Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.

    with his 100,000-man army of mercenaries, officers, and elephants, Hannibal was launching not just the main offensive of the Second Punic War but also one of the great military journeys in ancient history. His masterful advance through rough terrain and fierce Celtic tribes proved his worth as a leader, but it was his extraordinary passage through the Alps—still considered treacherous even by modern climbers—that made him a legend. John Prevas combines rigorous research of ancient sources with his own excursions through the icy peaks to bring to life this awesome trek, solving the centuries-old question of Hannibal's exact route and shedding fresh light on the cultures of Rome and Carthage along the way. Here is the finest kind of history, sure to appeal to readers of Steven Pressfield's Gates of Fire: alive with grand strategy, the clash of empires, fabulous courage, and the towering figure of Hannibal Barca.

    First taught among nomads on the Asian steppes, Zoroastrianism became the state religion of the three great Iranian empires and had a remarkable influence on other world faiths: to the east on northern Buddhism, to the west on Judaism, Christianity and Islam. With the conquest of Iran by the Muslim Arabs, Zoroastrianism lost its secular power, but continued to survive as a minority faith. Despite its antiquity, it remains a living religion.

    Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts."The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean.The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.

    Along the way he introduces the major figures of the age, including Homer, Socrates, Plato, Aristotle, Alexander the Great, Euclid and Archimedes. Exploring Greek myths he provides a glimpse of everyday life in ancient times and shows us the very foundations of Western culture. In this thoroughly entertaining romp through the world of the Ancient Greeks, Peter will demonstrate just how much of our world finds its origins in theirs.

    3000 to ca. 30 BC) -- and by medium. Throughout, it blends factual information with stimulating interpretation and juxtaposes long-standing notions with the latest archaeological discoveries and hypotheses.

    And yet, for twenty-five centuries, he has remained an enigma: a man who left no written legacy and about whom everything we know is hearsay, gleaned from the writings of Plato, Xenophon and Aristophanes. Now Bettany Hughes gives us an unprecedented, brilliantly vivid portrait of Socrates and of his homeland, Athens in its Golden Age.His life spanned “seventy of the busiest, most wonderful and tragic years in Athenian history.” It was a city devastated by war, but, at the same time, transformed by the burgeoning process of democracy, and Hughes re-creates this fifth-century B.C. city, drawing on the latest sources—archaeological, topographical and textual—to illuminate the streets where Socrates walked, to place him there and to show us the world as he experienced it. She takes us through the great, teeming Agora—the massive marketplace, the heart of ancient Athens—where Socrates engaged in philosophical dialogue and where he would be condemned to death. We visit the battlefields where he fought, the red-light district and gymnasia he frequented and the religious festivals he attended. We meet the men and the few women—including his wife, Xanthippe, and his “inspiration” and confidante, Aspasia—who were central to his life. We travel to where he was born and where he died. And we come to understand the profound influences of time and place in the evolution of his eternally provocative philosophy.Deeply informed and vibrantly written, combining historical inquiry and storytelling élan, The Hemlock Cup gives us the most substantial, fascinating, humane depiction we have ever had of one of the most influential thinkers of all time.

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    Martin West investigates their traditional mythologies, religions, and poetries, and points to elements of common heritage. In The East Face of Helicon (1997), West showed the extent to which Homeric and other early Greek poetry was influenced by Near Eastern traditions, mainly non-Indo-European. His new book presents a foil to that work by identifying elements of more ancient, Indo-European heritage in the Greek material. Topics covered include the status of poets and poetry in Indo-European societies; metre, style, and diction; gods and other supernatural beings, from Father Sky and Mother Earth to the Sun-god and his beautiful daughter, the Thunder-god and other elemental deities, and earthly orders such as Nymphs and Elves; the forms of hymns, prayers, and incantations; conceptions about the world, its origin, mankind, death, and fate; the ideology of fame and of immortalization through poetry; the typology of the king and the hero; the hero as warrior, and the conventions of battle narrative.

    He compares the army's organization and strategic doctrine with those of its chief opponents and explores in detail the reality of battle: tactics, weaponry, leadership, and, most of all, the important issue of morale.

