What propels this chronicle of her recovery is Sebold's indomitable spirit - as she struggles for understanding ("After telling the hard facts to anyone, from lover to friend, I have changed in their eyes"); as her dazed family and friends sometimes bungle their efforts to provide comfort and support; and as, ultimately, she triumphs, managing through grit and coincidence to help secure her attacker's arrest and conviction. In a narrative by turns disturbing, thrilling, and inspiring, Alice Sebold illuminates the experience of trauma victims even as she imparts wisdom profoundly hard-won: "You save yourself or you remain unsaved."

    But sometimes it can also mean entry to a new kind of life, a bigger world. Greer Kadetsky is a shy college freshman when she meets the woman she hopes will change her life. Faith Frank, dazzlingly persuasive and elegant at sixty-three, has been a central pillar of the women’s movement for decades, a figure who inspires others to influence the world. Upon hearing Faith speak for the first time, Greer—madly in love with her boyfriend, Cory, but still full of longing for an ambition that she can’t quite place—feels her inner world light up. And then, astonishingly, Faith invites Greer to make something out of that sense of purpose, leading Greer down the most exciting path of her life as it winds toward and away from her meant-to-be love story with Cory and the future she’d always imagined. Charming and wise, knowing and witty, Meg Wolitzer delivers a novel about power and influence, ego and loyalty, womanhood and ambition. At its heart, The Female Persuasion is about the flame we all believe is flickering inside of us, waiting to be seen and fanned by the right person at the right time. It’s a story about the people who guide and the people who follow (and how those roles evolve over time), and the desire within all of us to be pulled into the light.

    When Max Andrews, the much-loved and handsome (lonely and gay) host of "Slumber Sunday Sundown" accidentally exposes himself in front of twenty million kids and their parents during a "Toys for Tots" segment, Sellevision faces its first big scandal. As Max fails to find a job in television, another host, the popular and perky Peggy Jean Smythe is receiving sinister emails about her appearance from a stalker. Popping pills and drinking heavily, she fails to notice that her husband is spending a lot of time with the very young babysitter who lives next door. Then there's Leigh, whose affair with Sellevision boss Howard Toast is going nowhere, until she exposes him on air; and Bebe, Sellevision's star host, who finds Mr. Right through the Internet--if she can just stop her shopping addiction from taking over.

    Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).

    She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life. Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world--including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong. Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters - Californians and East Germans, good parents and bad parents, journalists and leakers - and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.

    Now, in this jubilant new novel, Benjamin shines a dazzling spotlight on another fascinating female figure whose story has never fully been told: a woman who became a nineteenth century icon and inspiration - and whose most daunting limitation became her greatest strength. "Never would I allow my size to define me. Instead, I would define it." She was only two-foot eight-inches tall, but her legend reaches out to us more than a century later. As a child, Mercy Lavinia "Vinnie" Bump was encouraged to live a life hidden away from the public. Instead, she reached out to the immortal impresario P. T. Barnum, married the tiny superstar General Tom Thumb in the wedding of the century, and transformed into the world's most unexpected celebrity. Here, in Vinnie's singular and spirited voice, is her amazing adventure - from a showboat "freak" revue where she endured jeering mobs to her fateful meeting with the two men who would change her life: P. T. Barnum and Charles Stratton, AKA Tom Thumb. Their wedding would captivate the nation, preempt coverage of the Civil War, and usher them into the White House and the company of presidents and queens. But Vinnie's fame would also endanger the person she prized most: her similarly-sized sister, Minnie, a gentle soul unable to escape the glare of Vinnie's spotlight. A barnstorming novel of the Gilded Age, and of a woman's public triumphs and personal tragedies, The Autobiography of Mrs. Tom Thumb is the irresistible epic of a heroine who conquered the country with a heart as big as her dreams - and whose story will surely win over yours.

    Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s?On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms.Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.

    Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.Louis Charles (“Lucy”) Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he’s had plenty of reasons not to be—chief among them his mother, still indomitably alive. Yet it was her shrewdness, combined with that Lynch optimism, that had propelled them years ago to the right side of the tracks and created an “empire” of convenience stores about to be passed on to the next generation. Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his oldest friend, a renowned painter, has exiled himself far from anything they’d known in childhood. In fact, the exact nature of their friendship is one of the many mysteries Lucy hopes to untangle in the “history” he’s writing of his hometown and family. And with his story interspersed with that of Noonan, the native son who’d fled so long ago, the destinies building up around both of them (and Sarah, too) are relentless, constantly surprising, and utterly revealing. Bridge of Sighs is classic Russo, coursing with small-town rhythms and the claims of family, yet it is brilliantly enlarged by an expatriate whose motivations and experiences—often contrary, sometimes not—prove every bit as mesmerizing as they resonate through these richly different lives. Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.

