. . yet. Here, for the first time, current twentysomethings come together on their own terms, in their own words, and begin to define this remarkably diverse and self-aware generation. Tackling an array of subjects–career, family, sex, religion, technology, art–they form a vibrant, unified community while simultaneously proving that there is no typical twentysomething experience.In this collection, a young father works the late-night shift at Wendy’s, learning the finer points of status, teamwork, and french fries. An artist’s nude model explains why she’s happy to be viewed as an object. An international relief worker wrestles with his choices as he starts to resent the very people who need his help the most. A devout follower of Joan Didion explains what New York means to her. And a young army engineer spends his time in Kuwait futilely trying to grow a mustache like his dad’s.With grace, wit, humor, and urgency, these writers invite us into their lives and into their heads. Twentysomething Essays by Twentysomething Writers is a rich, provocative read as well as a bold statement from a generation just now coming into its own.Praise for Twentysomething Essays by Twentysomething Writers“Being in your twenties is weird. The world tells you you’re a grown-up, but damn if you feel like one. With 29 sharply observant and well-written snapshots of life between the ages of 19 and 30, Twentysomething Essays by Twentysomething Writers couldn’t have captured this more perfectly.”–Nylon“You’ll devour this compilation of essays by funny, smart, insightful young writers in just a few hours.”–Jane Magazine “[Twentysomething Essays by Twentysomething Writers offers] a wide variety of experience. . . . If we are still looking for a voice for this generation, I’d nominate this eclectic choir instead.”–Orlando Sentinel“[Ranging] from playful and absurd to poignant and earnest . . . [Twentysomething Essays by Twentysomething Writers is] a bold reminder that this generation is extremely diverse and very capable. . . . These essays will speak to you no matter your age.”–Austinist.com “Delightful . . . Whether admitting they are only just beginning to see their own parents as people or struggling to balance graduate study and parenthood, the essayists blend morbid irony and idealism. . . . This highly readable collection of voices is more assured and memorable than one might have expected from such a venture.”–Publishers Weekly “Earnest, honest, and well-written . . . a propitious look at writers coming of age right now, and it’s a pleasant surprise.”–The Phoenix (Boston)“A slice of Gen Y life: everything from OCD, rape, and depression to a nude-art-class model, online communities, and how to find (and keep) a drummer. Pick up your copy.”–stuff@night (Boston)“The essays . . . have an urgency, an immediacy, even as the subject matter runs the gamut from sex to death.”–Los Angeles Times Book Review

    

    From 'The hideousness of the art world', 'Being thick is no obstacle to being a successful artist' and 'Painting is a blind man's obsession'; to 'Socialising for party duds', 'Love may be blind, but marriage is an eye-opener' and 'If it can't be explained by science, try a seance'.

    Her husband had abandoned her for a sinister, younger woman and the weird nomadic group she led, and had taken their two children with him. But now Patsy had snatched Peter and Judith back again and was bringing them home to safety. Or so she thought. For as she left the dark old house with the witch-woman's snarled curses deafening her, tearing at her being, the real nightmare was just beginning. She drove into the night, and the road shifted, changed.

    Getting out... will be another matter. *** It was supposed to be just one more job: in, out, and millions the richer. But when four thieves break into THIS house, they discover the owners were ready. And waiting. Now, the thieves find themselves in a deadly maze of traps. Traps designed not only to steal their lives, but their sanity. The only way out is the front door. The only way to get there is to survive. And the only way to survive is to be willing to do anything, to suffer all... and to lose everything.

    His scathing analysis of everything that’s wrong with our society reaches more and more people every day. His brilliant critiques of—among other things—capitalism, imperialism, domestic repression and government propaganda have become mini-publishing industries unto themselves. But, in this flood of publishing and republishing, very little ever gets said about what exactly Chomsky stands for, his own personal politics, his vision of the future.Not, that is, until Chomsky on Anarchism, a groundbreaking new book that shows a different side of this best-selling author: the anarchist principles that have guided him since he was a teenager. This collection of Chomsky’s essays and inter-views includes numerous pieces that have never been published before, as well as rare material that first saw the light of day in hard-to-find pamphlets and anarchist periodicals. Taken together, they paint a fresh picture of Chomsky, showing his lifelong involvement with the anarchist community, his constant commitment to nonhierarchical models of political organization and his hopes for a future world without rulers.For anyone who’s been touched by Chomsky’s trenchant analysis of our current situation, as well as anyone looking for an intelligent and coherent discussion of anarchism itself, look no further than Chomsky on Anarchism.Noam Chomsky is one of the world’s leading intellectuals, the father of modern linguistics, an outspoken media and foreign policy critic and tireless activist. He lives in Boston, Massachusetts.

    There's no such thing as too many laughs! Dave Barry's quirky take on American life will shed new light on popular culture.

    Out of the Box brings together the very best of Harsha’s writings, in a book that will be a veritable delight for any cricket fan.Knowledgeable, frank and witty, and with a sense of drama comparable to that of cricket itself, Harsha brings the nation’s cricketing ethos inimitably to life. And he is at his best when paying tribute to some cricketing greats—Lara, Inzamam, Jayasuriya, Ganguly, Sehwag, and the incomparable Tendulkar.As he follows India’s fortunes on the cricket field at home and overseas, Harsha asks the question: can India really be no.1 in all three forms of the game? The answer lies in our history, and in the pages of Out of the Box.

