Or will be, someday. His dad is doing time for the double murder of Little Red Riding Hood and her grandmother so everyone assumes crime is in Henry's blood. For years, he's kept a low profile in a Home for Wayward Wolves on the outskirts of Dust City--a gritty metropolis known for its black market, mind-altering dust. And the entire population of foxes, ravens, and hominids are hooked. But it's not just any dust the creatures of this grim underground are slinging and sniffing. It's fairydust.When a murder at the Home forces Henry to escape, he begins to suspect his dad may have been framed. With a daring she wolf named Fiona by his side, Henry travels into the dark alleyways and cavernous tunnels of Dust City. There, he'll come face to snout with legendary mobster Skinner and his Water Nixie henchmen to discover what really happened to his father in the woods that infamous night...and the shocking truth about fairydust.

    A number of wonderful fantasy novels, including Stardust by Neil Gaiman, Jonathan Strange and Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, owe their inspiration to works by nineteenth-century writers ranging from Jane Austen, the Brontës, and George Meredith to Charles Dickens, Anthony Trollope, and William Morris. And, of course, the entire steampunk genre and subculture owes more than a little to literature inspired by this period.Queen Victoria’s Book of Spells is an anthology for everyone who loves these works of neo-Victorian fiction, and wishes to explore the wide variety of ways that modern fantasists are using nineteenth-century settings, characters, and themes. These approaches stretch from steampunk fiction to the Austen-and-Trollope inspired works that some critics call Fantasy of Manners, all of which fit under the larger umbrella of Gaslamp Fantasy. The result is eighteen stories by experts from the fantasy, horror, mainstream, and young adult fields, including both bestselling writers and exciting new talents such as Elizabeth Bear, James Blaylock, Jeffrey Ford, Ellen Kushner, Tanith Lee, Gregory Maguire, Delia Sherman, and Catherynne M. Valente, who present a bewitching vision of a nineteenth century invested (or cursed!) with magic.The Line-up:“Queen Victoria’s Book of Spells” by Delia Sherman“The Fairy Enterprise” by Jeffrey Ford“From the Catalogue of the Pavilion of the Uncanny and Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire)” by Genevieve Valentine“The Memory Book” by Maureen McHugh“La Reine D’Enfer” by Kathe Koja“Briar Rose” by Elizabeth Wein“The Governess” by Elizabeth Bear“Smithfield” by James P. Blaylock“The Unwanted Women of Surrey” by Kaaron Warren“Charged” by Leanna Renee Hieber“Mr. Splitfoot” by Dale Bailey“Phosphorus” by Veronica Schanoes“We Without Us Were Shadows” by Catherynne M. Valente“The Vital Importance of the Superficial” by Ellen Kushner and Caroline Stevermer“The Jewel in the Toad Queen’s Crown” by Jane Yolen“A Few Twigs He Left Behind” by Gregory Maguire“Their Monstrous Minds” by Tanith Lee“Estella Saves the Village” by Theodora Goss

    When she sees the dust cloud on the horizon, she knows he has arrived. She knows he will want the loveliest girl: her sister. She vows she will not let her be next.And so she is taken in her sister’s place, and she believes death will soon follow. Lo-Melkhiin’s court is a dangerous palace filled with pretty things: intricate statues with wretched eyes, exquisite threads to weave the most beautiful garments. She sees everything as if for the last time. But the first sun rises and sets, and she is not dead. Night after night, Lo-Melkhiin comes to her and listens to the stories she tells, and day after day she is awakened by the sunrise. Exploring the palace, she begins to unlock years of fear that have tormented and silenced a kingdom. Lo-Melkhiin was not always a cruel ruler. Something went wrong.Far away, in their village, her sister is mourning. Through her pain, she calls upon the desert winds, conjuring a subtle unseen magic, and something besides death stirs the air.Back at the palace, the words she speaks to Lo-Melkhiin every night are given a strange life of their own. Little things, at first: a dress from home, a vision of her sister. With each tale she spins, her power grows. Soon she dreams of bigger, more terrible magic: power enough to save a king, if she can put an end to the rule of a monster.

