In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution. Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor. Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York. Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today.

    A white brother and sister build a record company that becomes a monument to racial harmony in 1960's segregated south Memphis. Their success is startling, and Stax soon defines an international sound. Then, after losses both business and personal, the siblings part, and the brother allies with a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, they fall from great heights to a tragic demise. Everything is lost, and the sanctuary that flourished is ripped from the ground. A generation later, Stax is rebuilt brick by brick to once again bring music and opportunity to the people of Memphis.Set in the world of 1960s and '70s soul music, Respect Yourself is a story of epic heroes in a shady industry. It's about music and musicians -- Isaac Hayes, Otis Redding, Sam and Dave, Wilson Pickett, the Staple Singers, and Booker T. and the M.G.'s, Stax's interracial house band. It's about a small independent company's struggle to survive in a business world of burgeoning conglomerates. And always at the center of the story is Memphis, Tennessee, an explosive city struggling through heated, divisive years.Told by one of our leading music chroniclers, Respect Yourself brings to life this treasured cultural institution and the city that created it.

    Michael Jordan once said that we all want to say the things that Barkley says, but we don’t dare. But even die-hard followers of the all-time NBA great, the star of TNT’s Inside the NBA and CNN’s TalkBack Live, will be astonished by just how candid and provocative he is in this book—and just how big his ambitions are. Though he addresses weighty issues with a light touch and prefers to stir people to think by making them laugh, there’s nothing Charles Barkley shies away from here—not race, not class, not big money, not scandal, not politics, not personalities, nothing. “Early on,” says Washington Post columnist and ESPN talk show host Michael Wilbon in his Introduction, “Barkley made his peace with mixing it up, and decided the consequences were very much worth it to him. And that makes him as radically different in these modern celebrity times as a 6-foot-4-inch power forward.”If there’s one thing Charles Barkley knows, it’s the crying need for honest, open discussion in this country—the more uncomfortable the subject, the more necessary the dialogue. And if the discussion leader can be as wise, irreverent, (occasionally) profane and (consistently) funny as Charles Barkley, so much the better. Many people are going to be shocked and scandalized by I May Be Wrong but I Doubt It, but many more will stand up and cheer. Like Molly Ivins or Bill O’Reilly, Charles Barkley is utterly his own thinker, and everything he says comes from deep reflection. One way or another, if more blood hasn’t reached your brain by the time you’ve finished this book, maybe you’ve been embalmed.From the Hardcover edition.

    And, in a new afterword for this second edition, he reflects on Ali’s legacy in the era of the ‘war on terror’.

    Today, however, punishing rents and the increasingly prohibitive cost of ownership have turned housing into the foremost symbol of inequality and an economy gone wrong. Nowhere is this more visible than in the San Francisco Bay Area, where fleets of private buses ferry software engineers past the tarp-and-plywood shanties where the homeless make their homes. The adage that California is a glimpse of the nation's future has become a cautionary tale.With propulsive storytelling and ground-level reporting, New York Times journalist Conor Dougherty chronicles America's housing crisis from its West Coast epicenter, peeling back the decades of history and economic forces that brought us here and taking readers inside the activist uprisings that have risen in tandem with housing costs. To tell this new story of housing, Dougherty follows a struggling math teacher who builds a political movement dedicated to ending single-family-house neighborhoods. A teenaged girl who leads her apartment complex against their rent-raising landlord. A nun who tries to outmaneuver private equity investors by amassing a multimillion-dollar portfolio of affordable homes. A suburban bureaucrat who roguishly embraces density in response to the threat of climate change. A developer who manufactures homeless housing on an assembly line.Sweeping in scope and intimate in detail, Golden Gates definitively captures a fundamental political realignment in America as it plays out during a moment of rapid technological and social change.

    The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

    This is the moving and powerful account of two remarkable boys struggling to survive in Chicago's Henry Horner Homes, a public housing complex disfigured by crime and neglect.

    The deadbeat father of a pregnant teenager tries to transform his life by playing the role of Jesus in a bloody penitential Passion. A young man discovers that his estranged father and a boa constrictor have been squatting in his grandmother’s empty house. A lonely retiree new to Santa Fe becomes obsessed with her housekeeper. One girl attempts to uncover the mystery of her cousin's violent past, while another young woman finds herself at an impasse when she is asked to hear her priest's confession.Always hopeful, these stories chart the passions and obligations of family life, exploring themes of race, class, and coming-of-age, as Quade's characters protect, betray, wound, undermine, bolster, define, and, ultimately, save each other.

