Traces Henry Morton Stanley's three-year African expedition that was launched with the official intention of rescuing Emin Pasha, governor of the southern Sudan, in an account that reveals Stanley's secret agenda of territorial expansion.

    He would leave behind his mundane existence in Moscow to re-create the legendary British explorer Henry Stanley’s trip down the Congo in a dugout canoe, stocked with food, medicine, and even a gun-toting guide. But once his tiny boat pushed off the banks of this mysterious river, Tayler realized he was in a place where maps and supplies would have no bearing on his survival. As Tayler navigates this immense waterway, he encounters a land of smothering heat and intense rains, wary villagers, corrupt officials and dead-eyed soldiers demanding bribes, jungle animals, mosquitoes, and, surprisingly, breathtaking natural beauty. Filled with honesty and rich description, Facing the Congo is a sophisticated depiction of today’s Democratic Republic of the Congo, a country brought to its knees by a succession of despotic leaders. But most mportant, Tayler’s stunning narrative is a deeply satisfying personal journey of fear and awakening, with a message that will resonate with anyone who has ever felt compelled, whether in life or in fantasy, to truly explore and experience our world.

    However, its troubles only served to increase the interest of Daily Telegraph correspondent Tim Butcher, who was sent to cover Africa in 2000. Before long he became obsessed with the idea of recreating Stanley’s original expedition — but travelling alone.Despite warnings Butcher spent years poring over colonial-era maps and wooing rebel leaders before making his will and venturing to the Congo’s eastern border. He passed through once thriving cities of this country and saw the marks left behind by years of abuse and misrule. Almost, 2,500 harrowing miles later, he reached the Atlantic Ocean, a thinner and a wiser man.Butcher’s journey was a remarkable feat. But the story of the Congo, vividly told in Blood River, is more remarkable still.From the Hardcover edition.

    Carrying out a genocidal plundering of the Congo, he looted its rubber, brutalized its people, and ultimately slashed its population by ten million--all the while shrewdly cultivating his reputation as a great humanitarian. Heroic efforts to expose these crimes eventually led to the first great human rights movement of the twentieth century, in which everyone from Mark Twain to the Archbishop of Canterbury participated. King Leopold's Ghost is the haunting account of a megalomaniac of monstrous proportions, a man as cunning, charming, and cruel as any of the great Shakespearean villains. It is also the deeply moving portrait of those who fought Leopold: a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure and unexpectedly found themselves witnesses to a holocaust. Adam Hochschild brings this largely untold story alive with the wit and skill of a Barbara Tuchman. Like her, he knows that history often provides a far richer cast of characters than any novelist could invent. Chief among them is Edmund Morel, a young British shipping agent who went on to lead the international crusade against Leopold. Another hero of this tale, the Irish patriot Roger Casement, ended his life on a London gallows. Two courageous black Americans, George Washington Williams and William Sheppard, risked much to bring evidence of the Congo atrocities to the outside world. Sailing into the middle of the story was a young Congo River steamboat officer named Joseph Conrad. And looming above them all, the duplicitous billionaire King Leopold II. With great power and compassion, King Leopold's Ghost will brand the tragedy of the Congo--too long forgotten--onto the conscience of the West

    The book presents a unique portrait of this widely admired leader, with Annan’s own view of events tempered and augmented by those of his allies and opponents, defenders and detractors.

     Through the course of the next six months it would see some of the most ferocious fighting of the entire war. As soon as they landed they drove quickly into the Netherlands to prepare for an offensive into Nazi Germany. Their movements were dramatically altered as the German forces attempted to launch a momentous counter-offensive against the allies. The 84th division was sent to Belgium to plug a gap in the Allied line and fought back against the last ditch effort of Nazi forces. Draper takes the reader through every engagement that the division took part in from the first shots fired in anger through to crossing the Rhine into Germany and finally taking Hannover and making contact with Soviet forces in May 1945. Lt. Theodore Draper’s book is a unique account of the allied invasion of Germany. Rather relying on secondhand stories of the division’s actions months after the events had occurred, Draper was encouraged to go direct to the source, to the men themselves, from the commanding general to any private, for the most complete, firsthand information on every action. This book is largely based on hundreds of pages of such interviews, most of them within 48 hours of the unit’s relief and many of them while the unit was still fighting. “Though ostensibly a divisional history, Draper’s well-informed and interesting account is useful for an understanding of the war on the western front in general.” Robert Gale Woolbert, Foreign Affairs “This is the whole operation of the battle of Germany on the broad and individual level, the Siegfried Line, the fight to the Rhine, the Ardennes, the mad race to the Elbo, with credit attributed to men, companies, battalions where it is due.” Kirkus Reviews Theodore Draper was an American historian and political writer. He wrote many notable books during his career on a variety of subjects. During the Second World War he was inducted into the U. S. Army and worked in the historical section of the 84th Infantry Division. His book The 84th Infantry Division In The Battle Of Germany : November 1944-May 1945 was first published in 1946 and he passed away in 2006.

