Police sub-inspector Swami has lost his job after suffering a stroke while beating up a Very Guilty Suspect. He can no longer talk properly, command the respect of his community, or give his six daughters the bankrupting dowries they deserve--and his wife is obsessed with securing the Most Expensive Husbands in India. No wonder Swami has lost his pride and wants to kill himself using only a puncture repair kit. Surely a man in these circumstances has good reason to feel cursed when a white man falls out of the sky and lands on him in a busy street, dying in front of his eyes and making him a laughing stock. But as further strange incidents occur, Swami's hometown starts to believe he is walking with God, and life becomes easier...

    TROPIC OF RUISLIP is a sage for life on a modern executive housing estate, seething with the fears, snobbereis, frustrations and lusts of well-heeled young couples trundling uneasily towards middle age.

    Elliott Wiener, an unscrupulous historian, tracks down Warren Harding's ancient mistress in a crumbling Los Angeles mansion and schemes to get the president's love letters.

    Even with his improvised bat (the Collins Classic edition of Dr Jekyll and Mr Hyde) he can chop, flick, half-volley like a champion. At sex he is not so adept, but with tuition from Sheeny Waxman, fellow member of the Akiva Social Club Table Tennis Team and stalwart of the Kardomah coffee bar, his game improves.

    The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters—depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs—Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined.

    L. Carr, published in 1972. The novel tells the story mostly in the form of a school log book kept by George Harpole, temporary Head Teacher of the Church of England primary school of "Tampling St. Nicholas". Like all of Carr's novels, it is grounded in personal experience. Carr was a Primary School teacher for almost 40 years, including 15 years spent as Head Teacher.

    From the author of "Witchcraft" and "Buttons in the Marsh" comes this black comedy about an unsuccessful solicitor who decides to murder his wife, with devastating results.

    Battling the sea and struggling against each other as the dreaded williwaw approaches, strikes, and subsides, the men reveal the storms within their souls, stark, fierce, and compelling. And pervading all is the grim atmosphere, set down with a mastery of description, of the desolate Arctic and the harsh destructive storm.

    Returning from study abroad, Cornelius Christian enters customs with his luggage and his dead wife. His first encounter in New York is with a funeral director, with whom he reluctantly takes employment to pay for the burial expenses. In the course of his duties he meets the beautiful Fanny Sourpuss over her millionaire husband's dead body. However, his over-enthusiastic handling of his first corpse lands him in court. Cornelius Christian wanders through the great sad cathedral that is New York, examining the human condition in all its comic pathos and lonely absurdity. Whether lingering in the Automat drinking from half empty coffee cups and stealing baked beans from the plates of customers who go looking for ketchup, or finding love on a street corner only to end up fighting his way out of a hooker's fists, Cornelius Christian, heroic anti-hero, sings of life's goodness in the wake of disaster.

    He is amusingly tolerant of his fellow Africans, thinking them uncivilized; he is obsessed with the idea of bringing "civilization" to this small jungle station. Johnson loves the white man's ways and cheerily adopts them; he has an enthusiasm that makes his boss Rudbeck overlook his rather vague office talents. This enthusiasm centers especially upon the construction of a road (symbol of civilization) and when Rudbeck has difficulty in getting funds from HQ, Johnson does some manipulation with the books. His peculiar sense of bookkeeping, together with his disdain for regulations, lands him in trouble. He gets the road built but is discharged. In despair and anger at being fired by his "good friend" Rudbeck, he gets drunk, and accidentally kills a white store owner. He is condemned to death. Rudbeck tries to save him, but "justice" cannot be reversed. Johnson is caught between two cultures, belonging no more to the new Africa than to the old. He begs Rudbeck, whom he looks upon as a father, to shoot him rather than let him be hanged by a stranger. Rudbeck, seeing him for the first time as an individual, grants this last request and ends the boy's life.

    But Morris is also a chronic alcoholic, heading fast towards self-destruction. Morris is not hoping to meet Ms. Right and acquire the two kids that will straighten everything out. He already has all this and it hasn't kept him off the bottle. Ron Butlin's tale of one man's inner turmoil is haunting, harrowing, yet strangely uplifting; a masterpiece from a neglected Scottish writer.

    Staying with his parents-in-law at their house in Norfolk, he reads Leo Tolstoy’s novella, The Death of Ivan Illych, and this precipitates a mid-life crisis. What has happened to his youthful ideals to do good in the world? What has happened that has made his marriage go stale? It is the period of strikes, political crisis and the `three-day week’: Strickland determines to stand as a Labour MP. His ambition is mocked by his wife and, blaming her for his life’s stagnation, he starts an affair with another woman.

    Joining Master Will in Brahms and Simon's comic mayhem are all the usual Elizabethan suspects, though we see them in a most unusual, and hilarious, light: Francis Bacon, for example, scheming for possession of one of the beds in which the Queen has slept; and Walter Raleigh, staging an elaborate feast at which England's great will have their first taste of the mysterious Potato. And then there's Viola Compton, stage-struck Maid of Honour, who disguises herself as a boy-player and catches the eye of the playwright himself. Has Will found the muse he needs? Is Shakespeare in love?With an Introduction by Ned Sherrin.

    With a glee in upending pretense that rivals the works of Max Beerbohm and Evelyn Waugh, Powell attacks artistic pretension, aristocratic jadedness, and the dark side of the glamorous life.Afternoon Men provides an important perspective on the development of one of this century's great satirists.

    Madsen remarkably gives us a tour of Europe, Italy, Rome, the Vatican, the papacy, Gnosticism, side-shows, sex, gore and love - always love. The Inquisition is in bloom and heretics are treated in ways that are described in detail, with questioning normal Christian or Roman Catholic beliefs as well as intimate descriptions of sex or be exposed to visceral scenes. The book is very well written and flows smoothly.