Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."

    On a girls' night out they meet the Great Zehilda, the tea leaf reader, and suddenly Roxie’s Fifty Shades fantasies about her millionaire boss, Ark Morgan, look about to become a reality. But then she looks through the telescope and her life is turned upside down. Roxie and Sylvie, with help from Sylvie’s flatmate, Felix, set out to crack the case. Can Ark Morgan save her or is he the man she should be running from? Then enter Sam Lockwood and her heart is shot with another arrow. Come with Roxie Brown on her hilarious crime-busting romantic adventure and discover if the love of her life is the man of her dreams or if the man she loves is her worst nightmare.

    Getting back home was the only thing that mattered to messed up, mixed race teenager, Blue (named after his stupid, googly blue eyes) - and that was the problem—home was over four hundred years in the past. But how does a lowly cadet in a military academy living in a post-apocalyptic future achieve such a goal, especially with the distractions of girls, pilot training, spacewalks and his almost constant unpopularity? The more Blue found out about this flooded, gung-ho and annoying future, about himself—who and what he was (was he even human?)—and the equally disturbing and shocking truth about his parents, the more he realised getting home was the only solution. Wasn't it?If Blue knew one thing, it was that he would at least try.WHAT READERS ARE SAYING ABOUT BLUE INTO THE RIP"An amazing read and Kev Heritage's writing is superb and unique...I definitely recommend this book to sci-fi adventure readers!" Girl In The Woods "Hands-down one of the most creative YA books I've read in a long time." - Reading For Pleasure "Fast paced, intriguing, thought provoking, character driven science fiction. I loved it." - The Written Universe "A fun, addictive read from page one." - 40 West Media "K.J.Heritage seems to understand that you don't need to go 'over the top' in order to make contact with the human heart." - The Underground Treehouse "It captivated me from the beginning and held me prisoner to the end!" - Author Alliance "This is one of those books and I was awake into the early hours reading. Young Adult time travel at its best." - A Woman's Wisdom "I was drawn in hook, line and sinker...an amazing story and a great ending." - Bookaholic Babe "A winner from the very beginning...an excellent piece of science-fiction that can be enjoyed by adults as well as teenagers."- My Writer's Cramp "The Rip? Awesome!" - Just Blogging "All the ingredients for a great scifi teen read...Highly enjoyable." - Liz Loves Books YA "Fun, heartwarming, made me want to turn the pages faster" - The Book Tart

    A journey of two strangers, the writer and the reader, filled with words of love, pain, anger and passion.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.

    Paul and Mikey are on the run, apparently from the press surrounding their house after Mikey’s release from prison. His crime – child murder, committed when he was a boy. As they travel, they move from one disturbing scenario to the next, eventually involving themselves with a bizarre religious cult. The power between the brothers begins to shift, and we realise there is more to their history than Paul has allowed us to know.

    Henryson's finest poem, and one of the rhetorical masterpieces of Scots literature, is the narrative Testament of Cresseid. Set in the aftermath of the Trojan War, the Testament completes the story of Chaucer's Troilus and Criseyde, offering a tragic account of its faithless heroine's rejection by her lover, Diomede, and of her subsequent decline into prostitution and leprosy. Written in Middle Scots, the Testament has been translated by Seamus Heaney into a confident but faithful idiom that matches the original verse form and honors the poem's unique blend of detachment and compassion.A master of high narrative, Henryson was also a comic master of the verse fable, and his burlesques of human weakness in the guise of animal wisdom are delicately pointed with irony. Seven of the Fables are here sparklingly translated by Heaney, their freshness rendered to the last claw and feather. Together, The Testament of Cresseid and Seven Fables provide a rich and wide-ranging encounter between two poets across six centuries.

    This standard edition of his poems was edited and arranged by his great friend Geoffrey Keynes. It includes a considerable number of early pieces, among them two of his longest poems, "The Pyramids" and "The Bastille".

    Ten years have passed since his father’s brutal murder and still Fleance lives in hiding in the woods of northern England—his identity cloaked, his birthright denied. With sweet, beautiful Rosie by his side, he has settled into a simple life rather than one of power and prestige. But every man has his price. For Fleance is owed great things. The witches prophesied them to his father, and his father’s ghost now demands vengeance. A callous murderer must be brought to justice and there will be no peace for Scotland—or for Fleance—until that day. Sacrificing his life with Rosie, he must steal unobserved back into his homeland to avenge the past and fulfil his father’s dying wish. The choices Fleance makes have the power to change his life, his country—and history.

    Prynne is Britain's leading late Modernist poet. His austere yet playful poetry challenges our sense of the world, not by any direct address to the reader but by showing everything in a different light, enacting slips and changes of meaning through shifting language. When his Poems was first published in 1999, it was immediately acclaimed as a landmark in modern poetry. This expanded edition includes four later collections only previously available in limited editions.

    

    It’s a book with the flow of poetry but the ebb of short stories – rightfully called “Shoetry”. This creation takes you to the roots of humanity - stripping back the veneers of life, society and interaction to see people and their ways in an entirely new light.

    An even bigger edition of the best selling poetry anthology, this time as a hardback, original format, in two colours throughout Originally published as 100 Poems on the Underground, this new tenth edition contains over 300 exceptional poems Total sales now exceed 275,000 - on a national basis, not purely London based Timeless, unpretentious and idiosyncratic collection of poetry, including many in translation and from a variety of cultures

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."