Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified.Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions.Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined…

    As he moves in and out of dreamlike memories and seemingly random appearances of a persistent ex-girlfriend at his bedside, he fears he may be losing his grip on reality, much like his mother who recently passed away from dementia.Most distressing, he believes he’s being plagued by strange telephone calls, in which a woman claiming to be the titular character of his hit novel Dream Girl swears she will be coming to see him soon. The character is completely fictitious, but no one has ever believed Gerry when he makes that claim. Is he the victim of a cruel prank—or is he actually losing his mind★ There is no record of the calls according to the log on his phone. Could there be someone he has wronged★ Is someone coming to do him harm as he lies helplessly in bed★Then comes the morning he wakes up next to a dead body—and realizes his nightmare is just beginning...

    Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block—her neighbor Theo.But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear. Their neighbors may not have moved to the suburbs after all, and the push to revitalize the community may be more deadly than advertised.When does coincidence become conspiracy? Where do people go when gentrification pushes them out? Can Sydney and Theo trust each other—or themselves—long enough to find out before they too disappear?

    Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour?It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.

    Thunder Basin, Nebraska, is not her real home. This is not her real life.After witnessing a lethal crime, Stella Gordon is sent to the middle of nowhere for her own safety before she testifies against the man she saw kill her mother’s drug dealer.But Stella was about to start her senior year with the boyfriend she loves. How can she be pulled away from the only life she knows and expected to start a new one in Nebraska? Stella chafes at her protection and is rude to everyone she meets. She’s not planning on staying long, so why be friendly? Then she meets Chet Falconer and it becomes harder to keep her guard up, even as her guilt about having to lie to him grows.As Stella starts to feel safer, the real threat to her life increases—because her enemies are actually closer than she thinks…

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    Part captor, part benefactor, Bill calls her Evie and tells her he's hiding her to protect her. That she did something terrible one night back home in Melbourne--something so unspeakable that he had no choice but to take her away. The trouble is, Kate can't remember the night in question. The fragments of Kate's shattered memories of her old life seem happy: good friends, a big house in the suburbs, a devoted boyfriend. Bill says he'll help her fill in the blanks--but his story isn't adding up. And as she tries to reconcile the girl she thought she'd been with the devastating consequences Bill claims she's responsible for, Kate will unearth secrets about herself and those closest to her that could change everything. A riveting debut novel that fearlessly plumbs the darkest recesses of the mind, Call Me Evie explores the fragility of memory and the potential in all of us to hide the truth, even from ourselves.

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

    It was founded by Albert Ellingham, an early twentieth century tycoon, who wanted to make a wonderful place full of riddles, twisting pathways, and gardens. “A place,” he said, “where learning is a game.”Shortly after the school opened, his wife and daughter were kidnapped. The only real clue was a mocking riddle listing methods of murder, signed with the frightening pseudonym “Truly, Devious.” It became one of the great unsolved crimes of American history.True-crime aficionado Stevie Bell is set to begin her first year at Ellingham Academy, and she has an ambitious plan: She will solve this cold case. That is, she will solve the case when she gets a grip on her demanding new school life and her housemates: the inventor, the novelist, the actor, the artist, and the jokester. But something strange is happening. Truly Devious makes a surprise return, and death revisits Ellingham Academy. The past has crawled out of its grave. Someone has gotten away with murder. The two interwoven mysteries of this first book in the Truly Devious series dovetail brilliantly, and Stevie Bell will continue her relentless quest for the murderers in books two and three.New York Times bestselling author Maureen Johnson weaves a delicate tale of murder and mystery in the first book of a striking new series, perfect for fans of Agatha Christie and E. Lockhart.

