The strong-willed youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents.An Untamed State is a novel of privilege in the face of crushing poverty, and of the lawless anger that corrupt governments produce. It is the story of a wilful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places. An Untamed State establishes Roxane Gay as a writer of prodigious, arresting talent.

    On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

    All he has left behind is a cryptic note explaining that he's returned to their childhood town, a place Chloe never wants to see again.While trying to reach Nate, Chloe stumbles upon a notebook tucked inside his antique copy of "The Lion, the Witch and the Wardrobe." Written in code, the pages contain long-buried secrets from their past, and clues to why he went home after all these years. As Chloe struggles to decipher the notebook's hidden messages, she revisits the seminal moments of their youth: the day she met the enigmatic Sinclair children and the increasingly dangerous games they played to escape their troubled childhoods; the first time Nate kissed her, camped out on the beach like Robinson Crusoe; and the elaborate plan she and Nate devised, inspired by Romeo and Juliet, to break away from his oppressive father. As the reason for Nate's absence comes to light, the truth will forever shatter everything Chloe knows -- about her husband, his family, and herself.

     Banking heiress Trish and her husband, James, seem to have it all, from a lavish lifestyle to a historic mansion in the nation’s capital. All that’s missing from their privileged life is a baby.So when Trish sees Anne Elise for the first time, it’s no surprise that she falls deeply in love. There’s just one problem: Trish isn’t the mother. The baby belongs to Laurel, James’s young mistress. And James and Laurel want the wife out of the picture.When Trish becomes perversely obsessed with making Laurel’s baby her own, the lovers come up with a wicked plan to end James’s marriage that quickly goes awry. As the love triangle becomes more and more dangerous, how far is each of them willing to go to get what they want?

    It could be reason enough for suicide-or a motive for murder.To English professor Jack Dorian, Taryn was the ultimate fantasy: intelligent, adoring, and completely off limits. But there was also a dark side to Taryn, a dangerous streak that threatened those she turned her affections to--including Jack. And now that she's dead, his problems are just beginning.After Frankie uncovers a trove of sordid secrets, it becomes clear that Jack may know the truth. He is guilty of deception, but is he capable of cold-blooded murder?

    Watch your husband, watch your friends, and watch your back.Cat Winthorpe has worked hard to get what she has: a gorgeous home; social standing; and William, her successful, handsome husband. Then a friendly new couple moves into the estate next door. While cautious, a good neighbor like Cat greets them with open arms and warm hospitality.Neena Ryder isn’t a fellow lady of leisure. A life coach with off-the-rack dresses, personal issues, and a husband who hasn’t delivered, she’s anxious to move up in the world. This beautiful new town is a step in the right direction. It’s also making Neena aware of what she doesn’t have. Namely, William. When Neena’s infatuation escalates into obsession, it’s just a matter of eliminating a few obstacles to get the life she wants. The life next door.As Neena’s secret fixation grows, so does her friendship with Cat. But beneath their cordial interactions is a wealth of temptations, secrets, and toxic jealousy. For both women, the desire for a perfect life can turn perfectly dangerous.

    Elias is a Christian Arab living on the eastern side of the newly divided city, and Lila is a Jew living on the western side. A growing conflict between their cultures casts a heavy shadow over the region and their burgeoning relationship. Between them lie not only a wall of stone and barbed wire but also the bitter enmity of two nations at war.Told in the voice of Elias as he looks back upon the long years of his life, About the Night is a timely story of how hope can nourish us, loss can devastate us, and love can carry us beyond the boundaries that hold human beings apart.

    Magazine* *Medium* *BookRiot* *BookPage* CrimeReads* Tor Nightfire* Bookshop* *Book Talk* BiblioLifestyle* and more! Morrow uses her heroine's warped perspective to examine painful truths about race and class in America, but this isn't a book intended to teach anyone a lesson, except maybe: Be careful. You never know who's really in control.--LA TimesFrom bestselling author Bethany C. Morrow comes a new adult social horror novel in the vein of Get Out meets My Sister, the Serial Killer, about Farrah, a young, calculating Black girl who manipulates her way into the lives of her Black best friend's white, wealthy, adoptive family but soon suspects she may not be the only one with ulterior motives. . . .Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS--White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can't seem to afford--and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she's convinced she's always had over her life by staying with Cherish, the only person she loves--even when she hates her.As troubled Farrah manipulates her way further into the Whitman family, the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them--if they didn't think something was wrong with Farrah, too. When strange things start happening at the Whitman household--debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish's hotheaded boyfriend, and a mysterious journal that seems to keep track of what is happening to Farrah--it's nothing she can't handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it's anyone's guess who is really in control.Told in Farrah's chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.

