. . Hilarious and poignant."--Entertainment Weekly Bream Gives Me Hiccups: And Other Stories is the whip-smart fiction debut of Academy Award-nominated actor Jesse Eisenberg. Known for his iconic film roles but also for his regular pieces in the New Yorker and his two critically acclaimed plays, Eisenberg is an emerging literary voice.Taking its title from a group of stories that begin the book, Bream Gives Me Hiccups moves from contemporary L.A. to the dorm rooms of an American college to ancient Pompeii, throwing the reader into a universe of social misfits, reimagined scenes from history, and ridiculous overreactions. In one piece, a tense email exchange between a young man and his girlfriend is taken over by his sister, who is obsessed with the Bosnian genocide (The situation reminds me of a little historical blip called the Karadordevo agreement); in another, a college freshman forced to live with a roommate is stunned when one of her ramen packets goes missing (she didn't have "one" of my ramens. She had a chicken ramen); in another piece, Alexander Graham Bell has teething problems with his invention (I've been calling Mabel all day, she doesn't pick up! Yes, of course I dialed the right number - 2!).United by Eisenberg's gift for humor and character, and grouped into chapters that open with illustrations by award-winning cartoonist Jean Jullien, the witty pieces collected in Bream Gives Me Hiccups explore the various insanities of the modern world, and mark the arrival of a fantastically funny, self-ironic, and original voice.

    Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    DIVORCER is a collection of seven harrowing and hyperprecise short stories about ruinous relationships and their aftershocks.

    In Fortune Smiles - his first book since Orphan Master - he continues to give voice to characters rarely heard from, while offering something we all seek from fiction: a new way of looking at our world.In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. "George Orwell Was a Friend of Mine" follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. "Nirvana," which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In "Hurricanes Anonymous" - first included in the Best American Short Stories anthology - a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America's greatest writers and an indispensable guide to our new century.

    In these collected stories of man against the wilderness, London lays claim to the title of greatest outdoor adventure writer of all time.Contents:- To build a fire- Love of life- Chinago- Told in the drooling ward- The Mexican- War- South of the slot- Water baby- All Gold Canyon- Koolau the leper- Apostate- Mauki- An Odyssey of the north- A piece of steak- Strength of the strong- Red one- Wit or Porportuk- God of his fathers- In a far country- To the man on trail- White silence- League of the old men- Wisdom of the trail- Batard

    Among the Thorns, by Veronica Schanoes, is a dark fantasy taking place in seventeenth century Germany, about a young woman who is intent on avenging the brutal murder of her peddler father many years earlier, by a vagabond with a magic fiddle.

    A new collection of short stories from Hopkinson, including "Greedy Choke Puppy," which Africana.com called "a cleverly crafted West Indian story featuring the appearance of both the soucouyant (vampire) & lagahoo (werewolf)," "Ganger (Ball Lightning)," praised by the Washington Post Book World as written in "prose [that] is vivid & immediate," this collection reveals Hopkinson's breadth & accomplishments as a storyteller.

    The characters in Infidelities––soldiers and civilians alike––are caught in the ridiculous, often cruelly whimsical contradictions of war and the paranoia and folly of those who conduct it. In "Ribs," a Croatian woman whose husband has already been taken by the war will go to any length to keep her son out of the army, including sleeping with the draft officer, a tryst that leads to an unexpected, and disturbing, spiritual vision. A Buddhist soldier in the Bosnian Muslim military isly accused of being an informer to the enemy Serbs after his detachment ambushes itself in "Hail." A draft dodger is in the hospital for a transplant, in "A Purple Heart," when a high–ranking Croatian general steals the heart for himself (and dies) while the dodger suddenly discovers a new thirst for life. In "Spleen," a Bosnian émigré in America learns that even in the throes of passion she cannot find release from the haunting memories of her homeland.These stories cover a broad sweep of time, reaching back to the first shots of World War I in Sarajevo and forward to the plight of Balkan immigrants in contemporary America. Throughout, acts of compassion, gallows humour, even desire arise from a landscape devastated by tragedy.

