In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    In ‘Cora Lee is Stupid’ a young girl takes vengeance on an abusive older sister. In ‘Dead Weight’ three bank robbers get more than they bargained for during their getaway. In ‘Rosetta Stone’ a bitter young man comes face to face with the end of the world.

    In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

    The audacious scheme requires a marriage between Lisbeth's granddaughter and Hannah's widowed son. Desperate for her grandmother's attention and approval, Mila agrees to wed a man she doesn't know. She begins entertaining doubts when Hannah proves to be a loving mother-in-law instead of the monster her grandmother had described. Mila is thinking and acting independently for the first time, going as far as initiating an illicit affair. Her refusal to commit a heinous act at Lisbeth's insistence results in shocking consequences. With danger looming on the horizon, Mila discovers powers that have lain dormant beneath her grandmother's oppressive shadow. Now, she must learn to use her gift and salvage her only chance at happiness. Holland's Golden Age comes to life in this suspenseful historical novel with a touch of magical realism.

    He had violent hallucinations based on the Iraq war and the reports of terrorism and violence constantly playing on his hospital TV tuned into CNN. He believed his family to be in danger, but he had no way to communicate with them. For a long time after the whole ordeal, he had trouble knowing what had happened. What was real and what wasn't. If part of the core of who we are is our memory, what does it mean when the memory is still there, but false?

    King. Do not let the lack of light stop you from discovering more adventures and stories that will keep you up at night and ignite the imagination. There is no place to hide in, THE DARKNESS!

    “You know I just worked a twelve-hour shift. Gotta get me right before I go to sleep.” He smiled his ugly smile and opened the screen door. “I’ll take you shoppin’ when I wake up; spend a couple bands on you.”He put his key in the lock and turned it… But the door was snatched open before Mone’s hand could even reach the doorknob.Lacresha’s eyes opened wide with fear as she witnessed a tall masked man step from behind the door and raise a gun to Mone’s face.“Payback’s a bitch, ain’t it?” The masked man stated coldly.

    C. Boyle is one of the most renowned storytellers of the modern era. This collection of fourteen stories drifts effortlessly between myth and reality, encompassing a panorama of human emotions. In “The Marlbane Manchester Musser Award,” Boyle reveals a writer’s dismay when a simple trip is turned upside down by a stranger. “Los Gigantes” tells the story of a group of giants being used to create a new breed of soldier for the military. In “The Way You Look Tonight” Boyle examines the way our perceptions of our loved ones can change on a dime with just a simple revelation. And in “Sic Transit” he shows how quickly we can become consumed with curiosity.Boyle travels the world in these and the rest of the stories, from California to Russia, Latin America to upstate New York, but his adept touch at depicting the lives of his characters never wavers.

    In one narrative, a man wakes up one morning to find the odor of dead fish won't go away, but no one else can smell it. In another, a couple's visit with friends to watch the Academy Awards has the protagonist envying his friends' lawn and lifestyle. In these and eleven other stories, Christopher Meeks balances tragedy and wit. As novelist David Scott Milton explains, "In this collection, Christopher Meeks examines the small heartbreaks of quiet despair that are so much a part of all our lives. He does it in language that is resonant, poetic, and precise.... If you like Raymond Carver, you'll love Meeks. He may be as good--or better."

    Families, homes, lovers, marriages -- the safe havens they have been taught to depend on no longer guarantee shelter or stability.ONE WAY OR ANOTHER introduces Peter Cameron as an extraordinary writer, one distinguished not only by his prose, which is always abundantly witty and pitch-perfect, but also by a rare generosity of heart.Included in this book are two stories that were selected for the O. HENRY PRIZE STORIES: "Homework," first published in The New Yorker, and "Excerpts from Swan Lake," first published in The Kenyon Review.

    But Tess senses she's at a hinge moment, poised between the life she thought she wanted and the one she long ago decided against. The demands of her Sydney family seem unrelenting: an uneasy teenage daughter, a father who has just been placed in care, the impending sale of her childhood home. Sent to London for a conference, she's unable to resist the pull of that relinquished life. What, she wonders, would it be like now? And might it have suited her better after all?Deceptively concise, moving, elegant, The Girl with the Dogs was published online in 2014 under the title of Everything Precious.

    Culling over 300 pages of some of today's most thrilling writers, The Best of 2.13.61 Publications hallmarks our company's ten year existence. Excerpts include new material from Henry Rollins and Hubert Selby, Jr, as well as excerpts from Henry Miller's love letters, Nick Zedd's hilarious nihilistic New York urban spelunkings, Ian Shoales' undeniably witty social commentaries and so much more.

    They are there for one last time, one last weekend, and one last party – but in the course of this weekend, their connections will be affirmed, and their frailties and secrets revealed – to the reader at least, if not to each other. The Hope Fault is a novel about extended family: about steps and exes and fairy godmothers; about parents and partners who are missing, and the people who replace them.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY