The next morning her world is shattered. Forced to leave the comfortable home of her childhood, she is sent to London to live with relatives she never met: Aunt Margaret, beautiful and speechless, and her brothers, Francie, whose graceful music belies his clumsy nature, and the volatile Finn, who kisses Melanie in the ruins of the pleasure garden. And brooding Uncle Philip loves only the life-sized wooden puppets he creates in his toyshops. The classic gothic novel established Angela Carter as one of our most imaginative writers and augurs the themes of her later creative works. "Beneath its contemporary surface, this novel shimmers with blurred echoes—from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch… It leave behind it a flavor, pungent and unsettling" —The New York Times Book Review

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, "Clarissa" is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, and translated into French and German, it remains one of the greatest of all European novels. Its rich ambiguities - our sense of Clarissa's scrupulous virtue tinged with intimations of her capacity for self-deception in matters of sex; the wicked and amusing faces of Lovelace, who must be easily the most charming villain in English literature - give the story extraordinary psychological momentum. .

    Samuel Butler's autobiographical account of a harsh upbringing and troubled adulthood shines an iconoclastic light on the hypocrisy of a Victorian clerical family's domestic life. It also foreshadows the crumbling of nineteenth-century bourgeois ideals in the aftermath of the First World War, as well as the ways in which succeeding generations have questioned conventional values. Hailed by George Bernard Shaw as "one of the summits of human achievement," this chronicle of the life and loves of Ernest Pontifex spans four generations, focusing chiefly on the relationship between Ernest and his father, Theobald. Written in the wake of Darwin's Origin of Species, it reflects the dawning consciousness of heredity and environment as determinants of character. Along the way, it offers a powerfully satirical indictment of Victorian England's major institutions—the family, the church, and the rigidly hierarchical class structure.

    It is the attitude of Dowell, his puzzlement, his uncertainty, and the seemingly haphazard manner of his narration that make the book so powerful and mysterious. Despite its catalogue of death, insanity, and despair, the novel has many comic moments, and has inspired the work of several distinguished writers, including Graham Greene. This is the only annotated edition available.

    These matching masterpieces satirize the social world Eden knew, loved, and laughed at. Like Jane Austen she is concerned with love and marriage, money and manners. But her voice is distinct. Eden's charm and humor - both above- and belowstairs - and her sharp social commentary make her work enduringly captivating.

    The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of 'Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb.

    A series of brutal murders has occurred, and, as Ackroyd leads us down London's dark streets, the sense of time and place becomes overwhelmingly immediate and real. We experience the sights and sounds of the English music halls, smell the smells of London slums, hear the hooves of horses on the cobblestone streets, and attend the trial of Elizabeth Cree, a woman accused of poisoning her husband but who may be the one person who knows the truth about the murders.

    Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.   • Includes a chronology, suggestions for further reading, notes, glossary, and an appendix of Fielding's revisions   • Introduction discusses narrative tecniques and themes, the context of eighteenth-century fiction and satire, and the historical and political background of the Jacobite revolutionFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    He immediately receives four white feathers—symbols of cowardice—one each from his three best friends and his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives.Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power.

    Praised by Oscar Wilde who thought it 'admirably done ... clever and full of quick observation,' her little novel seemed to herald a brilliant career. The book is ostensibly the story of four young ladies who, after the death of their father, decide to open a photographic studio in the heart of London's bohemia (to the dismay of their more priggish relatives). Like much of Levy's work, the novel is concerned with the contradictions besetting the 'new' Victorian woman and her quest for independence despite being constrained by anachronistic social mores and conflicting values. Written just two years before her tragic suicide, a few months short of her 28th birthday, The Romance of A Shop, has a resonance that goes beyond its apparent innocence, echoing an undertone of despair and hunger for a liberation that, to Levy's misfortune, came only some years afterwards.

    Sold for a penny a chapter on the streets of London in 1845, Varney the Vampire is a milestone of Vampire fiction, yet ignored and overlooked for nearly 100 years, until now! The Critical Edition of Varney the Vampire; or, The Feast of Blood includes: · A critical introduction about the Penny Dreadful Press and the lore of the Mid 19th Century Vampire · Over 200 notes explaining references, historical information, and corrections to the text · A variety of 19th century essays explaining the horrors and dangers of (gasp!) reading Penny Dreadfuls · Contemporary critical essays on James Malcolm Rymer and his most famous Penny Dreadfuls: Varney the Vampire and Sweeney Todd · Four additional early Penny Dreadfuls detailing insanity, family cannibalism, torture gone wrong, and other bedtime stories · A reader's guide · Reproductions of the original woodcut illustrations

    Set in Shropshire in the 1800s, it is alive with the many moods of Nature, benevolent and violent and the many moods -- equally benevolent and violent -- of the people making lives there. Prue Sarn is an unlikely heroine, born with a facial disfiguration which the Fates have dictated will deny her love. But Prue has strength far beyond her handicap, and this woman, suspected of witchcraft by her fellow townspeople, rises above them all through an all-encompassing sweetness of spirit. Precious Bane is also the story of Gideon, Prue's doomed brother, equally strong-willed, but with other motives. Determined to defeat the poverty of their farm, he devotes all his energies to making money. His only diversion from this ambition, he abandons her for the stronger drive of his money lust. And finally, it is the story of Kester Woodseaves, whose steady love for all created things leads him to resist people's cruelty toward nature and each other, and whose love for Prue Sarn enables him to discern her natural loveliness beneath her blighted appearance. Rebecca West, a contemporary of Mary Webb, called her, simply, "a genius," and G. K. Chesterton, another contemporary, asserted: "the light in the stories . . . is a light not shining on the things but through them." Critic Hilda Addison summed up Precious Bane: "The book opens with one of those simple sentences which haunt the mind until the curiosity has been satisfied . . . It strikes a note which never fails throughout; it opens with a beauty which is justified to the last sentence." When the book was first published in 1926 in America, the New York Times Book Review predicted: " on some bookshelves, we feel sure, Precious Bane will find almost a hallowed place."

    Beautiful and talented, Harriet will gain the affections of many of the men and women she meets and a bright future seems assured for her.But there is something strange about Harriet. Everyone she gets close to seems to sicken or die. Doctor Phillips has a theory: the blood of the vampire flows through Harriet's veins, and she is draining the life out of those she loves. Are the misfortunes that seem to follow Harriet merely coincidence? Or is she really afflicted with the curse of the vampire?One of the strangest novels by the prolific Florence Marryat (1837-1899), "The Blood of the Vampire" was the "other vampire novel" of 1897, appearing the same year as "Dracula." Marryat's novel is fascinating not only for its sensational plot and bizarre characters, but also because of its engagement with many of the issues that haunted the late Victorian imagination, such as race, heredity, women's roles, Spiritualism, and the occult. This edition includes the unabridged text of the exceedingly rare 1897 first edition and a new introduction by Brenda Hammack.