The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

    Sunday’s only comfort is writing stories, although what she writes has a terrible tendency to come true.When Sunday meets an enchanted frog who asks about her stories, the two become friends. Soon that friendship deepens into something magical. One night Sunday kisses her frog goodbye and leaves, not realizing that her love has transformed him back into Rumbold, the crown prince of Arilland—and a man Sunday’s family despises.The prince returns to his castle, intent on making Sunday fall in love with him as the man he is, not the frog he was. But Sunday is not so easy to woo. How can she feel such a strange, strong attraction for this prince she barely knows? And what twisted secrets lie hidden in his past—and hers?

    In nineteenth-century England, a powerful sorcerer and King of the Goblins chooses Kate, the elder of two orphan girls recently arrived at their ancestral home, Hallow Hill, to become his bride and queen...

    Yet when he's struck ill, she'll do anything to survive, even donning boys' clothes and begging a commission to sew for the king. Piecing together a fine coat is far simpler than unknotting court gossip about an army of giants led by a man who cannot be defeated. And they're marching toward Reggen to seize the throne. But Saville knows giants are just stories, and no man is immortal.Then she meets them, two scouts as tall as trees. She tricks them into leaving, but tales of the daring tailor's triumph quickly spin into impossible feats of giant-slaying. And mere stories won't deter the Duke and his larger-than-life army.Now only a courageous and clever tailor girl can see beyond the rumors to save the kingdom again.

    Included are The Gorgon’s Head, The Golden Touch, The Paradise of Children, The Three Golden Apples, The Miraculous Pitcher, and The Chimaera. In 1838, Hawthorne suggested to Henry Wadsworth Longfellow that they collaborate on a story for children based on the legend of the Pandora’s Box, but this never materialized. He wrote A Wonder Book between April and July 1851, adapting six legends most freely from Charles Anton’s A Classical Dictionary (1842). He set out deliberately to “modernize” the stories, freeing them from what he called “cold moonshine” and using a romantic, readable style that was criticized by adults but proved universally popular with children. With full-color illustrations throughout by Arthur Rackham.

    My bodice did not plunge as dramatically as some, and no man--no man I would ever want to meet, surely--could fit his hands round my waist. What I lacked in beauty I would simply have to earn with charm..." Benevolence is not your typical princess--and Princess Ben is certainly not your typical fairy tale. With her parents lost to assassins, Princess Ben ends up under the thumb of the conniving Queen Sophia. Starved and miserable, locked in the castle's highest tower, Ben stumbles upon a mysterious enchanted room. So begins her secret education in the magical arts: mastering an obstinate flying broomstick, furtively emptying the castle's pantries, setting her hair on fire... But Ben's private adventures are soon overwhelmed by a mortal threat to her kingdom. Can Ben save the country and herself from tyranny?

    But he's just a commoner, and no match for royalty. Heck, he lives in a cave with a troll! And now he's discovered another reason to put his love-soggy heart on ice: Queen Olympia is scheming to take over the kingdom--and she'll bump off her own daughter to do it. Can Christian foil her diabolical plans?

    But she never could have imagined that her summer would be so memorable. German prisoners of war have arrived to make their new home in the prison camp in Jenkinsville. To the rest of her town, these prisoners are only Nazis. But to Patty, a young Jewish girl with a turbulent home life, one boy in particular becomes an unlikely friend. Anton relates to Patty in ways that her mother and father never can. But when their forbidden relationship is discovered, will Patty risk her family and town for the understanding and love of one boy?

    Isadora is tired of living with crazy relatives who think she's only worthy of a passing glance—so when she gets the chance to move to California with her brother, she jumps on it. But her new life comes with plenty of its own dramatic—and dangerous—complications . . . and Isadora quickly learns there's no such thing as a clean break from family.

    Her royal family’s entertainment empire is beloved by the tabloids, all over social media, and the hottest thing on television. The biggest moneymaker? The Labyrinth Contest, a TV extravaganza in which Ariadne leads fourteen teens into a maze to kill a monster. To win means endless glory; to lose means death. In ten seasons, no one has ever won.When the gorgeous, mysterious Theseus arrives at the competition and asks Ariadne to help him to victory, she doesn’t expect to fall for him. He might be acting interested in her just to boost ratings. Their chemistry is undeniable, though, and she can help him survive. If he wins, the contest would end for good. But if she helps him, she doesn’t just endanger her family’s empire―the monster would have to die. And for Ariadne, his life might be the only one worth saving.Ariadne’s every move is watched by the public and predestined by the gods, so how can she find a way to forge her own destiny and save the people she loves?

    A popular boy has asked Jane out -- and she's never even dated before. Stan is tall and good-looking, friendly and hard-working -- everything Jane ever dreamed of. But is she ready for this? Does she have the right clothes? Will he like her?Suppose her parents won't let her go? What if she's nervous and makes a fool of herself? Maybe he'll think she's too young. If only she knew all the clever things to say. If only she were prettier. If only she were ready for this...With her usual warmth, perceptiveness, and humor, Beverly Cleary creates the joys and worries of a young girl's first crush.

    What is stargazer, skateboarder, chess champ, pepperoni pizza eater, older brother, sister hater, best friend, first kisser, science geek, control freak Will Tuppence so afraid of in this great big universe?Jerry Spinelli knows.

    She's been well treated there; no one has ever called her a slave. But that is what she is, a slave of a man who wrote the Declaration of Independence. And there are rumors that she might be more than Thomas Jefferson's slave - she might be his daughter.Now Harriet has to make a choice - to run to freedom or to stay. If she stays, she'll remain a slave. But how can she choose freedom, if it means leaving behind her family, her race, and the only home she's ever known?

    Her fate? Fall in love with the one creature even the gods fear.As she feels herself slipping closer into the arms of the prophecy, Psyche must choose between the terrifyingly tender touch she feels almost powerless to resist and the one constant she's come to expect out of life: you cannot escape what is destined.

    Her father, heartbroken at the loss of his beloved wife, could not bear to raise the child. Largely ignored, Jessica spent the first eleven years of her life running free on the family estate, cared for only by the servants. Then her father decides to remarry, bringing an end to Jessica's independence. At first her new stepmother just seems overly strict. But as Jessica grows into a beautiful young woman, it becomes clear that her stepmother is also wildly -- and murderously -- jealous of her. Jessica escapes to London. Going by the name Snow to hide from her family, she falls in love with an odd band of outcasts who accept her into their makeshift family. But when her stepmother appears in the city, repentant and seeking her forgiveness, Jessica will have to decide whom to trust...with her life.