    The photo shows a shuttered, ramshackle house on top of a steep hill. On the back, a puzzling inscription: Destiny calls us.Ava is certain that it’s a clue to her elusive past. Twenty-three years ago, she’d been found wrapped in a yellow blanket in the narthex of the Holy Saviour Catholic Church—and rescued—or so she’d been told. Her mother claimed there was no more to the story, so the questions of her abandonment were left unanswered. For Ava, now is the time to find the roots of her mother’s lies. It begins with the house itself—once the scene of a brutal double murder.When Ava enlists the help of the two people closest to her, a police detective and her best friend, she fears that investigating her past could be a fatal mistake. Someone is following them there. And what’s been buried in Ava’s nightmares isn’t just a crime. It’s a holy conspiracy.

    They're best friends, lovers—unshakable. But then their son gets sick and the doctors put the question of his survival into their hands. For the first time, Max and Pip can't agree. They each want a different future for their son. What if they could have both? A gripping and propulsive exploration of love, marriage, parenthood, and the road not taken, After the End brings one unforgettable family from unimaginable loss to a surprising, satisfying, and redemptive ending and the life they are fated to find. With the emotional power of Jodi Picoult's My Sister's Keeper, Mackintosh helps us to see that sometimes the end is just another beginning.

    When Sylvie Patterson, a bookish student at a Northern California boarding school, falls in love with a spirited, elusive classmate named Gabe, they embark on an experiment that changes their lives. Their headmaster, Dr. Adrian Keller, is a charismatic medical researcher who has staked his career on the therapeutic potential of lucid dreaming: by teaching his patients to become conscious during sleep, he believes he can relieve stress and trauma. Over the next six years, Sylvie and Gabe become consumed by Keller’s work, following him across the country.But when an opportunity brings the trio to the Midwest, Sylvie and Gabe stumble into a tangled relationship with their mysterious neighbors—and Sylvie begins to doubt the ethics of Keller’s research. As she navigates the hazy, permeable boundaries between what is real and what isn’t, who can be trusted and who cannot, Sylvie also faces surprising developments in herself—an unexpected infatuation, growing paranoia, and a new sense of rebellion.With stirring, elegant prose, “Chloe Benjamin has crafted an eerie, compelling first novel which, like the lingering effects of a vivid dream, resonates long past its finish” (Karen Brown, The Longings of Wayward Girls).

    With their two kids—Sybil, age seven, and George, age two—Juliet and Michael set off for Panama, where their forty-four foot sailboat awaits them. The initial result is transformative; the marriage is given a gust of energy, Juliet emerges from her depression, and the children quickly embrace the joys of being feral children at sea. Despite the stresses of being novice sailors, the family learns to crew the boat together on the ever-changing sea. The vast horizons and isolated islands offer Juliet and Michael reprieve – until they are tested by the unforeseen.Sea Wife is told in gripping dual perspectives: Juliet’s first person narration, after the journey, as she struggles to come to terms with the life-changing events that unfolded at sea, and Michael’s captain’s log, which provides a riveting, slow-motion account of these same inexorable events, a dialogue that reveals the fault lines created by personal history and political divisions. Sea Wife is a transporting novel about marriage, family and love in a time of unprecedented turmoil. It is unforgettable in its power and astonishingly perceptive in its portrayal of optimism, disillusionment, and survival.

    But can it survive the unimaginable? American nanny Eleanor was never meant to meet Alex. But when she walks into his London police station to report a stalker, everything changes for them both. He’s convinced he can protect her from anything and anyone. She hopes her darkest days are behind her.As they settle into their life together, two hundred miles away another young couple faces an uncertain future. Christie knows Paul is a decent man, but she can’t shake a clairvoyant’s warning: ‘Never trust your husband . . .’ When a work trip tests their bond, will she overcome her fears for the sake of her family?Ten years later, both couples are still together, for better or worse. But as doubts and resentments begin bubbling steadily to the surface, all four of them start to question the choices they’ve made.At least the secrets they all brought into their marriages are still well hidden.For now.

    A young woman by the name of Jess holds a note with the results of a DNA test, claiming to be their half sister. As the fallout starts, it's clear that they are all hiding secrets, and perhaps this family isn't as perfect as it appears.

    A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes. As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by oppression and she will find out all too quickly that this knowledge is fraught with its own danger. Kostova's new novel is a tale of immense scope that delves into the horrors of a century and traverses the culture and landscape of this mysterious country. Suspenseful and beautifully written, it explores the power of stories, the pull of the past, and the hope and meaning that can sometimes be found in the aftermath of loss.