She is a stay-at-home mother-of-three with boundless reserves of patience, energy, and love. After being friends for a decade, this is how Liz sees Jess. Then one moment changes everything. Dark thoughts and carefully guarded secrets surface—and Liz is left questioning everything she thought she knew about her friend, and about herself. The truth can’t come soon enough.

    He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    Nobody comes "an unputdownable mystery about the nightmares that abound in the pursuit of Hollywood dreams" (Caroline Kepnes, author of the You series)."Stylish, riveting, hugely atmospheric--I couldn't put it down."--Lucy Foley, author of The Guest ListA woman has gone missing. But did she ever really exist?A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls--anxious, desperate, and willing to do whatever it takes to make it.Instead, Mia Eliot, a fish out of water in the ruthlessly competitive and faceless world of back-to-back auditioning, discovers the sinister side of Hollywood when she becomes the last person to see Emily, a newfound friend. Standing out in a conveyor-belt world of fellow aspiring stars, Emily mysteriously disappears following an audition, after asking Mia to do a simple favor. But nothing is simple. Nothing is as is seems. And nothing prepares Mia for a startling truth: In a city where dreams really do come true, nightmares can follow.

    The local police claim it was an accident, but the FBI and State Department seem far less certain—and they won’t tell Matt why.The tragedy makes headlines everywhere because this isn’t the first time the Pine family has been thrust into the media spotlight. Matt’s older brother, Danny—currently serving a life sentence for the murder of his teenage girlfriend Charlotte—was the subject of a viral true crime documentary suggesting that Danny was wrongfully convicted. Though the country has rallied behind Danny, Matt holds a secret about his brother that he’s never told anyone: the night Charlotte was killed Matt saw something that makes him believe his brother is guilty of the crime.When Matt returns to his small hometown to bury his parents and siblings, he’s faced with a hostile community that was villainized by the documentary, a frenzied media, and memories he’d hoped to leave behind forever. Now, as the deaths in Mexico appear increasingly suspicious and connected to Danny’s case, Matt must unearth the truth behind the crime that sent his brother to prison—putting his own life in peril—and forcing him to confront his every last fear.Told through multiple points-of-view and alternating between past and present, Alex Finlay's Every Last Fear is not only a page-turning thriller, it’s also a poignant story about a family managing heartbreak and tragedy, and living through a fame they never wanted.

    One accident. A lifetime of lies. From the bestselling author of My Husband's Wife.Three little girls set off to school one sunny morning. Within an hour, one of them is dead. Fifteen years later, Kitty can't speak and has no memory of the accident that's to blame. She lives in an institution, unlikely ever to leave. But that doesn't keep her from being frightened when she encounters an eerily familiar face. Art teacher Alison looks fine on the surface. But the surface is a lie. She's struggling to make ends meet and to forget the past. When a teaching job at a prison opens up, she takes it, despite her fears. Maybe this is her chance to set things right. Then she starts to receive alarming notes; next, her classroom erupts in violence.Meanwhile, someone is watching both Kitty and Alison. Someone who never forgot what happened that day. Someone who wants revenge. And only another life will do. . .

    Old money, old ties, old secrets. Marcie may have married into this world — but she’ll never be part of it.SOMETHING NEWThen Jason’s boss brings back a new wife from his trip to London. Young, attractive, reckless — nobody can take their eyes off Keisha. Including Marcie’s husband.SOMETHING YOU CAN NEVER, EVER UNDO…Some people would kill for the life Marcie has—what will she do to keep it?

    It feels like a fairy tale when Alberta ”Bert” Monte receives a letter addressed to “Countess Alberta Montebianco” at her Hudson Valley, New York, home that claims she’s inherited a noble title, money, and a castle in Italy. While Bert is more than a little skeptical, the mystery of her aristocratic family’s past, and the chance to escape her stressful life for a luxury holiday in Italy, is too good to pass up.At first, her inheritance seems like a dream come true: a champagne-drenched trip on a private jet to Turin, Italy; lawyers with lists of artwork and jewels bequeathed to Bert; a helicopter ride to an ancestral castle nestled in the Italian Alps below Mont Blanc; a portrait gallery of ancestors Bert never knew existed; and a cellar of expensive vintage wine for Bert to drink.But her ancestry has a dark side, and Bert soon learns that her family history is particularly complicated. As Bert begins to unravel the Montebianco secrets, she begins to realize her true inheritance lies not in a legacy of ancestral treasures, but in her very genes.

