Beginning in the eleventh century and ending as late as the eighteenth, these holy wars were waged against Muslims and other enemies of the Church, enlisting generations of laymen and laywomen to fight for the sake of Christendom.Crusading features prominently in today's religio-political hostilities, yet the perceptions of these wars held by Arab nationalists, pan-Islamists, and many in the West have been deeply distorted by the language and imagery of nineteenth-century European imperialism. With this book, Jonathan Riley-Smith returns to the actual story of the Crusades, explaining why and where they were fought and how deeply their narratives and symbolism became embedded in popular Catholic thought and devotional life.From this history, Riley-Smith traces the legacy of the Crusades into modern times, specifically within the attitudes of European imperialists and colonialists and within the beliefs of twentieth-century Muslims. Europeans fashioned an interpretation of the Crusades from the writings of Walter Scott and a French contemporary, Joseph-Fran�ois Michaud. Scott portrayed Islamic societies as forward-thinking, while casting Christian crusaders as culturally backward and often morally corrupt. Michaud, in contrast, glorified crusading, and his followers used its imagery to illuminate imperial adventures.These depictions have had a profound influence on contemporary Western opinion, as well as on Muslim attitudes toward their past and present. Whether regarded as a valid expression of Christianity's divine enterprise or condemned as a weapon of empire, crusading has been a powerful rhetorical tool for centuries. In order to understand the preoccupations of Islamist jihadis and the character of Western discourse on the Middle East, Riley-Smith argues, we must understand how images of crusading were formed in the nineteenth and twentieth centuries.

    They called him in for photo opportunities. They called for comfort. They asked about death and salvation; about sin and forgiveness. At a time when the nation is increasingly split over the place of religion in public life, THE PREACHER AND THE PRESIDENTS reveals how the world's most powerful men and world's most famous evangelist, Billy Graham, knit faith and politics together.

    She visited forty states with the candidate, made more than 3,800 live television reports, listened to endless loops of Elton John’s "Tiny Dancer"—a Trump rally playlist staple.From day 1 to day 500, Tur documented Trump’s inconsistencies, fact-checked his falsities, and called him out on his lies. In return, Trump repeatedly singled out Tur. He tried to charm her, intimidate her, and shame her. At one point, he got a crowd so riled up against her, Secret Service agents had to walk her to her car.None of it worked. Facts are stubborn. So was Tur. She was part of the first women-led politics team in the history of network news. The Boys on the Bus became the Girls on the Plane--but the circus remained. Through all the long nights, wild scoops, naked chauvinism, dodgy staffers, and fevered debates, no one had a better view than Tur.Unbelievable is her darkly comic, fascinatingly bizarre, and often scary story of how America sent a former reality show host to the White House. It’s also the story of what it was like for Tur to be there as it happened, inside a no-rules world where reporters were spat on, demeaned, and discredited. Tur was a foreign correspondent who came home to her most foreign story of all.FROM THE RECIPIENT OF THE  2017 Walter Cronkite Award for Excellence in Journalism

    

    First Latin American. And a new pope who chose as his first act a simple request: please pray for me.The recent resignation of Pope Benedict XVI took the world by surprise and for good reason. More than 600 years had passed since a pope last left his post.Jorge Mario Bergoglio, now Pope Francis, is a man of prayer, a man of action, and a humble man who has always promoted others over himself. In fact, it was Bergoglio who bowed out of the running in the papal election of 2005 to facilitate the rise of Benedict XVI.However, the new pope faces a Catholic Church in crisis--a church that has lost the media pull of John Paul II and is still hounded by pedophile scandals and the filtration of documents from former papal administrations. His first year may not be an easy one, but neither this man nor the church itself has ever shied away from the challenges thrust upon them.Pope Francis is austere and simple but has vast theological training. He is a man of his time but one who also travels by subway and bus just like any other citizen. Tirelessly fighting poverty and marginalization, he is a beacon of hope for the poor, persecuted sectors of the church. Has a Catholic spring finally arrived after a very long winter?Francis is the complete biography of a humble man who has suddenly become one of the most powerful and influential men on the planet.

    The problem with these libraries is that they contain books that are generally written by professionals for their peers. Where the Hell Is God? combines the best of the professional's insights with the author's own experience and insights to speculate on how believers can make sense of their Christian faith when experiencing tragedy and suffering. Starting with a very personal story of the author's sister being left a quadriplegic from a car accident twenty years ago, Where the Hell Is God? gently leads the reader through some "take-home" messages that are sane, sound, and practical. Among these messages are: God does not directly send pain, suffering, and disease. God does not punish us; God does not send accidents to teach us things, though we can learn from them; and God does not will earthquakes, floods, droughts, or other natural disasters. This concise, accessible, and experience-based book will help people who are suffering as well as those who minister to them and their families.