    Clybourne Park is a beautifully structured drama by Bruce Norris that unmasks racial bigotry when a white couple sells their home to a black family.

    population has fundamentally changed, many progressives and Democrats continue to waste millions of dollars chasing white swing voters. Explosive population growth of people of color in America over the past fifty years has laid the foundation for a New American Majority consisting of progressive people of color (23 percent of all eligible voters) and progressive whites (28 percent of all eligible voters). These two groups make up 51 percent of all eligible voters in America right now, and that majority is growing larger every day. Failing to properly appreciate this reality, progressives are at risk of missing this moment in history—and losing.A leader in national politics for thirty years, Steve Phillips has had a front-row seat to these extraordinary political changes. A civil rights lawyer and a senior fellow at the Center for American Progress, Phillips draws on his extensive political experience to unveil exactly how people of color and progressive whites add up to a new majority, and what this means for U.S. politics and policy. A book brimming with urgency and hope, Brown Is the New White exposes how far behind the curve Democrats are in investing in communities of color—while illuminating a path forward to seize the opportunity created by the demographic revolution

    What he found led him into the mad world of misfits who helped propel the second coming of Pauline Hanson and foreshadowed the era of Trump.No one turns up where they’re not wanted quite like John Safran. In this hilarious and disorienting adventure he gets among our diverse community of white nationalists, ISIS supporters, anarchists and more, digging away at the contradictions that many would prefer be left unexamined. Who is this black puppet-master among the white nationalists? And this Muslim fundamentalist who geeks out on Monty Python? Is there a secret radicalisation network operating in John’s own Jewish suburb? And ultimately – is hanging with all these radicals washing off on John himself?Populated by an extraordinary cast of ‘ordinary’ Australians, Depends What You Mean by Extremist is a startling, confronting portrait of contemporary Australia. We all think we know what’s going on in our own country, but this larger-than-life, timely, and alarmingly insightful true story will make you think again . . .Drinking shots with nationalists and gobbling falafel with radicals, John Safran was there the year the extreme became the mainstream.

    In "Zanduce at Second, " a baseball player turned killer-by-accident undergoes a surprising transformation. We root for escaped felon Ray ("A Note on the Type") as he carves his name on a culvert wall. We drive through the sweltering summer streets of Phoenix as a nineteen-year-old narrator goes through an unsettling sexual awakening ("Oxygen"). In these and other stories, whether his characters are getting sabotaged by nightcaps or encountering nudists on a rafting trip, Ron Carlson takes us to a generous array of places in a new way. Finally, in "The Chromium Hook, " he takes us to a lovers' lane where he solves an ancient mystery. Carlson's work has always made a difference. His men and women are resourceful creatures, driven and derided by conscience, comforted by the possibility of love, and at all times ready for the next thing.

    In fact, California confronted many of the challenges the rest of the country faces now—decades before the rest of us.Today, California is leading the way on addressing climate change, low-wage work, immigrant integration, overincarceration, and more. As white residents became a minority and job loss drove economic uncertainty, California had its own Trump moment twenty-five years ago, but has become increasingly blue over each of the last seven presidential elections. How did the Golden State manage to emerge from its unsavory past to become a bellwether for the rest of the country?Thirty years after Mike Davis’s hellish depiction of California in City of Quartz, the award-winning sociologist Manuel Pastor guides us through a new and improved California, complete with lessons that the nation should heed. Inspiring and expertly researched, State of Resistance makes the case for honestly engaging racial anxiety in order to address our true economic and generational challenges, a renewed commitment to public investments, the cultivation of social movements and community organizing, and more.

    Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history.

    This work of graphic nonfiction, told in the style of an illustrated diary, begins as an affectionate reminiscence of the author’s 1990s teenage infatuation with the late actor River Phoenix but morphs into a remarkable, sprawling account of the city of Portland and state of Oregon's dark history of white nationalism. Murphy details the relationship between white supremacist Tom Metzger (former KKK Grand Wizard and founder of the White Aryan Resistance) and the "Rose City" street kids like Ken Death that infiltrated Van Sant's films -- a relationship that culminates in an infamous episode of Geraldo. Murphy brilliantly weaves 1990s alternative culture, from Kurt Cobain and William Burroughs to Keanu Reeves and the Red Hot Chili Peppers, with two centuries of the Pacific Northwest's shameful history as a hotbed for white nationalism: from the Whitman massacre in 1847 and the Ku Klux Klan's role in Portland's city planning in the early 1900s to the brutal treatment of Black people displaced in the 1948 Vanport flood and through the 2014 armed standoff with Cliven Bundy's cattle ranch. In Murphy's personal reflections and heart-racing descriptions of scenes like infamous campfire kiss in My Own Private Idaho, the artist's story becomes a moral anchor to a deeply amoral regional history and marks the incredible debut of a talented new voice to the graphic medium.