    Hywel Fletcher was born the day his father was killed in the pit, and is bitterly resented by his mother. And Huw Pettigrew is the much-loved and hard-working eldest child in a respected working family. Dot and Hywel dream of a contented future caring for their land, while Huw's dreams are more like nightmare . . . Yet when tragedy strikes it is Huw's vision which brings the three together and gives each of them, in the end, their heart's desire.

    In this highly readable short biography, Alexander Kennedy brings Mozart and his times vividly to life. Here we see the sweeping grandeur of the courts Mozart visited as a child prodigy, and the grasping desperation of his scheming father. We follow the composer through the flush of his first love up through his marriage to Constanze Weber, and from his first, half-plagiarized concertos to masterpieces like The Magic Flute. We watch Mozart clash with family and friends, with archbishops and emperors, and we feel again the tragedy of his mysterious early death. And above all, we hear his eternal music: music that captivated a continent, defined a genre, and changed the world. “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings” - Wolfgang Amadeus Mozart Buy Now to Discover: A layperson’s explanation of the devices that made Mozart’s music unique. The complicated relationship between Mozart and his demanding father. Mozart’s love affair with his cousin Maria Anna Thekla. The surprising story behind the premiere of La nozze di Figaro. Mozart’s friendship with fellow master Joseph Haydn. The most likely cause of Mozart’s young death. Mozart’s influence on Rossini, Beethoven, Tchaikovsky, and more. Read Your Book Now Your book will be instantly and automatically delivered to your Kindle device, smartphone, tablet, and computer. FREE Bonus Book Buy this book now and receive instant access to your free Kindle ebook. Money Back Guarantee If you start reading our book and are not completely satisfied with your purchase, simply return it to Amazon within 7 days for a full refund. Go to Your Account -> Manage Your Content and Devices -> Find the Book -> Return for Full Refund. Buy Now and Read The True Story of Wolfgang Amadeus Mozart... Thank you in advance for buying our book. We know you'll love it!

    Their captors were Arab and German terrorists, aided by the Ugandan army; their liberators were members of Israel's elite commando unit, Sayeret Matkal, simply known as the Unit. Lt.-Col. Yoni (Jonathan) Netanyahu, the Unit's commander, earned world-wide fame in the wake of the operation's stunning success. He was the only Israeli soldier killed in the Entebbe raid. As a brother of the rescue force's commander, and himself a member of the Unit, Iddo Netanyahu had ready access to the participants in the raid. He was able to obtain detailed accounts from the men of the Unit who, for the first time, described the planning and preparations for the mission and its near-perfect execution. What emerged from their accounts is a powerful and stirring story of how the daring undertaking was accomplished after only 48 hours of frantic preparations. Yoni's Last Battle portrays the men who carried out an incredibly hazardous operation in far-away Africa. Above all, it depicts the heroic - and tragic - figure of their commander, Yoni.

    Today, that city, Manono, sits beyond the infamous “Triangle of Death,” in an area rarely reached by outsiders since war turned the country’s rivers to blood.In this compelling debut, Rawlence sets out to gather the news from this ghost town in one of the most dangerous places in the world. Ignoring the advice of locals, reporters, and mercenaries, he travels by foot, motorbike, and canoe, taking his time and meeting the people who are rebuilding their homes with hope, faith, and nervous instinct. We meet Benjamin, the kindly father of the most terrifying Mai Mai warlord; Leya, who happily gives up a good job in Zambia to return to her razed town; Colonel Ibrahim, a guerrilla turned army officer; the Lebanese cousins Mohammed and Mohammed, who oversee the remains of Manono’s great mine; the priest Jean-Baptiste, who explains the conjoined prices of beer and normality; and the talk-show host Mama Christine, who dispenses counsel and courage in equal measure.From the “blood cheese” of Goma to the decaying city of Manono, Rawlence shares the real story of Congo during and after the war, and finds not just a lost city but the seeds of a peaceful future.

