Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel - and be right and wrong on both counts.

    By virtue of the novel’s clever structure, the reader’s comprehension of events is limited so as to allow them a powerful experience: Johnson’s humorous yet deeply compassionate depiction of what it means to live life and grow old.

    The story is recounted in the present tense, first person plural. The "we" that comprises the six blind men often seems to consist of one entity; however, most of the men have separate names and identities and will sometimes say or do things that distinguish them from the group.

    The Tolm family, for example, abandons the most difficult problem to the enormously bloated police apparatus, depending on whether the individuals are more likely to belong to the suspects or the vulnerable or even to both categories. This increases compulsively, as the signs pile up, threatening a new stop. But Fritz Tolm achieves a new clarity.

    had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. created in Asphodel a remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein; in its frank exploration of lesbian desire, pregnancy and motherhood, artistic independence for women, and female experience during wartime, H.D.'s novel stands alone.A sequel to the author's HERmione, Asphodel takes the reader into the bohemian drawing rooms of pre-World War I London and Paris, a milieu populated by such thinly disguised versions of Ezra Pound, Richard Aldington, May Sinclair, Brigit Patmore, and Margaret Cravens; on the other side of what H.D. calls "the chasm," the novel documents the war's devastating effect on the men and women who considered themselves guardians of beauty. Against this riven backdrop, Asphodel plays out the story of Hermione Gart, a young American newly arrived in Europe and testing for the first time the limits of her sexual and artistic identities. Following Hermione through the frustrations of a literary world dominated by men, the failures of an attempted lesbian relationship and a marriage riddled with infidelity, the birth of an illegitimate child, and, finally, happiness with a female companion, Asphodel describes with moving lyricism and striking candor the emergence of a young and gifted woman from her self-exile.Editor Robert Spoo's introduction carefully places Asphodel in the context of H.D.'s life and work. In an appendix featuring capsule biographies of the real figures behind the novel's fictional characters, Spoo provides keys to this roman à clef.

    Her memories of her childhood in Innisfail, New York are by turns romantic and traumatic. The early violent death of her father and abandonment by her mother have left her with a permanent sense of dislocation and loss. After decades apart, Marya becomes determined to find the mother who gave her away. In searching for her past, Marya changes her present life more than she could ever have imagined. Vividly evoking the natural beauty of rural upstate New York, and the complex emotions of a woman artist, Marya: A Life is one of Joyce Carol Oates's most deeply personal and fully-realized novels.

    It also began Coover's now-trademark riffs on fairy tales and bedtime stories. In these riotously word-drunk fictional romps, two children follow an old man into the woods, trailing bread crumbs behind and edging helplessly toward a sinister end that never comes; a husband walks toward the bed where his wife awaits his caresses, but by the time he arrives she's been dead for three weeks and detectives are pounding down the door; a teenaged babysitter's evening becomes a kaleidoscope of dangerous erotic fantasies-her employer's, her boyfriend's, her own; an aging, humble carpenter marries a beautiful but frigid woman, and after he's waited weeks to consummate their union she announces that God has made her pregnant. Now available in a Grove paperback, Pricksongs & Descants is a cornerstone of Robert Coover's remarkable career and a brilliant work by a major American writer.

    When twenty-year-old Jane finds in the attic a packet of love letters written years ago by Guy, her mother’s one-time fiance who died in World War I, the discovery has explosive repercussions. It is not clear to whom the letters are addressed, and their appearance begins to lay bare the strange and unspoken connections between the adults now living in the house. Soon, a girl on the brink of womanhood, a mother haunted by love lost, and a ruined matchmaker with her own claim on the dead wage a battle that makes the ghostly Guy as real a presence in Montefort as any of the living.

    The title character is a papier mache bird that shares the front room of an apartment with a collection of bowling trophies that some time earlier were stolen from the home of the Logan brothers. The human tenants of this apartment are John and Pat, who have just returned from seeing a Greta Garbo movie in a local movie theater. Their neighbors are Bob and Constance, a married couple going through some rough times in their relationship. Because of their failing relationship, Bob becomes depressed. Meanwhile the Logan brothers are looking for their stolen trophies. The brothers have turned their happy life of bowling into a life of vengeance...

    Expensively insulated from the outside world, he nonetheless finds that memories of his impoverished childhood will not be kept so easily at bay. Focusing on the one area of vitality and chaos that remains in the streets below him, he formulates a plan to leave a mark on the city – one as indelible and disruptive as the mark the city left on him.

    The compensations are a wife and child, and a gloriously anarchic imagination. The Busconductor Hines is a brilliantly executed, uncompromising slice of the Glasgow scene, a portrait of working-class life which is unheroic but humane.

    Beautifully rendered, this is a world and a time never before dealt with in fiction-a period when powerful colonizers took over the lands of Hottentot tribes, exposing aborigines for the first time to Western eyes and Western ways. Through the life stories of seven men-all involved with and defined in one way or another by Pieternella, the beautiful daughter of the first mixed marriage of the new colony-we gain an understanding of the vast historical forces at work.Teeming with characters, rich with lived experience, gripping in its unexpected turns, Islands is a story of greed, power, war, courage, and international intrigue, at once a meticulously researched portrait of the age, and a great adventure story.

    Charles is a modern libertine, dedicated to vice and depravity, while his twin Robert is a priest so devout that he is nicknamed L'Abbé'. When the sexually wild Eponine intrudes upon their suffocating relationship, anguish, delirium, and death ensue.Other works by Georges Bataille published by Marion Boyars include Blue of Noon and My Mother Madame Edwarda and the Dead Man.

    Iris Storm, femme fatale, races around London and Europe in her yellow Hispano-Suiza surrounded by romantic intrigue, but beneath the glamour she is destined to be a tragic heroine. A perfect synecdoche, in fact: as the hat is to the woman, so the words of the title are to an entire literary style. The success of the novel when it was first published in 1924 led to its adaptation for the screen, with Greta Garbo starring as Iris Storm.

    Savitribai Indorekar, born into an orthodox Hindu family, elopes with her Muslim lover and accompanist, Ghulaam Saab, to pursue a career in music. Gentle, strong-willed Leela, on the other hand, gives her life to the Party, and to working with the factory workers of Bombay.Fifty years after these events have been set in motion, Madhu, Leela's niece, travels to Bhavanipur, Savitribai's home in her last years, to write a biography of Bai. Caught in her own despair over the loss of her only son, Aditya, Madhu tries to make sense of the lives of Bai and those around her, and in doing so, seeks to find a way out of her own grief.