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    A romantic thriller set against the background of the French Revolution.

    Her first book, Almanacs, was a travellers's litany, featuring a road movie in poems set in the north of Scotland. Nigh-No-Place is the liturgy of a poet passionately aware of the natural world." Nigh-No-Place reflects the breadth of ground she's covered. 'Ten-minute Break Haiku' is her response to working in a fish factory. 'Paternoster' is the Lord's Prayer uttered by a draught-horse. 'Prenatal Polar Bear' takes place in Churchill, Manitoba, surrounded by tundra.

    In the half-light, fragments of cello music crash around in her mind, but she casts them out - it's more than a year since she performed in public. There are memories she must banish in order to survive: a charismatic teacher with gold-flecked eyes, a mistake she cannot unmake. At home her mother Ada is waiting: a fragile, bitter woman who distils for herself a glamorous past as she smokes French cigarettes in her unkempt garden. In the village of Bosham the future is invading. A charming young documentary maker has arrived to shoot a film about King Cnut and his cherished but illegitimate daughter, whose body is buried under the flagstones of the local church. As Jonny disturbs the fabric of the village, digging up tales of ancient battles and burials, the threads lead back to home, and Ada and Nora find themselves face to face with the shameful secrets they had so carefully buried. One day, Nora finds a half-dead fledgeling in a ditch. She brings him home and, over the hot summer months, cradles Rook back to life. A mesmerising story of family, legacy and turning back the tides, Rook beautifully evokes the shifting Sussex sands, and the rich seam of history lying just beneath them.

    Literary Criticism. The two discussions in WHAT WE SHOULD HAVE KNOWN took place at the offices of n+1 in the summer of 2007. Eleven n+1 editors and contributors--including Caleb Crain, Meghan Falvey, Mark Greif, and Ilya Bernstein--met to talk frankly about regrets they have (or don't have) about college--what they wish they had read or had not read, listened to or not listened to, thought or not thought, been or not been. The idea for the discussions was prompted by a desire to give college students a directed guide, of some sort, to the world of literature, philosophy, and thought that they might not otherwise receive from the current highly specialized university environment. They were also an attempt to answer the "canon"-based approach to college study in two ways: by identifying canonical books produced by our contemporaries or near-contemporaries--something conservative writers have always refused to do--and, second, by articulating a better reason to read the best books ever written than that they authorize and underwrite a system of brutal economic competition and inequality.

    But Jay Gatsby, the owner of all this wealth, wants only one thing - to find again the woman of his dreams, the woman he has held in his heart and his memory for five long years.The Great Gatsby, F. Scott Fitzgerald's masterpiece, is one of the great American novels of the twentieth century. It captures perfectly the Jazz Age of the 1920s, and goes deep into the hollow heart of the American Dream.

    Get both curvy girl holiday romances for the price of one! A Christmas Dream Hayden: For the last decade, I’ve had the same Christmas dream every holiday season. It’s lovely, happy, sensual, and it’s total bullsh*t because there is no man like my dream man out there for me. Luckily, the sexy dream only happens once a year, because if it happened more than that, it would be depressing, a constant reminder of what I have in reality. In real life, I was just dumped by the latest loser in my life, a man who was just using me for my money, and a roof over his head. Good riddance, right? But things aren’t really all that simple. Problem is, I don’t feel like I’m worthy of anything better because I’m a big girl, and I like my food, if you know what I mean. So I made a bargain with myself to stay away from men and dating completely for at least a year to give myself a break, and to try to find my self-esteem after dating a string of men who just didn’t want…me. I thought that promise I made to myself would be easy to keep, and it was…until I met Jackson Gillette in Galveston while I was hiding out in my beach house licking my wounds from so many bad relationships. Jackson is a gorgeous, drool-worthy kind of guy. In other words, he was trouble. Men like him did not date women like me. But when I realized that there’s so much more to Jackson than the eye can see, do I dare take a chance on realizing my Christmas dream? After all, he might just be exactly what I want from Santa this year. Author Note: If you’re looking for a traditional, sweet Christmas romance, you might want to move on. This is a sexy, panty melting, fantastical Christmas romance that’s heavily rolled in sugar sweet enough to satisfy your craving for Christmas cookies, with a big dose of Christmas magic. If that sounds like great holiday reading to you, then dig in and enjoy!! A Valentine Dream Amy: February 14th is just another day to me. I don't really believe in hearts, flowers, romance, or happily-ever-afters. And I certainly don't think there's a dream man for a curvy woman like me, even if my little sister had found hers over the holidays. I'm more realistic. Or at least...I was...until I met Levi Gillette during my sister Hayden's wedding rehearsal dinner The man seems to have an annoying ability to make me lose my cool and calm facade. Yeah, he's definitely hot, but my sister's brother-in-law-to-be was also arrogant, infuriating, presumptuous, bossy, and most likely one big player because the man could be charming when he wanted to be. No thanks! Been there, done that, and I'd had more than enough of men like Levi Gillette. But when I start having amazingly erotic, intimate dreams about him, it's almost impossible to ignore him in the flesh. In my dreams, it was like I'd known Levi forever. But in person, I barely knew him, and he challenges everything I'd ever assumed about myself. We don't even like each other, yet he feels so...familiar. Finally, when the lines between dreams and reality start to blur, I have to wonder whether I can trust a guy like Levi with my heart. I knew he was hiding something. There were things I didn't know. I could feel it.