Finally, our hero learns compassion and achieves tranquillity in a life in the country.

    When her amazing singing voice wins her a talent show at the tender age of thirteen, she is whisked off to London and instant stardom. But even as Maria is celebrating her greatest success, she is waging a hidden battle against her own body, and becoming in the process a living exhibit in the modern drama of celebrity. Can she be saved by love? Or will she be consumed by an obsessive celebrity culture, family lies, and by her number-one fan? This stunning novel is a rich portrait of an immigrant community and a tragic tale of the hidden costs of celebrity.

     There were three deaths that summer. The first was Letitia's, sudden and quite unexpected, leaving her husband, Thaddeus, haunted by the details of her last afternoon. The next death came some weeks later, after Thaddeus's mother-in-law helped him to interview for a nanny to bring up their baby. None of the applicants were suitable--least of all the last one, with her sharp features, her shabby clothes that reeked of cigarettes, her badly typed references--so Letitia's mother moved herself in. But then, just as the household was beginning to settle down, the last of the nannies surprisingly returned, her unwelcome arrival heralding the third of the summer tragedies. "William Trevor is an extraordinarily mellifluous writer, seemingly incapable of composing an ungraceful sentence. . . . His skill is very real, and equals his great compassion. With Death in Summer, these two qualities combine in a beautiful and resonant way."--The New York Time Book Review "Possibly the most perfect of Trevor's novels . . . Astonishing."--Los Angeles Times Book Review "Beautifully paced and mesmerizing . . . Offering us a compelling mystery on many levels through . . . finely drawn, perfect glimpses of touchingly imperfect lives."--The Washington Post Book World Nominated for a Los Angeles Times Book Prize

    With extraordinary insight, Lehmann explores the sublimity and the pain of these fatally interrelated lives in a novel which carefully fictionalises the fracturing of the human personality under the pressure of irreconcilable emotional commitments.

    At the center of the story are a wealthy, self-involved newspaper publisher and his scheming, novelist wife, Amanda Keeler. Powell always denied that Amanda Keeler was based upon the real-life Clare Boothe Luce, until years later when she discovered a memo she’d written to herself in 1939 that said, “Why not do a novel on Clare Luce?” Which prompted Powell to write in her diary “Who can I believe? Me or myself?”

    Vic is attracted to the beautiful but demanding Ingrid, and as their relationship grows and changes, he comes to terms the hard way with adult life and what it really means to love. The influence of Barstow's novel has been lasting the literary label "lad-lit" was first applied to this book, and over the years it has been adapted for radio, television, and the big screen.Originally published in 1960, this popular novel about frustrated youth laid the groundwork for contemporary writers such as Tony Parsons and Nick Hornby.

    Minutes after the axe falls, his right index finger is severed in a freak accident. Doctors manage to reattach the finger, but when the bandages come off, Nelson realizes that he has acquired a strange power—he can force his will onto others with a touch of his finger. And so he obtains an extension on the lease of his university-owned townhouse and picks up two sections of freshman composition, saving his career from utter ruin. But soon these victories seem inconsequential, and Nelson's finger burns for even greater glory. Now the Midas of academia wonders if he can attain what every struggling assistant professor and visiting lecturer covets—tenure. The Lecturer's Tale is a pitch-perfect blend of satire and horror.

    The melancholic, middle-aged lexicographer plunges into an increasingly ambiguous relationship with the vivacious Mrs. Thrale for the next twenty years. In that time Hester's eldest daughter, the neglected but prodigiously clever Queeney, will grow into young womanhood. Along the way, little of the emotional tangle and sexual tension stirring beneath the decorous surfaces of the Thrale household will escape Queeney's cold, observant eye.

    Sir Giles, an MP of few principles and curious tastes, plots to destroy all this by building a motorway smack through it, to line his own pocket and at the same time to dispose of his wife, the capacious Lady Maude. But Lady Maude enlists a surprising ally in her enigmatic gardener Blott, a naturalised Englishman in whom adopted patriotism burns bright. Lady Maude's dynamism and Blott's concealed talents enable them to meet pressure with mimicry, loaded tribunals with publicity and chilli powder, and requisition orders with wickedly spiked beer. This explosively comic novel will gladden the heart of everyone who has ever confronted a bureaucrat, and spells out in riotous detail how the forces of virtue play an exceedingly dirty game when the issue is close to home.

    Set on the fictional African island of Azania, the novel chronicles the efforts of Emperor Seth, assisted by the Englishman Basil Seal, to modernize his kingdom. Profound hilarity ensues from the issuance of homemade currency, the staging of a "Birth Control Gala, " the rightful ruler's demise at his own rather long and tiring coronation ceremonies, and a good deal more mischief.

    "Filled with warmth and humor, sadness and tenderness, songs and poems, Lake Wobegon Days is an unforgettable portrait of small-town American life, of why 'we are what we are' and why 'smart doesn't count for much."

    In a wonderful twist on her subjects, she has written a book inspecting the behavior of a group of anthropologists. She pits them against each other in affairs of the heart and mind.Academia is an especially rich backdrop. There is competition between the sexes, gender, and age groups. With Pym's keen eye for male pretensions and female susceptibilities, she exploits with good humor. Love will have its way even among the learned, one of whom is in a quandary between an adult and a young student. This is the world of research, grants, libraries and primitive cultures. Here is a particularly interesting contrast between the tribes of Africa and the social matrix of London. As the title implies, civilized society fares not too well on moral grounds to the more primitive societies. Barbara Pym does a masterful job with the mores of the cloistered society of academia.

    S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

    The dying Freud hustled out of Vienna into exileA Broadway musical on the subject of Trotsky in New YorkThe last throes of the planet Earth in AD 2000These are all items onThe End of the World NewsPsychoanalysis, international socialism and The End - three themes, three stories - outrageously counterpointed into trinity, in a novel stuffed with verbal pyrotechnics, amazing sleights of fantasy, and tantalizing jokes, and which is crowned by a brilliant, unexpected, out-of-this-world finale - all written by one novelist at the height of his powers.

    The story begins with a story inside the story: the cartoon character Paul Hornschemeier is trying to finish a story called "Paul and the Magic Pencil." Paul has been granted a magical implement, a pencil, and is trying to figure out what exactly it can do. He isn't coming up with much, but then we zoom out of this story to the creator, Paul, whose father is about to go on a walk to turn off the lights in his law office in the center of the small town. Abandoning the comic strip temporarily, Paul leaves with his camera, in order to fulfill a promise to his girlfriend that he would take pictures of the places that affected him as a child. Each "chapter" of the story is drawn in a completely different style, with strikingly unique production and color themes, and yet, somehow, despite (or perhaps because of) this non-linear progression, it all comes together as one story: a story questioning change, progress, and worth within the author's life.