    The eight-hour work day, the Ponzi scheme and the rhythm and blues have risen from its streets. But Chicago is not just a city of the past. In this dynamic issue, GRANTA brings the one-time industrial hub to life through the eyes of exciting new writers, from home grown stars like George Saunders and Dave Eggers, to immigrants who have come to the city from Bosnia, China and Ethiopia.In this issue, Aleksandar Hemon plays football with Italians and Tibetans along Lake Shore Drive. Chicago born MacArthur 'genius' grant-winning photographer Camilo José Vegara captures the demolition of the city's massive public housing estates. Richard Powers recollects the flood of 1992. Don DeLillo remembers Nelson Algren. Alex Kotlowitz explores the cost of urban violence and Dinaw Mengestu describes moving back home to run his dying father’s messenger business. Plus a sneak preview of Peter Carey's new novel.Finally, Nobel Laureate Wole Soyinka meditates on the meaning of the city's most visible son, Barack Obama. Out of these stories, which will be wrapped in a beautiful cover by Chris Ware, will arise a vivid portrait of a city remaking itself: a city shredded by violence but poised for a new future; a city that once again has a legitimate claim to being the home of the world's best writers.

    Pearlman writes about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the real excitement comes from the intricate attention Pearlman devotes to the interior life of young Emily, who wishes she were a bug. In "Sonny," a mother prays for her daughters to be barren so they never have to experience the death of a child. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway. In prose that is as wise as it is poetic, Pearlman shines light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. She maps the psychological landscapes of her exquisitely rendered characters with unending compassion and seeming effortlessness. Both for its artistry and for the lives of the characters it presents, Honeydew is a collection that will pull readers back time and again. These stories demonstrate once more that Pearlman is a master of the form and that hers is a vision unfailingly wise and forgiving.

    In the title story, a woman tells her husband of her curious discovery: that she is inhabited by small alien creatures. In another, a young girl making her way to college through the streets of Delhi comes across a mysterious tetrahedron. Is it a spaceship? Or a secret weapon?The first Indian female speculative fiction writer, Singh has said that her genre is a “chance to find ourselves part of a larger whole; to step out of the claustrophobia of the exclusively human and discover joy, terror, wonder, and meaning in the greater universe.” A revolutionary voice in fantasy writing, Singh brings her passion for discovery to these stories, and the result is like nothing of this world.Contents:Hunger (2007)Delhi (2004)The Woman Who Thought She Was a Planet (2003)Infinities (2008)Thirst (2004)Conservation Laws (2008)Three Tales from Sky River: Myths for a Starfaring Age (2004)The Tetrahedron (2005)The Wife (2003)The Room on the Roof (2002)A Speculative Manifesto (2008) essay

    Zsuzsi Gartner's exuberant prose gives voice to unforgettable characters who survive by their wits as they cope with indifferent relationships, lackluster jobs, and the myriad curve-balls life throws their way.A woman calls in fake bomb threats from the nineteenth floor of a bank tower as revenge against her ex-lover. The mother of a girl killed by a teenage urban guerilla thrives spectacularly in her industrious grief, transforming herself into a forgiveness guru and talk-show host. Lured into the wilderness by her desire for a man who rebuilds vintage airplanes, a young woman finds she lusts more for biscotti and city sidewalks. A small, heroic child makes a guileless request for pajamas and creates a psychic storm at the center of her anxious, achievement-mad parents' lives.Rendered in a jittery, jazzed-up prose that has been compared to that of Lorrie Moore and Mary Flanagan, these stories brilliantly capture the pathos, beauty, and alienation of contemporary life and signal the arrival of a writer to watch.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    Where men stood tall and lived rough. But that West is no more. In its place Shann Ray finds washedup basketball players, businessmen hiding addictions, and women fighting the inexplicable violence that wells up in these men. A son struggles to accept his father’s apologies after surviving a childhood of beatings. Two men seek empty basketball hoops on a snowy night, hoping to relive past glory. A bull rider skips town and rides herd on an unruly mob of passengers as he searches for a thief on a train threading through Montana’s Rocky Mountains. In these stories, Ray grapples with the terrible hurt we inflict on those we love, and finds that reconciliation, if far off, is at least possible. The debut of a writer who is out to redefine the contours of the American West, American Masculine is a deeply felt and fiercely written ode to the country we left behind.