The collection includes the following titles: Almost by Elizabeth Benedict, Those Who Save Us by Jenna Blum, The Hearts of Horses by Molly Gloss, The Last Chinese Chef by Nicole Mones, The Vanishing Act of Esme Lennox by Maggie O'Farrell, and The Magician's Assistant by Ann Patchett.

    The big foyer at the Bell House has been decorated for the holidays and Polly's family has been hard at work decorating the rest of the house. She's ready for anything. The managers of the Sycamore Bed and Breakfast, Reuben and Judy Greene, have moved into town. While the old farmhouse is in the middle of its restoration, they plan to renovate a storefront down the street from Sweet Beans. They found something incredible in the upstairs apartment, bringing old and new together for a heartwarming moment. Moments like that prevail in this story. Last year, Polly and Henry brought two new little boys into their lives on Christmas Eve. This Christmas Eve, Noah and Elijah help the family create a beautiful new tradition. Like always, there are a few surprises. Your job is to hold them close so others can enjoy the fun. It truly is the most wonderful time of the year in Bellingwood.

    Powers Unlocked. An Alliance is Born.Ten thousand years ago, the Furies nearly exterminated all life in the universe before being defeated by a coalition of worlds led by the Olympians.Or so everyone thought.Now they're back, and a new reign of terror has begun.

    For fans of Nadine Dorries, Maeve Binchy, Freda Lightfoot and Dilly Court. Lives are on the line as the workers fight back in the Welsh countryside… 1829, Wales For centuries. generations of the Jenkins family have eked out a living from their Carmarthenshire hill farm. But when a fire destroys virtually all of their possessions the children witness their lives crumbling around them. Mary and William find they have barely enough land left to provide for their basic needs. Their only option is to take on more work, but William longs for action, and Mary begins to suspect that he has become embroiled with the Rebecca-ites, a shadowy group of nationalists pitted against the English landowners whose tolls have bankrupted so many Welshman. As tensions mount, Mary becomes ever more torn between her mistrust of the rebels’ violence and her growing attraction to Jac Tŷ Isha, one of their leaders. And when the British government decides to put a stop to the revolt, the danger to the men she loves increases a hundredfold… REBECCA’S CHILDREN is a poignant, beautifully crafted saga of love and betrayal, set against the background of Wales in mid-1800s – a country aflame with political and social unrest. "An accomplished first novel." - The Times "A well-handled tale of passion, social injustice and nationalist fervour in nineteenth century Wales." - The Liverpool Post “Kate Dunn is a fine storyteller.” - Ben Elton

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Sometimes it feels like we are all on a different planet earth. Sometimes we are!

     A detective has the chance to solve cases that have baffled her colleagues for decades. But only if she can work out who he is, before he gets to her. Because - in a story where not everything is what it seems - not even murder is black and white. Killing Kind is a tense novella with a twist that will stay with you. From UK and US bestselling author Gregg Dunnett.

    The hood raised her, but she's determined to let her humbled spirit take her out of it. Living a normal life is only a choice that she's made, however. Unlike Gianni, her mother, Tommy, is a bigger queen pin than any king pin in Tallahassee Florida and in the down south area. She takes care of Gianni and her two kids with no problems. Tommy could easily give Gianni the salon and big house that Gianni has always dreamed of, but Gianni wants to accomplish her goals on her own. Due to her mother being in and out of Federal Prison, Gianni reminds herself that she has two kids to think about, and she can not and will never leave her kids behind, like Tommy did her. Instead, Gianni allows her baby's father, Lamont, to take care of her and her kids. She feels he owes her that much, due to all the pain he's caused her. However, dealing with him has caused nothing but heartache, distraction and drama. After finding out about the third child that he could possibly have on her, she finally decides to stray away from him and focus on she and her kids. She meets a handsome and wealthy man by the name of Kreed at her mother's house during Tommy's known 'gambling day'. Kreed is a different breed, and though Gianni only wants friends so that she can do a little living, Kreed is hard to shake. He has that smart, hood, and smooth demeanor that Gianni admires. Being surrounded by drugs and a lot of money didn't mean a thing to Kreed. He loves his legal businesses and he enjoys living his life the right way. He's feeling Gianni just as much as she's feeling him, but he when Lamont finds out that there's a new man in town who's stole Gianni's heart, he makes she and her kids life a living hell. Which causes Kreed to bring out his old vicious ways! Tumultuous drama starts to unfold, and it will be up to Gianni to get everything in line to save what she has with Kreed.

