Her love life hopeless, her fantasies more influential than wan reality, she nevertheless turns out to be the best mayor New York City has ever elected. Soon enough, though, paradise gained becomes paradise lost, and--even for a wistful visionary like Puttermesser--the problem of disappointment remains unresolved.

    Tom Perrotta made his literary debut with his short story collection Bad Haircut, earning critical praise and comparisons to Salinger, Carver, and Roth by taking readers to New Jersey in the 1970s as a boy named Buddy struggles with the timeless mysteries of sex, death, parents-and of course, bad haircuts.

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

    The opening narratives feature adolescent or pre-adolescent boys struggling with their conceptions of manhood: making sense of an old hermit whose life seems to have left no mark, or coexisting with a repulsive great-uncle in a world with no other male role model. Later, the stories depict grown men who find that these same struggles of manhood never go away: a man out of place among hunters and fathers in search of a missing child, or a man fighting through a blizzard to prove his worth to his own wife. The landscapes and lakescapes serve as recurring characters in the book. The boys and men wander forests—sometimes finding tranquility, sometimes finding tragedy. They climb and descend dunes. And often, they encounter the Big Lake: Lake Michigan. The idea of a Third Coast figures prominently in the book, the lake and its horizon serving as a kind of world’s end, where things pass away or come to life.

    This is the most complete and generous sampling of the first half of an indispensable American writer's career.

    But when the Blitz reaches Manchester, she is locked in the cellar by her feckless mother, Lizzie. As bombs rain down from a sky turned blood red with flame, Jess waits for Lizzie to return.But fortunes are fickle, and soon Jess finds herself packed off to live with her tyrant Uncle Bernie, a bullying black marketeer. Though he treats her like a servant, she seeks refuge in the Sally Army and her natural musical talent offers both an escape route and the chance for love.But Uncle Bernie never forgives his niece for refusing to join his illegal schemes and threatens to deprive Jess of her hard-won freedom once and for all. This is a sweeping saga of hope and resilience perfect for fans of Kitty Neale and Rosie Goodwin. Praise for Dancing on Deansgate ‘A heart-wrenching story’ 5* Reader review‘It drew me in straight away’ 5* Reader review‘Another gem from a great writer’ 5* Reader review‘A compelling story of separation and hardship, and heartache overcome at last’ 5* Reader review

    Each story follows the life of a person living on a fictitious council estate in London. The stories illustrate the realities and struggles that ordinary people go through at a time when people are feeling disenfranchised and are frustrated at not having their voices heard. Ranging from a humorous look at the gentrification of London to the realities of living with addiction the stories place the reader in the shoes of each character allowing them to feel their emotions.

    Comprised of a surprising mix of newly minted professionals, ex-prisoners, intellectuals, musicians, and faithful Party workers, the community is vibrant and resilient and life in Magadan thrives even under the cover of near-perpetual snow. By blending history and fable, each of Melnik's stories transports us somewhere completely new: a married Magadan woman considers a proposition from an Italian footballer in '70s Moscow; an ailing young girl visits a witch doctor’s house where nothing is as it seems; a middle-aged dance teacher is entranced by a new student’s raw talent; a former Soviet boss tells his granddaughter the story of a thorny friendship; and a woman in 1958 jumps into a marriage with an army officer far too soon.Weaving in and out of the last half of the twentieth century, Snow in May is an inventive, gorgeously rendered, and touching portrait of lives lived on the periphery where, despite their isolation—and perhaps because of it—the most seemingly insignificant moments can be beautiful, haunting, and effervescent.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    In ‘Cora Lee is Stupid’ a young girl takes vengeance on an abusive older sister. In ‘Dead Weight’ three bank robbers get more than they bargained for during their getaway. In ‘Rosetta Stone’ a bitter young man comes face to face with the end of the world.

    Caught at moments of change, Chabon's men and women, children and husbands and wives, all face small but momentous decisions. They are caught in events that will crystallize and define their lives forever, and with each, Michael Chabon brings his unique vision and uncanny understanding of our deepest mysteries and our greatest fears.

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    Here we go again with real life and opinions made to look like one big, preposterous animal not unlike an invention by Dr. Seuss...--Kurt Vonnegut, from Fates Worse Than Death

    Our issues are also filled with author interviews, art features, book reviews and tips for writers. This month, we feature an exclusive interview with Brandon Sanderson on his latest journey to the United Arab Emirates. We also include short stories from Wall Street Journal bestselling author Jeff Wheeler* ("The Beesinger's Daughter"), Amazon bestselling Carrie Anne Noble ("The Perfect Specimen"), and Cecilia Dart-Thornton who came out of hiding to let us publish her latest ("The Churchyard Yarrow"). We also feature stories this month by Steve Yeager ("Rain Dance") and Brendon Taylor ("The Apothecant"). You'll also get two articles, one written by NYT bestselling author Anthony Ryan and the other by David Pomerico, Harper Voyager US's Executive Editor. Still not convinced to give it a try? We'll also be publishing an extended sample of Wall Street Journal bestselling author Charlie N Holmberg's** latest novel ("Magic Bitter, Magic Sweet"). * Wall Street Journal, June 2016 ** Wall Street Journal, June 2015