The catch? The last tenant, Brody Walsh, killed himself.Or did he?As disturbing dreams and hauntings start to occur, Harley realizes there may be much more behind the previous tenant’s death than a simple suicide. She finds her life further entangled with his when she learns that her new boss, Nolan, was also his best friend. Could this handsome but evasive pub owner have something to do with Brody’s death?Trying to piece together the events surrounding Brody’s death proves to be a daunting task, but Harley can’t give up. Brody won’t let her. He is still in the apartment with her, trapped in limbo until she finds his killer.But he’s not waiting for revenge.Harley’s next.

    After a prolonged legal battle with his aunt and uncle, Shane has possession of the family home where his parents disappeared over 20 years ago. The house, a monstrous castle filled with ghosts and secrets, is more alive than its inhabitants.When his aunt and uncle come to town, then vanish, Shane's life takes a turn for the worse. Detective Marie Lafontaine immediately labels Shane as the prime suspect. And in a race against time, Shane desperately searches for clues about his parents.But there's something lurking beyond the walls and beneath the surface. Something sinister that has haunted him ever since he saw its face in the pond behind the house. And it isn’t happy that Shane is back.It isn’t happy at all.

    She’s been able to see ghosts since her mother tried to murder her when she was five years old. No way does she want anyone to know she can talk to spooks. Being a foster kid is hard enough without being labeled a freak too. Normally, she just ignores the ghosts and they go away. That is until she see’s the ghost of her foster sister… Sally. Everyone thinks Sally’s just another runaway, but Mattie knows the truth—she’s dead. Murdered. Mattie feels like she has to help Sally, but she can’t do it alone. Against her better judgment, she teams up with a young policeman, Officer Dan, and together they set out to discover the real truth behind Sally’s disappearance. Only to find out she’s dealing with a much bigger problem, a serial killer, and she may be the next victim… Will Mattie be able to find out the truth before the killer finds her?

    And they must stage a full-scale musical exorcism to lay the ghostly couple to rest.The Weaver and the Factory Maid is only the first in what promises to be an exciting new mystery series features the ghosts of characters in folk ballads.

    She wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, he asks one final favor of her before they go their separate ways forever. A very distant cousin of his has died and left North as the guardian of two orphans who have driven out three nannies already, and things are getting worse. He needs a very special person to take care of the situation and he knows Andie can handle anything. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right. Andie's dreams have been haunted by North since she arrived at the old house. And that's not the only haunting. What follows is a hilarious adventure in exorcism, including a self-doubting parapsychologist, an annoyed medium, her Tarot-card reading mother, an avenging ex-mother-in-law, and, of course, her jealous fiancé. And just when she thinks things couldn't get more complicated, North shows up on the doorstep making her wonder if maybe this time things could be different between them. If Andie can just get rid of all the guests and ghosts, she's pretty sure she can save the kids, and herself, from the past. But fate might just have another thing in mind....

    Merrily Watkins had never wanted a picture-perfect parish — or a huge and haunted vicarage. Nor had she wanted to walk straight into a local dispute over a controversial play about a strange 17th-century clergyman accused of witchcraft. But this is Ledwardine, steeped in cider and secrets. And, as Merrily and her daughter Jane discover, it is a village where horrific murder is an age-old tradition.

    Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed, but since then each year the village trustees have insisted on an ancient ceremony to renew the village boundaries, until a misguided act by the Feenans' son then reminds the village that there is a reason traditions have been rigidly stuck to, and that all acts of betrayal, even those committed centuries ago, have consequences...

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    She's never walked its hedge maze nor found its secret chambers; she's never glimpsed the shades that haunt it, nor hunted for lost diamonds in its walls. But all of that is about to change. After her grandmother passes away, Sarah and her friend Jackson decide to search for the diamonds--and the house comes alive. She discovers that she can see visions of the house's past, like the eighteenth-century sea captain who hid the jewels, or the glamorous great-grandmother driven mad by grief. She grows closer to both Jackson and a young man named Richard Hathaway, whose family histories are each deeply entwined with her own. But when the visions start to threaten the person she holds most dear, Sarah must do everything she can to get to the bottom of the house's secrets, and stop the course of history before it is cemented forever.

    New York audiobook narrator Peter Larson and his wife Hannah head to his hometown of Maple City to help Peter's ailing father and to put a recent tragedy behind them. Though the small, Midwestern town seems the idyllic place to start afresh, Peter and Hannah will soon learn that evil currents flow beneath its surface. They move into an old farmhouse on the outskirts of town—a house purchased by Peter's father at auction and kept secret until now—and start to settle into their new life. But as Peter sets up his recording studio in a small basement room, disturbing things begin to occur—mysterious voices haunt audio tracks, malevolent shadows creep about the house. And when an insidious presence emerges from the woodwork, Peter must face old demons in order to save his family and himself.

    Except this summer, Iris doesn’t have to make up a story. This summer, one falls right in her lap.Years ago, before Iris was born, a local boy named Elijah Landry disappeared. All that remained of him were whispers and hushed gossip in the church pews. Until this summer. A ghost begins to haunt Iris, and she’s certain it’s the ghost of Elijah. What really happened to him? And why, of all people, has he chosen Iris to come back to?

    As an Asian adoptee relocating from a big city, Chris worries about fitting into a small-town high school still using a Rebel soldier for its mascot. But, to his relief, the attitudes of the town are changing, and soon he has friends, a job, and a cute new neighbor. Still, the shadow of a less tolerant time lingers. Sixty years ago, Charlotte Monroe was murdered in Pico, hanged from the oak outside of Chris’s bedroom window. Chris is sure that it’s her ghost he hears every night. As the weeks go by and Charlotte’s midnight wailing gives way to violent outbursts, Chris knows that to save his family he must put the sins of the past to rest.

    For this superbly disquieting collection, he selected fourteen of his favorite tales by such authors as E.F. Benson, Rosemary Timperley, and Edith WhartonIncludes:"W.S." L.P. Hartley"Harry" Rosemary Timperley"The Corner Shop" Cynthia Asquith"In the Tube" E.F. Benson"Christmas Meeting" Rosemary Timperley"Elias and the Draug" Jonas Lie"Playmates" A.M. Burrage"Ringing the Changes" Robert Aickman"The Telephone" Mary Treadgold"The Ghost of a Hand" J. Sheridan Le Fanu"The Sweeper" A.M. Burrage"Afterward" Edith Wharton"On the Brighton Road" Richard Middleton"The Upper Berth" F. Marion Crawford

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    Not just a job for Ruby, it's a crusade and one she wants to bring to the High Street. Psychic Surveys is born. Based in Lewes, East Sussex, Ruby and her team of freelance psychics have been kept busy of late. Specialising in domestic cases, their solid reputation is spreading - it's not just the dead that can rest in peace but the living too. All is threatened when Ruby receives a call from the irate new owner of Highdown Hall. Film star Cynthia Hart is still in residence, despite having died in 1958. Winter deepens and so does the mystery surrounding Cynthia. She insists the devil is blocking her path to the light long after Psychic Surveys have 'disproved' it. Investigating her apparently unblemished background, Ruby is pulled further and further into Cynthia's world and the darkness that now inhabits it. For the first time in her career, Ruby's deepest beliefs are challenged. Does evil truly exist? And if so, is it the most relentless force of all?