     To Westerners, the name -Timbuktu- long conjured a tantalizing paradise, an African El Dorado where even the slaves wore gold. Beginning in the late eighteenth century, a series of explorers gripped by the fever for -discovery- tried repeatedly to reach the fabled city. But one expedition after another went disastrously awry, succumbing to attack, the climate, and disease. Timbuktu was rich in another way too. A medieval center of learning, it was home to tens of thousands--according to some, hundreds of thousands--of ancient manuscripts, on subjects ranging from religion to poetry, law to history, pharmacology, and astronomy. When al-Qaeda-linked jihadists surged across Mali in 2012, threatening the existence of these precious documents, a remarkable thing happened: a team of librarians and archivists joined forces to spirit the manuscripts into hiding.

    This book mentions the different aspects of Makkah, and recorded the most important historical events that have direct effect on the establishment and sacredness of Makkah as well as its religious weight.This Book also highlights the sites that are highly important whenever Makhah is mentioned like the Black Stone, Zamzam Well, and others.A great part of the book has been dedicated to in speaking about the Holy Ka’bah and the Holy Mosque updating the extensions and the improvements, that have taken place from the time of Prophet Muhammad (peace be upon him) to the Saudi era.At the end of the book there is a complete guide about Hajj and its rites.

    Now, in this new and highly revealing biography, Tom Lodge draws on a wide range of original sources to uncover a host of fresh insights about the shaping of Mandela's personality and public persona, from his childhood days and early activism, through his twenty-seven years of imprisonment, to his presidency of the new South Africa. The book follows Mandela from his education at two elite Methodist boarding schools to his role as a moderating but powerful force in the African National Congress. Throughout, Lodge emphasizes the crucial interplay between Mandela's public career and his private world, revealing how Mandela drew moral and political strength from encounters in which everyday courtesy and even generosity softened conflict. Indeed, the lessons Mandela learned as a child about the importance of defeating ones opponents without dishonoring them were deeply engrained. They shaped a politics of grace and honor that was probably the only approach that could have enabled South Africa's relatively peaceful transition to democracy. Here then is a penetrating look at one of the most celebrated political figures of our time, illuminating a pivotal moment in recent world history.Authoritative and fair-minded...deserves to be read widely.--Adam Roberts, The EconomistA fascinating, indeed riveting, and plausible as well as persuasive examination of why Nelson Mandela should have acquired a world following and can remain as he does an iconic figure even in the 21st century. It is certain to provoke much heated debate.--Desmond Tutu