    In The Princess Test, the author spoofs the notion that a pea can prove a person's pedigree. Princess Sonora and the Long Sleep features a genius of a princess, a hundred years of snooze, two princes, and a flock of balding sheep! Cinderella is a boy in Cinderellis and the Glass Hill, and the glass slipper is a glass hill. In For Biddle's Sake, Parsley tries to forget her beloved prince and get used to life as a Biddlebum Toad. The road to happily-ever-after isn't easy when a baker's son and a princess fall in love in The Fairy's Return.Elements of the classics are woven into these not-so-typical retellings of "Toads and Diamonds," "The Princess and the Pea," "Sleeping Beauty," "The Princess on the Glass Hill," "Puddocky," and "The Golden Goose." The fresh and funny twists on favorite fairy tales will win the hearts and capture the imaginations of young readers everywhere.

    Each of the writers was asked to write a new story based on one of his or her most famous series. Stephen King tells a tale of Roland, the Gunslinger, in the world of The Dark Tower, in "The Little Sisters of Eluria."Terry Pratchett relates an amusing incident in Discworld, of a magical contest and the witch Granny Weatherwax, in "The Sea and Little Fishes"Terry Goodkind tells of the origin of the Border between realms in the world of The Sword of Truth, in "Debt of Bones."Orson Scott Card spins a yarn of Alvin and his apprentice from the Tales of Alvin Maker, in "Grinning Man."Robert Silverberg returns to Majipoor and to Lord Valentine's adventure in an ancient tomb, in "the Seventh Shrine."Ursual K. Le Guin adds a sequel to her famous books of Earthsea, portraying a woman who wants to learn magic, in "Dragonfly."Tad Williams tells a dark and enthralling story of a great and haunted castle in the age before Memory, Sorrow, and Thorn, in "The Burning Man."George R.R. Martin sets his piece a generation before his epic, A Song of Ice and Fire, in the adventure of "The Hedge Knight."Ann McCaffrey, the poet of Pern, returns once again to her world of romance and adventure in "Runner of Pern."Raymond E. Feist's Riftwar Saga is the setting of the tale of "The Wood Boy."Robert Jordan, in "New Spring," tells of crucial events in the years leading up to The Wheel of Time, of the meeting of Lan and Moiraine and the beginning of the search for the child who must grow to lead in the Last Battle.

    In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.Contents:The Faery Handbag (2004)The Hortlak (2003)The Cannon (2003)Stone Animals (2004)Catskin (2003)Some Zombie Contingency Plans (2005)The Great Divorce (2005)Magic for Beginners (2005)Lull (2002)

    A resister. A rebel. Someone who lived to bring an end to the queen who stole my childhood--my mother, my life, my very world. But I'm not. I'm not the good guy. I'm the one who puts the good guys in their graves."Jade was only a little girl when the earthquake struck. Before her eyes, half of New York City disappeared, replaced by a village that seemed torn out of a storybook. Horses and carriages. Cobblestone streets. A towering castle. And, above all, a queen with the magical ability to strip emotions away.Ten years later and Jade has forgotten what it is to feel, to care...even to love. Working as a member of the queen's guard, she spends most of her time on the city wall staring at the crumbling skyscrapers of old New York. But everything changes when the queen's runaway son, Prince Asher, returns. Under his relentless taunts, her blood begins to boil. Under his piercing gaze, her heart begins to flutter. And the more her icy soul begins to thaw, the more Jade comes to question everything she's ever known--and, more importantly, whose side she's really on.

    She will be forced to live as a beast forever, unless she agrees to marry a man of her mother's choosing before her eighteenth birthday.Tevin Dumont has always been a pawn in his family's cons. The prettiest boy in a big family, his job is to tempt naïve rich girls to abandon their engagements, unless their parents agree to pay him off. But after his mother runs afoul of the beast, she decides to trade Tevin for her own freedom.Now, Tevin and Merit have agreed that he can pay off his mother's debt by using his con-artist skills to help Merit find the best match . . . but what if the best match is Tevin himself?