    Full of menace and suspense, it's an unputdownable thriller--and a paperback original!Alissa, Sky, Cleo, and Miles just wanted something to do on a Friday night, so they signed up for an Escape Room. They have one hour to find clues, crack codes, and figure out puzzles. The Game Master told them they can always leave the game. But what if that's not true? What if the Game Master has no intention of letting them out?

    urges.Lane is a typical teenager. Loving family. Good grades. Afterschool job at the local animal hospital. Martial arts enthusiast. But her secret obsession is studying serial killers. She understands them, knows what makes them tick.Why?Because she might be one herself.Lane channels her dark impulses by hunting criminals—delivering justice when the law fails. The vigilantism stops shy of murder. But with each visceral rush the line of self-control blurs.And then a young preschool teacher goes missing. Only to return... in parts.When Lane excitedly gets involved in the hunt for “the Decapitator,” the vicious serial murderer that has come to her hometown, she gets dangerously caught up in a web of lies about her birth dad and her own dark past. And once the Decapitator contacts Lane directly, Lane knows she is no longer invisible or safe. Now she needs to use her unique talents to find the true killer’s identity before she—or someone she loves—becomes the next victim...

    But Hattie wants something more, something bigger, and ultimately something that turns out to be exceedingly dangerous. When she’s found brutally stabbed to death, the tragedy rips right through the fabric of her small-town community.It soon comes to light that Hattie was engaged in a highly compromising and potentially explosive secret online relationship. The question is: Did anyone else know? And to what lengths might they have gone to end it? Hattie’s boyfriend seems distraught over her death, but had he fallen so deeply in love with her that she had become an obsession? Or did Hattie’s impulsive, daredevil nature simply put her in the wrong place at the wrong time, leading her to a violent death at the hands of a stranger?Full of twists and turns, Everything You Want Me to Be reconstructs a year in the life of a dangerously mesmerizing young woman, during which a small town’s darkest secrets come to the forefront…and she inches closer and closer to death.Evocative and razor-sharp, Everything You Want Me to Be challenges you to test the lines between innocence and culpability, identity and deception. Does love lead to self-discovery—or destruction?

    Finally, they’ll be accepted into a tribe. Marley will make friends and Ruth will be welcomed by the mothers. Instead, the parents are turned off by Ruth’s ostentatious wealth and before kindergarten even begins, Ruth and Marley are outcasts. The last guest to arrive at the meet-and-greet is Gemma, a widow and a single mother to her daughter, Bee. Ruth sets her sights on the mother-daughter duo, and soon the two families are inseparable. Ruth takes Gemma and Bee on Aspen vacations, offers VIP passes to Cirque du Soleil, and pays for dinners at Michelin-starred restaurants. For Gemma, who lives paycheck to paycheck, Ruth’s largesse is seductive, but as the years go by, she can’t shake the feeling that she’s accruing an increasingly unpayable debt. When Ruth’s affair with a married Hillside dad is exposed, and she’s publicly shunned, Gemma uses it to sever ties with Ruth. Six years later, when Gemma finds herself embroiled in a scandal of her own—Ruth comes to her defense. Their renewed friendship rehabilitates their reputations, but once again, Gemma starts to feel trapped as Ruth grows more and more obsessed with their relationship. A relentless page-turner, Did I Say You Could Go is the story of friendships steeped in lies and duplicity. It’s about two families who, when pushed to extremes, cross the line with devastating results.

    Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories.But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace.Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself.The only problem is, the killer may still be on the loose. And he might not be finished.

    There she sets up her new home with her husband and two young daughters, and goes into business with her difficult mother managing a guesthouse in the Brecon Beacons. But when the guesthouse is ready to be occupied, Kirsty encounters the last person she ever expected to see: her estranged cousin Selena. It has been seventeen years since they last talked—when Selena tore everything apart between them.Why has she chosen now to walk back into Kirsty's life? Is Selena running from something too? Or is there an even darker reason for her visit?As Kirsty becomes increasingly concerned for the safety of her daughters, her dream home begins to feel like her worst nightmare.Kirsty knows that once you invite trouble into your home, it can be murder getting rid of it . . .