    And Thebes is only eleven."–from The Flying TroutmansDays after being dumped by her boyfriend Marc in Paris – "he was heading off to an ashram and said we could communicate telepathically" – Hattie hears her sister Min has been checked into a psychiatric hospital, and finds herself flying back to Winnipeg to take care of Thebes and Logan, her niece and nephew. Not knowing what else to do, she loads the kids, a cooler, and a pile of CDs into their van and they set out on a road trip in search of the children's long-lost father, Cherkis.In part because no one has any good idea where Cherkis is, the traveling matters more than the destination. On their wayward, eventful journey down to North Dakota and beyond, the Troutmans stay at scary motels, meet helpful hippies, and try to ignore the threatening noises coming from under the hood of their van. Eleven-year-old Thebes spends her time making huge novelty cheques with arts and crafts supplies in the back, and won't wash, no matter how wild and matted her purple hair gets; she forgot to pack any clothes. Four years older, Logan carves phrases like "Fear Yourself" into the dashboard, and repeatedly disappears in the middle of the night to play basketball; he's in love, he says, with New York Times columnist Deborah Solomon. Meanwhile, Min can't be reached at the hospital, and, more than once, Hattie calls Marc in tears.But though it might seem like an escape from crisis into chaos, this journey is also desperately necessary, a chance for an accidental family to accept, understand or at least find their way through overwhelming times. From interwoven memories and scenes from the past, we learn much more about them: how Min got so sick, why Cherkis left home, why Hattie went to Paris, and what made Thebes and Logan who they are today.In this completely captivating book, Miriam Toews has created some of the most engaging characters in Canadian literature: Hattie, Logan and Thebes are bewildered, hopeful, angry, and most of all, absolutely alive. Full of richly skewed, richly funny detail, The Flying Troutmans is a uniquely affecting novel.

    As the hottest summer in fifteen years unfolds and bills pile up, Alice is torn between dreams of escaping the loneliness of her duty-filled life and a longing to help her father mend their family and the ranch.To make ends meet, the Winstons board the pampered horses of rich neighbors, and for the first time Alice confronts the power and security that class and wealth provide. As her family and their well-being become intertwined with the lives of their clients, Alice is drawn into an adult world of secrets and hard truths, and soon discovers that people -- including herself -- can be cruel, can lie and cheat, and every once in a while, can do something heartbreaking and selfless. Ultimately, Alice and her family must weather a devastating betrayal and a shocking, violent series of events that will test their love and prove the power of forgiveness.A wise and astonishing novel about the different guises of love and the often steep tolls on the road to adulthood, The God of Animals is a haunting, unforgettable debut.

    She abruptly vanishes.In snowy Pittsburgh, her American translator Emma hears the news and, against the wishes of her boyfriend and Beatriz's two grown children, flies immediately to Brazil. There, in the sticky, sugary heat of Rio, Emma and her author's children conspire to solve the mystery of Yagoda's curious disappearance and staunch the colorful demands of her various outstanding affairs: the rapacious loan shark with a zeal for severing body parts, and the washed-up and disillusioned editor who launched Yagoda's career years earlier.

    It has been translated into sixteen languages, made into a prize-winning motion picture, and staged as a play at high schools all over the United States; its very title has become part of the American idiom.Never before has a novel so compellingly laid bare the inner workings of a metropolitan high school. Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents--anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.

    The excitement began the moment "The Fourth State of Matter," one of the fourteen extraordinary personal narratives in this book, appeared in the pages of The New Yorker. It increased when the author received a prestigious Whiting Foundation Award in November 1997, & it continued as the hardcover edition of The Boys of My Youth sold out its first printing even before publication. The author writes with perfect pitch as she takes us through one woman's life -- from childhood to marriage & beyond -- & memorably captures the collision of youthful longing & the hard intransigences of time & fate.

    At age two, Laura Bridgman lost four of her five senses to scarlet fever. At age seven, she was taken to Perkins Institute in Boston to determine if a child so terribly afflicted could be taught. At age twelve, Charles Dickens declared her his prime interest for visiting America. And by age twenty, she was considered the nineteenth century's second most famous woman, having mastered language and charmed the world with her brilliance. Not since The Diving Bell and the Butterfly has a book proven so profoundly moving in illuminating the challenges of living in a completely unique inner world.With Laura—by turns mischievous, temperamental, and witty—as the book's primary narrator, the fascinating kaleidoscope of characters includes the founder of Perkins Institute, Samuel Gridley Howe, with whom she was in love; his wife, the glamorous Julia Ward Howe, a renowned writer, abolitionist, and suffragist; Laura's beloved teacher, who married a missionary and died insane from syphilis; an Irish orphan with whom Laura had a tumultuous affair; Annie Sullivan; and even the young Helen Keller.Deeply enthralling and rich with lyricism, WHAT IS VISIBLE chronicles the breathtaking experiment that Laura Bridgman embodied and its links to the great social, philosophical, theological, and educational changes rocking Victorian America. Given Laura's worldwide fame in the nineteenth century, it is astonishing that she has been virtually erased from history. WHAT IS VISIBLE will set the record straight.

    I'm not blaming it on President Kennedy's assassination or its being the beginning of the sixties or the Vietnam War or The Beatles. The trouble I'm talking about was my first real trouble, the age-old trouble. The getting in trouble as in Is she in trouble? trouble. As in pregnant. As in the girl who got pregnant in high school. Beverly Ann Donofrio wasn't bad because she hung out with hoods - she was bad because she was a hood.