    Decisive, resourceful and independent, Sarah faces challenges in love and friendship from those around her and the wider circumstances of the war as she travels across the cities and countrysides of England and Scotland. Often described as gentle romances, D. E. Stevenson novels are neither overblown nor unduly tragic, populated with characters who quietly make those around them better simply because of their existence. Consistently satisfying, there is a good reason why Stevenson has amassed a devoted following.

    Featuring the conclusions to Issue 57's cliffhanger stories by Booker Prize nominee Oyinkan Braithwaite, Brian Evanson, and Mona Awad.

    She must prove to Anders Sæterdal, her trapping partner who makes no secret of his disdain, that a woman is fit for the task. Over the course of a Svalbard winter, Wanny and Sæterdal will confront polar bears, traverse glaciers, withstand blizzards and the dangers of sea ice, and hike miles to trap Arctic fox, all in the frigid darkness of the four-month polar night. For Wanny, the darkness hides her own deceptions that, if exposed, speak to the untenable sacrifice of a 1930s woman longing to fulfil a dream. Alongside the raw, confronting nature of the trappers’ work, is the story of a young blue Arctic fox, itself a hunter, who must eke out a living and navigate the trappers’ world if it is to survive its first Arctic winter.

    'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.''The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

               Told with Clive James's trademark dry wit, The      Silver Castle is a tragicomic morality tale for our time. Part Candide, part Oliver Twist, part Huckleberry Finn, The Silver Castle defies its reader to remain aloof from the suffering of the world's swarming poor while it inspires laughter over the human condition generally. It is a novel of wonder despite its unrelenting realism--      indeed, only wonderment is possible in the face of Sanjay's knack for survival and more than occasional good fortune.           In his astonishing odyssey from the gutter to the soundstages and salons of Bollywood, Sanjay meets up with every variant of sinner and would-be savior, and along the way he trades on his "heart-breaking" physical beauty and canny lingual facility to grab at luck wherever it may be had--in the pocket of a tourist, as a guide for the Western news crews who regularly descend on Bombay to update their stock footage of grinding poverty, or in the bed of an older male protector or a past-her-prime cinema princess.           Throughout, Sanjay's spirit is sustained by the movies, and by his first behind-the-scenes glimpse, as a young trespasser on the set of the Silver Castle, of the magical artifice of filmmaking. It is a true vision of an utterly false reality, the source of Sanjay's subsequent triumphs and of his ultimate misfortune. But what happens to Sanjay in the end is not a singular event. As this deeply humane novel convincingly argues, Sanjay's fate is the world's.Back Ad:Perhaps it would have been better for [Sanjay] if he had never seen the Silver Castle, never felt a guiding hand, never blinked at an unstained smile. Then he would not have missed these things. It is just possible, however, that the memory of his first visit to Long Ago sustained him. Imagination and energy are part of each other, and few of us, even though we live in circumstances far more favourable, would ever get to where we are going unless a picture of it, however inaccurate, was already in our minds. If we had to, we too would have to dodge the rain between rubbish dumps, on the long journey back to the taste of a cheese roll, the tang of sparkling water, trumpets that crackle and toe-nails stained with plums. We don't have to, but Sanjay did.

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    Here are stories culled from hundreds of writing programs such as the Iowa Writers’ Workshop and Johns Hopkins and from summer conferences such as Sewanee and Bread Loaf—as well as a complete list of contact information for these programs. This collection showcases tomorrow’s literary stars: Julie Orringer, Adam Johnson, William Gay, David Benioff, Rattawut Lapcharoensap, Maile Meloy, Amanda Davis, Jennifer Vanderbes, and John Murray are just some of the acclaimed authors whose early work has appeared in this series since its launch in 2000. The best new American voices are heard here first.