    It’s a secret she manages to keep for over two decades—from her daughter, the babysitter who helped raise her, family, coworkers, and friends. When Lucy’s now-grown daughter Mia discovers the devastating truth of her origins, she is overwhelmed by confusion and anger and determines not to speak again to the mother who raised her. She reaches out to her birth mother for a tearful reunion, and Lucy is forced to flee to China to avoid prosecution. What follows is a ripple effect that alters the lives of many and challenges our understanding of the very meaning of motherhood. Author Helen Klein Ross, whose work has appeared in The New Yorker, weaves a powerful story of upheaval and resilience told from the alternating perspectives of Lucy, Mia, Mia’s birth mother, and others intimately involved in the kidnapping. What Was Mine is a compelling tale of motherhood and loss, of grief and hope, and the life-shattering effects of a single, irrevocable moment.

    But then an invitation to her ten-year reunion arrives in the mail, along with an anonymous note that reads, “We need to talk about what we did that night.” It seems that the secrets of Ambrosia’s past—and the people she thought she’d left there—aren’t as buried as she believed. Amb can’t stop fixating on what she did or who she did it with: larger-than-life Sloane “Sully” Sullivan, Amb’s former best friend, who could make anyone do anything. At the reunion, Amb and Sully receive increasingly menacing messages, and it becomes clear that they’re being pursued by someone who wants more than just the truth of what happened that first semester. This person wants revenge for what they did and the damage they caused—the extent of which Amb is only now fully understanding. And it was all because of the game they played to get a boy who belonged to someone else and the girl who paid the price. Alternating between the reunion and Amb’s freshman year, The Girls Are All So Nice Here is a “chilling and twisty thriller” (Book Riot) about the brutal lengths girls can go to get what they think they’re owed, and what happens when the games we play in college become matters of life and death.

    Diana was exquisitely polite, and properly friendly, but Lucy knew that she was not what Diana envisioned. But who could fault Diana? She was a pillar of the community, an advocate for social justice who helped female refugees assimilate to their new country. Diana was happily married to Tom, and lived in wedded bliss for decades. Lucy wanted so much to please her new mother-in-law. That was five years ago.Now, Diana has been found dead, a suicide note near her body. Diana claims that she no longer wanted to live because of a battle with cancer.But the autopsy finds no cancer.The autopsy does find traces of poison and suffocation. Who could possibly want Diana dead? Why was her will changed at the eleventh hour to disinherit both of her adult children and their spouses?With Lucy's secrets getting deeper and her relationship with her mother-in-law growing more complex as the pages turn, this new novel from Sally Hepworth is sure to add to her growing legion of fans.

    She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, already counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets. Afraid to call the police—she's a single woman alone in a hotel room far from home—Cassie begins to lie. She lies as she joins the other flight attendants and pilots in the van. She lies on the way to Paris as she works the first class cabin. She lies to the FBI agents in New York who meet her at the gate. Soon it's too late to come clean—or face the truth about what really happened back in Dubai. Could she have killed him? If not, who did?

    Folks still whisper about her mother, a bewitching young stranger who inspired local myths when she vanished years ago. When one of Lucy's few friends, slow-minded Cheri, is found murdered, Lucy feels haunted by the two lost girls-the mother she never knew and the friend she couldn't protect. Everything changes when Lucy stumbles across Cheri's necklace in an abandoned trailer and finds herself drawn into a search for answers. What Lucy discovers makes it impossible to ignore the suspicion cast on her own kin. More alarming, she suspects Cheri's death could be linked to her mother's disappearance, and the connection between the two puts Lucy at risk of losing everything. In a place where the bonds of blood weigh heavy, Lucy must decide where her allegiances lie.

    He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.Meet Suzette.She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.

    Determined to finally let go of the past, she throws herself into life at Knollwood, the prestigious New Englandschool she attends. Charlie quickly becomes friends with Knollwood’s “it” crowd.Charlie has also been tapped by the A’s—the school’s elite secret society well known for terrorizing the faculty, administration, and their enemies. To become a member of the A’s, Charlie must play The Game, a semester-long, diabolical high-stakes scavenger hunt that will jeopardize her friendships, her reputation, even her place at Knollwood.As the dark events of past and present converge, Charlie begins to fear that she may not survive the terrible truth about her family, her school, and her own life.

    So when he's called to a hospital bed where Nick is lying battered and bruised after a violent sexual assault, his protective instincts flare, and a white-hot rage begins to build.As a small-town New England lawyer, Tony's wife, Julia, has cases involving kids all the time. When Detective Rice gets assigned to this one, Julia feels they're in good hands. Especially because she senses that Rice, too, understands how things can quickly get complicated. Very complicated.After all, one moment Nick was having a drink with a handsome stranger; the next, he was at the center of an investigation threatening to tear not only him, but his entire family, apart. And now his attacker, out on bail, is disputing Nick's version of what happened.As Julia tries to help her brother-in-law, she sees Tony's desire for revenge, to fix things for Nick, getting out of control. Tony is starting to scare her. And before long, she finds herself asking: does she really know what her husband is capable of? Or of what she herself is?Exploring elements of doubt, tragedy, suspense, and justice, The Damage is an all-consuming read that marks the explosive debut of an extraordinary new writer.