    Lucky not to be killed for being undersized, he was not raised as a prince like his eldest brother, Cleomenes, who was heir to the throne, but instead had to endure the harsh upbringing of ordinary Spartan youth. Barefoot, always a little hungry, and subject to harsh discipline, Leonidas had to prove himself worthy of Spartan citizenship. Struggling to survive without disgrace, he never expected that one day he would be king or chosen to command the combined Greek forces fighting a Persian invasion. But these were formative years that would one day make him the most famous Spartan of them all: the hero of Thermopylae.This is the first book in a trilogy of biographical novels about Leonidas of Sparta. This first book describes his childhood in the infamous Spartan agoge. The second will focus on his years as an ordinary citizen, and the third will describe his reign and death.

    The work is divided into three broad divisions of the natural course of cultural development in Ancient India: (1) From the prehistoric age to 600 B.C., (2) From 600 B.C. to 300 A.D., (3) From 300 A.D. to 1200 A.D.The work describes the political, economic, religious and cultural conditions of the country, the expansionist activities, the colonisation schemes of her rulers in the Far East. Political theories and administrative organizations are also discussed but more stress has been laid on the religious, literary and cultural aspects of Ancient India.Among the more important additions may be mentioned the chapters on the prehistoric age, including the Indus Valley Civilization, more detailed account of the ancient republican clans and the various medieval local dynasties, specially those of the south and the development of art and colonisation. Important changes, though much less extensive, have been made in chapters dealing with political theory and administrative system, as well as social and economic condition and an entirely new section on coins has been added. Considerable other modifications and rearrangements, involving re-grouping of chapters, have been made and more copious footnotes and fuller bibliography have been added for the guidance of advanced students.The book is of a more advanced type. It would meet the needs not only of general readers but also of earnest students who require a thorough grasp of the essential facts and features before taking up specialized study in any branch of the subject. It would also fulfil requirements of the candidates for competitive examinations in which Ancient Indian History and culture is a prescribed subject.

    Some call him the Golden One; others, the Lord of the Silver Bow. To the Dardanians, he is Prince Aeneas. But to his friends, he is Helikaon. Strong, fast, quick of mind, he is a bold warrior, hated by his enemies, feared even by his Trojan allies. For there is a darkness at the heart of the Golden One, a savagery that, once awakened, can be appeased only with blood.Argurios the Mykene is a peerless fighter, a man of unbending principles and unbreakable will. Like all of the Mykene warriors, he lives to conquer and to kill. Dispatched by King Agamemnon to scout the defenses of the golden city of Troy, he is Helikaon's sworn enemy.Andromache is a priestess of Thera betrothed against her will to Hektor, prince of Troy. Scornful of tradition, skilled in the arts of war, and passionate in the ways of her order, Andromache vows to love whom she pleases and to live as she desires.Now fate is about to thrust these three together; and, from the sparks of passionate love and hate, ignite a fire that will engulf the world.Readers who know the works of David Gemmell expect nothing less than excellence from this author, whose taut prose, driving plots, and full-bodied characters have won him legions of fans the world over. Now, with this first masterly volume in an epic reimagining of the Trojan War, Gemmell has written an ageless drama of brave deeds and fierce battles, of honor and treachery, of love won and lost.From the Hardcover edition.

    It is full of spectacular cities and epic stories—an evolving society rich in inventors, heroes, heroines, villains, artisans, and pioneers. Professor Joann Fletcher pulls together the complete story of Egypt—charting the rise and fall of the ancient Egyptians while putting their whole world into a context to which we can all relate.Fletcher uncovers some fascinating revelations: new evidence shows that women became pharaohs on at least ten occasions; that the ancient Egyptians built the first Suez Canal and then circumnavigated Africa. From Ramses II's penchant for dying his grey hair to how we know that Montuhotep's chief wife bit her nails, Dr. Joann Fletcher brings alive the history and people of ancient Egypt as nobody else can.

    More than 5,000 years ago, the ancient Egyptians founded one of the world's oldest civilizations. We know of its pyramids, art, and pharaohs. But what was life really like then? Ordinary citizens in ancient Egypt lived and worked in much the same ways as the average European of the eighteenth century, but ate better, had more practical clothing and lived more comfortably, in houses with patios, latrines, and cooling systems. Through deep investigative research, the authors explore the social and material existence in ancient Egypt-from what people ate and drank to how they worked, lived, played, and prayed. Features color and black-and-white images throughout, along with maps.