Meet the man who vacuums bewildered prairie dogs out of their burrows; a frustrated werewolf who roams the streets of Soho getting mistaken for Brian Blessed; a smug carbon-neutral eco-couple; a teenage girl who invites 45,000 MySpace friends to a house party; the author of a business book entitled Highly Successful Secrets to Standing on a Corner Holding Up a Golf Sale Sign and a man whose attempts to teach softball to a group of indolent British advertising executives sparks an international crisis.

    Thomas presents interesting heroines: there's the girl in "Sisters" who hates her younger sibling for (among other things) her precise memory. In "Seeing Things," Maude, who "wants to be tan the whole year round," and whose "great ambition is to be whistled at on the street," is told by her younger sister, "You look ridiculous smoking with the chicken pox." And then there are the four stories about Buddy and Virginia, who have to drop out of school and get married after she gets pregnant. From sibling rivalry to marital strife, Thomas uncovers the pain, the poignancy, and the belief in love that lie in the hearts of her heroines.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    Anna Kavan now stands alongside Virginia Woolf as one of Britain's great 20th-century modernists.narratives highlight the shadowed world of the incurable drug addict and probe the psychological aspects of addiction.

    In these pages, gathered from the best short fiction of the last ten years, twenty authors prove that their heritage is alive and well -- in the spaces between stars that an alphabet can bridge, folklore come to life and histories become stories, and all the places where old worlds and new collide and change.

    "He brings to life characters and situations as vivid and compelling as any in contemporary literature."--Michael Dorris, The Washington Post Book World.

    If the leaders refuse, the entire ghetto will be liquidated. Terrified, they go to the ghetto's rabbi for advice; he tells them to return the next morning. Over the course of the night the rabbi calls up the spirits of rabbis from centuries past, but no one can give him a satisfactory answer; they've never encountered anything like this. The eighteenth century mystic and founder of Hasidism, the Ba'al Shem Tov, tries to intercede with God by singing a niggun, a wordless, joyful melody with the power to break the chains of evil, but his efforts end in failure. Heartbroken, the Ba'al Shem Tov teaches the niggun to the ghetto's rabbi, and vanishes. That evening, everyone in the ghetto is herded into the synagogue courtyard. When no one steps forward, they are informed that in an hour they will all be killed. How does one prepare to die? The question is laid before the ghetto rabbi, and he teaches his assembled community the song that the Ba'al Shem Tov taught him the night before. As their voices soar upward, they are joined by those of Jews from centuries past from all over the world, all singing the Ba'al Shem Tov's niggun as the massacre begins. And as the souls of these men, women, and children rise to the heavens, their song continues, uninterrupted, to the end of time and beyond.With an introduction by Elisha Wiesel

    There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family’s farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred–who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna’s and Callum’s love, as well as their friendship with Manfred–assuming any of them even survive. Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century’s greatest tragedies–while creating, perhaps, a masterpiece that will haunt readers for generations.

    It is 1946 when Vera Frankel and her best friend Edith Ban arrive in Naples. Refugees from Hungary, they managed to escape from a train headed for Auschwitz and spent the rest of the war hiding on an Austrian farm. Now, the two young women must start new lives abroad. Armed with a letter of recommendation from an American officer, Vera finds work at the United States embassy where she falls in love with Captain Anton Wight.But as Vera and Edith grapple with the aftermath of the war, so too does Anton, and when he suddenly disappears, Vera is forced to change course. Their quest for a better life takes Vera and Edith from Naples to Ellis Island to Caracas as they start careers, reunite with old friends, and rebuild their lives after terrible loss.Moving, evocative, and compelling, this timely tale of true friendship, love, and survival will stay with you long after you turn the final page.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    In this revised and expanded collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved and enduring poems, including forty new poems from his recent work.from Tourists:Once I was sitting on the steps near the gate at David's Citadel and I put down my two heavy baskets beside me. A group of tourists stood there around their guide, and I became their point of reference. "You see that man over there with the baskets? A little to the right of his head there's an arch from the Roman period. A little to the right of his head." "But he's moving, he's moving!" I said to myself: Redemption will come only when they are told, "Do you see that arch over there from the Roman period? It doesn't matter, but near it, a little to the left and then down a bit, there's a man who has just bought fruit and vegetables for his family."

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    DC Books' catalog primarily includes books in Malayalam literature, and also children's literature, poetry, reference, biography, self-help, yoga, management titles, and foreign translations.

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.