    One new novel that can justly make that claim is The Catastrophist, by the talented Irish writer/activist Ronan Bennett. Here, Conrad's classic tale is transmogrified by a century of irony, Westernization, and a tip of the hat to Graham Greene and John le Carré. Benett's Marlow is James Gillespie, an Irish historian turned novelist who travels to the Congo in 1959. Set against the death throes of the age of imperialism, the new nation's violent struggle for independence from Belgium provides ample opportunity for Gillespie to explore the dark territory of political and emotional engagement.Gillespie's Kurtz, the figure who draws him to the Congo and whose maddening attachment to the place both fascinates and repulses him, is Inès, a fiery Italian journalist, who pens fiercely pro-Congolese articles for a radical newspaper. Inès and Gillespie met in London at the house of Gillespie's publisher, and soon after, were heading to Ireland for a romantic getaway. Inès was smitten instantly ("I am already loving you" she whispers as they first make love), but Gillespie, considerably less headstrong, was slower to recognize his feelings. Following Inès to Léopoldville (Kinshasa), the Congolese capital, was his emotional plunge, his gesture toward commitment. But soon after his arrival, Gillespie realizes that he has been displaced from Inès's attentions by her devotion to Patrice Lumumba, the charismatic Congolese independence leader. Gillespie, on the other hand, is incapable of viewing the disorganized independence movement as anything more than an unfortunate farce; nor does he sympathize with the Belgians in Léopoldville, who live in cloistered luxury, walled off from the cité indigène -- "where the blacks live" -- by well-patrolled walls and their own willful obliviousness.Despairing over Inès's increasingly distant air, Gillespie befriends an American named Stipe, who is in the Congo to promote American security interests, as well as Stipe's loyal, ambitious driver, Auguste. Stipe feeds Gillespie information about the imminence of an uprising, allowing him to complete some lucrative freelance pieces, while Auguste shares his dreams about having an office on Fifth Avenue.These bonds prove fragile, however, and dissolve once the independence movement comes to a violent, chaotic boil. Inès's partisanship becomes even more pronounced, and she spends all her time at Lumumba's camp. Gillespie's articles alienate him from many of the Belgians, who refuse to consider the Congolese other than as mischievous children. Stipe and his Belgian companions, meanwhile, become fearful of Lumumba's Communist sympathies and begin unsavory efforts to undermine his authority, supporting the right-wing party of the pro-Western Mobutu Sese Seko instead. Auguste, who has become active in Lumumba's youth movement, dissociates himself from Stipe; entering into Lumumba's inner circle, he soon meets Inès. Inès and Auguste become lovers and Gillespie, after countless efforts to win her back, is forced to contemplate a world breaking up around him.The Catastrophist is primarily a story of failure, both of a crumbling political movement and of a doomed relationship. (There is little surprise about the former, even for those unfamiliar with Congolese history; in the opening scene of the book, Lumumba is captured by Mobutu after attempting to escape the country). Inès once charged Gillespie with being a "catastrophist," one who believes "it is always the end." He countered by claiming that "if the problem is big&the only thing to do is leave it behind." As the events of the book lead inexorably to a series of personal and political catastrophes, Gillespie's pessimism seems only to be confirmed; and yet, tethered by his love for Inès, he cannot leave these catastrophes behind.Thus, surrounded by zealots, but insulated by a carapace of solipsism, Gillespie struggles futilely to maintain his position on the sidelines. Once embarrassed by melodrama and maudlin displays of affection, he finds himself begging Inès to take him back. And once so bitterly skeptical of Lumumba's efforts, he finds himself drawn into the struggle, forced to make a sacrifice for a cause he doubts, a self-consciously doomed gesture to win back Inès's love. For much of the book, Gillespie's presiding motto is a quote from Pushkin, "Does a man die at your feet, your business is not to help him, but to note the color of his lips." But when he has an opportunity to enact that dictum, its guidance seems woefully inadequate. Gillespie's policy of detachment becomes the ultimate catastrophe. "I was always too much a watcher," Gillespie laments at the close of the book. Indeed, one of The Catastrophist's finest ironies is that the journalist, Inès, has discarded all objectivity, while Gillespie, the novelist and narrator, insists his writing maintain a sense of distance. Bennett, too, is a watcher, his prose alert and deliberate, and yet for him, this policy of detachment works brilliantly. Much of the book's power derives from its implacable, steady tone, and many of its most stirring passages are the love scenes in which Gillespie's cool, measured narrative voice struggles against, and succumbs to, the eroticism and immediacy of the moment.This tactic does have its weaknesses, however; the climactic scenes of violence and brutality, depicting the aftermath of Mobuto's coup, fall flat, as do Gillespie's ruminations on his love of literature. In both these cases, the crescendo in narrative intensity feels vaguely inauthentic. But on the whole, Bennett has given us a superb book -- part suspense thriller, part psychological study. It adds its capable voice to that unsettling opening of Conrad's own masterful tale: "And this also has been one of the dark places of the earth."—Benjamin Soskis

    In this reading of history, China and Japan, the kingdoms of India, Muslim caliphates, the Byzantine Empire and European maritime republics alike enjoyed no absolute dominance over their neighbours and commercial partners - and the egalitarian international trading network that they built endured until European advances in weaponry and ship types introduced radical instability to the system.Abu-Lughod's portrait of a more balanced world is a masterpiece of synthesis driven by one highly creative idea: her world system of interlocking spheres of influence quite literally connected masses of evidence together in new ways. A triumph of fine critical thinking.