    This is the way things have always been.When Ama wakes in the arms of Prince Emory, however, she knows none of this. She has no memory of what came before she was captured by the dragon, or what horrors she has faced in its lair. She knows only this handsome prince, the story he tells of her rescue, and her destiny to sit on the throne beside him. Ama comes with Emory back to the kingdom of Harding, hailed as the new princess, welcomed to the court.However, as soon as her first night falls, she begins to realize that not all is as it seems, that there is more to the legends of the dragons and the damsels than anyone knows–and that the greatest threats to her life may not be behind her, but here, in front of her.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    An ancient breed of immortal magic beings, elicromancers have been winnowed down to merely two - now three - after centuries of bloody conflict in the realm. Their gifts are fraught with responsibility, and sixteen-year-old Bristal is torn between two paths. Should she vow to seek the good of the world, to protect and serve mortals? Or should she follow the strength of her power, even if it leads to unknown terrors? She draws on her ability to disguise herself as a man to infiltrate a prince's band of soldiers, and masquerades as a fairy godmother to shield a cursed princess, but time is running out. As an army of dark creatures grows closer, Bristal faces a supernatural war. To save the kingdoms, Bristal must find the courage to show her true form.Building on homages to Cinderella, Sleeping Beauty, Jane Austen’s Emma and the Chinese legend of Hua Mulan, Hannah West makes a spectacular debut.

    Cimmeria poem1 The Phoenix on the Sword 19322 The Frost-Giant's Daughter 19763 The God in the Bowl 19524 The Tower of the Elephant 19335 The Scarlet Citadel 19336 Queen of the Black Coast 19347 Black Colossus 19338 Iron Shadows in the Moon 19349 Xuthal of the Dusk 193310 The Pool of the Black One 193311 Rogues in the House 193412 The Vale of Lost Women 196713 The Devil in Iron 1934

    Its wealth is beyond measure; its port is open to all the merchants of the world, and its ruler, the Khai Saraykeht, commands forces to rival the Gods. Commerce and trade fill the streets with a hundred languages, and the coffers of the wealthy with jewels and gold. Any desire, however exotic or base, can be satisfied in its soft quarter. Blissfully ignorant of the forces that fuel their prosperity, the people live and work secure in the knowledge that their city is a bastion of progress in a harsh world. It would be a tragedy if it fell.Saraykeht is poised on the knife-edge of disaster.At the heart of the city's influence are the poet-sorcerer Heshai and the captive spirit, Seedless, whom he controls. For all his power, Heshai is weak, haunted by memories of shame and humiliation. A man faced with constant reminders of his responsibilities and his failures, he is the linchpin and the most vulnerable point in Saraykeht's greatness.Far to the west, the armies of Galt have conquered many lands. To take Saraykeht, they must first destroy the trade upon which its prosperity is based. Marchat Wilsin, head of Galt's trading house in the city, is planning a terrible crime against Heshai and Seedless. If he succeeds, Saraykeht will fall.Amat, House Wilsin's business manager, is a woman who rose from the slums to wield the power that Marchat Wilsin would use to destroy her city. Through accidents of fate and circumstance Amat, her apprentice Liat, and two young men from the farthest reaches of their society stand alone against the dangers that threaten the city.

    With Clarke's characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke's and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the "New York Times" or in highly regarded anthologies."" In this collection, they come together to expand the reach of Clarke's land of enchantment--and anticipate her next novel (Fall 2008).

    Best friends Anna and Corry share one last morning on Earth. A solitary woman inherits a penny arcade haunted by a beautiful stranger. A prep-school student requires more than luck when playing dice with a faerie. Ladies who lunch—dividing one last bite of dessert—delve into new dimensions of quantum politeness. At summer camp, a young girl discovers the heartbreak of forbidden love.Whether on a habitat on Mars or in a boardinghouse in London, discover Ellen Klages’ wicked, wondrous adventures full of cheeky wit, empathy, and courage.