderazi, Raghad Chaar Richard Reed, Sammy Broly, Tara Jaffar and Walles Hamonde.[Please note this drama contains some explicit content.]

    After many years of experiencing a strange and recurring dream, of an unseen, unidentified terror lurking in a room at the top of a mysterious house, our narrator is disturbed to find that his nightmare appears to be crossing over into real life...

    It is perhaps best known for the diacopic use of the word "bells." The poem has four parts to it; each part becomes darker and darker as the poem progresses from "the jingling and the tinkling" of the bells in part 1 to the "moaning and the groaning" of the bells in part 4. - Wikipedia

    But a still greater horror will face the recluse - more inexorable, merciless and awful than any creature that can be fought or killed.A classic of the first water - H. P. Lovecraft

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    — ...fairy tales were written for young and old alike; it is only in the last century that they have been deemed fit only for children and stripped of much of their original violence, sensuality, and power to frighten and delight. — Patricia C. Wrede, the best-selling author of Caught In Crystal and other beloved fantasy novels, brings Snow White and Rose Red back to an adult audience, in this romantic and magical retelling set in the enchanted forests of England at the time of Queen Elizabeth.Tor Books is proud to present the latest offering in the Fairy Tale Series -- a growing library of beautifully-designed original novels by acclaimed writers of fantasy and horror, each retelling a classic tale such as Snow White and Rose Red, Briar Rose, and Tam Lin in interesting -- often startling -- new ways.

    Marion Crawfordtext taken from his 1911 collection of weird fiction UNCANNY TALES, now in public domain.This story tells the classic gothic horror account of a young man in the thrall of a vampire, and...yes, there WILL be blood.Typeset and formatted by the publisher Gideonfell Books, Ltd. January 2010.

    Scott's source, which he acknowledged in the 'Magnum Opus' edition of Chronicles of the Canongate (1831), was George Constable (1719 - 1803), a friend of his father and the model for Jonathan Oldbuck in The Antiquary. It has not been established to date whether Constable's anecdote refers to a historically verifiable case.

    If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.