He lives alone in a big house in Surrey, England, looked after by a chauffeur, butler, cook and housemaid. He has but one concern—his fortune in excess of 500 million pounds, and who should inherit it on his death. Past Imperfect is the story of a quest. Damian Baxter wishes to know if he has a living heir. By the time he married in his late thirties he was sterile (the result of adult mumps), but what about before that unfortunate illness? Had he sired a child? He sets himself (and others) to the task of finding his heir.

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    Set in Shropshire in the 1800s, it is alive with the many moods of Nature, benevolent and violent and the many moods -- equally benevolent and violent -- of the people making lives there. Prue Sarn is an unlikely heroine, born with a facial disfiguration which the Fates have dictated will deny her love. But Prue has strength far beyond her handicap, and this woman, suspected of witchcraft by her fellow townspeople, rises above them all through an all-encompassing sweetness of spirit. Precious Bane is also the story of Gideon, Prue's doomed brother, equally strong-willed, but with other motives. Determined to defeat the poverty of their farm, he devotes all his energies to making money. His only diversion from this ambition, he abandons her for the stronger drive of his money lust. And finally, it is the story of Kester Woodseaves, whose steady love for all created things leads him to resist people's cruelty toward nature and each other, and whose love for Prue Sarn enables him to discern her natural loveliness beneath her blighted appearance. Rebecca West, a contemporary of Mary Webb, called her, simply, "a genius," and G. K. Chesterton, another contemporary, asserted: "the light in the stories . . . is a light not shining on the things but through them." Critic Hilda Addison summed up Precious Bane: "The book opens with one of those simple sentences which haunt the mind until the curiosity has been satisfied . . . It strikes a note which never fails throughout; it opens with a beauty which is justified to the last sentence." When the book was first published in 1926 in America, the New York Times Book Review predicted: " on some bookshelves, we feel sure, Precious Bane will find almost a hallowed place."

    On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

    He immediately receives four white feathers—symbols of cowardice—one each from his three best friends and his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives.Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power.

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    As the Cazalet households prepare for their summer pilgrimage to the family estate in Sussex, readers meet Edward, in love with but by no means faithful to his wife Villy; Hugh, wounded in the Great War; Rupert, who worships his lovely child-bride Zoe; and Rachel, the spinster sister.

    On the way their ship is set upon by pirates, and the children are accidentally transferred to the pirate vessel. Jonsen, the well-meaning pirate captain, doesn't know how to dispose of his new cargo, while the children adjust with surprising ease to their new life. As this strange company drifts around the Caribbean, events turn more frightening and the pirates find themselves increasingly incriminated by the children's fates. The most shocking betrayal, however, will take place only after the return to civilization.The swift, almost hallucinatory action of Hughes's novel, together with its provocative insight into the psychology of children, made it a best seller when it was first published in 1929 and has since established it as a classic of twentieth-century literature - an unequaled exploration of the nature, and limits, of innocence.

    Modern editions use a later revised version printed in 1817 and featuring a gloss. Along with other poems in Lyrical Ballads, it was a signal shift to modern poetry and the beginning of British Romantic literature.It relates the events experienced by a mariner who has returned from a long sea voyage. The Mariner stops a man on his way to a wedding ceremony and begins to narrate a story. The Wedding-Guest's reaction turns from bemusement to impatience, fear, and fascination as the Mariner's story progresses, as can be seen in the language style: for example, the use of narrative techniques such as personification and repetition to create a sense of danger, or the supernatural, or serenity, depending on the mood each different part of the poem.

    Now one of her most endearing classics is being reissued for a new generation of readers. China Court is the story of the hours and days of a country house in Wales and five generations of the family who inhabited it.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    The two beautiful daughters of a wealthy merchant of the Channel Islands fall in love with the same man, are very diferent. Marianne, the eldest sister is brilliant, passionate, and moody, by whom William was both fascinated and repelled... And Marguerite, the younger sister is pretty, dreamy and quietly, whom William adored.The sisters had both loved him for years. He has gone abroad to seek his fortune to New Zealand. Now they were waiting for him to return from his journeys and claim his bride. But drunkenly he addresses his proposal to the wrong sister.Though the book is fiction, and the characters not portraits, it is based on fact. A stunning tale of loss and self-sacrifice, it is truly one of the most memorable love stories of the last century.

    From brutal brothel-keeper Mrs Castaway, she ascends in society. Affections of self-involved perfume magnate William Rackham soon smells like love. Her social rise attracts preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all kinds.