    Launched amid post-partying regrets in a Milwaukee dorm room, that search takes her from the baths of Lourdes and the ruins of Auschwitz to the Oval Office and the papal palace. Along the way, she wrestles with the quintessential dilemmas of her generation: confusion over the sexual chaos of the hookup culture, tension between her dueling desires for professional success and committed love, ambivalence about marriage and motherhood, and anguish at her father's descent into dementia and her own infertility.Dissatisfied with pat answers from both secular feminists and their critics, she finds grace and inspiration from an unexpected source, spiritual friendship with six female saints: Teresa of Ávila, Thérèse of Lisieux, Faustina of Poland, Edith Stein of Germany, Mother Teresa of Calcutta, and Mary of Nazareth. Their lives and writings speak to her deepest longings, guide her through her most wrenching decisions, and lead her to rethink nearly everything she thought she knew about what it means to be a liberated woman.

    William F. Buckley, Jr., was raised a Catholic. As the world plunged into war, and as social mores changed dramatically around him, Buckley's faith -- a most essential part of his make-up -- sustained him. In Nearer, My God, Buckley examines in searching detail the meaning of his faith, and how his life has been shaped and sustained by religious conviction.In highly personal terms, and with the wit and acuity for which he is justly renowned, Buckley discusses vital issues of Catholic doctrine and practice, and in so doing outlines for the reader both the nature of CathoLic faith and the essential role of religious belief in everyday life. In powerfully felt prose, he contributes provocatively and intelligently to the national interest in the nature of religion, the Church, and spiritual development. Nearer, My God is sure to appeal to all readers who have felt the stirrings of their own religious faith, and who want confirmation of their beliefs or who are seeking a guide to understanding their own souls. The renowned social and political commentator, William F. Buckley Jr., turns to a highly personal subject -- his faith. And he tells us the story of his life as a Catholic Christian. "Nearer, My God" is the most reflective, poignant, and searching of Bill Buckley's many books. In the opening chapters he relives his childhood, a loving, funny, nostalgic glimpse into pre-World War II America and England. He speaks about his religious experiences to a world that has changed dramatically. He is unafraid of revealing the most personal side of his faith. He describes, in his distinctive style, the intimacy of a trip to Lourdes, the impact on him of the searing account by Maria Valtorta of the Crucifixion, the ordination of his nephew into the priesthood, and gives a moving account of his mother's death. And there is humor, as Buckley gives a unique, hilarious view of a visit to the Vatican with Malcolm Muggeridge, Charlton Heston, Grace Kelly, and David Niven. Personal though this book is, Buckley has gone to others to examine new perspectives, putting together his own distinguished 'Forum' and leaning on the great literature of the past to illustrate his thinking on contemporary Catholic and Christian issues.

    The problem is that no one agrees on what has gone wrong or what to do about it. Some think we have too much government, some not enough; some think we have too much capitalism, some not enough; some think we have too much sexual freedom, some not enough.But what if the problem is much more fundamental? What if the problem goes to the very foundations of who we are as human beings in relationship with God?In The First Society: The Sacrament of Matrimony and the Restoration of the Social Order, Scott Hahn makes the startling claim that our society’s ills and its cures are rooted in whether we reject or accept the divine graces made available through the Sacrament of Holy Matrimony.Man, he argues, is social in his very nature. We were created for community. As it was in the beginning, so it remains today. The family, formed through the Sacrament of Matrimony, is the most basic building block of every society—whether we like it or not. We’ve corrupted marriage, and so we have a corrupt society. If we get marriage right, our society, through God’s grace, will flourish.This is so because Matrimony, like all the sacraments, heals and elevates human nature. Without marriage, our ambitions toward a just social order will remain forever foolhardy. With it, the seemingly impossible, a truly peaceful and humane civilization, becomes possible.

    Based on years of research and interviews with imprisoned and recently released smugglers and the law enforcement agents who tracked them down, Jackpot does for marijuana smuggling what Blow and Snowblind did for the cocaine trade.

    There is only one solution to the problems we face saints! Becoming a saint is a choice, and we must begin choosing the saint within each of us. The biggest crisis of our time is not economic, health care, or vocations, but is an identity crisis. We have forgotten our mission to become saints and forgotten our story as Catholics. We must rediscover that mission and hold each other accountable to accepting responsibility for that mission. We need heroic Catholicism. Everything we need to accomplish our mission is in the Church but the Catholic Church is a sleeping giant. It is time we wake the sleeping giant! This book is a five step guide to choosing the saint within you. The world doesn't need another John Paul II or Mother Teresa. The world needs you. Your ordinary life has an extraordinary purpose.

    This book takes up the question of what these changes mean—of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith is only one human possibility among others.

    But through the transformative power of grace, he discovered the God who loved and accepted unconditionally, freeing him to ask the hard questions and delve into one of Christianity's greatest taboos: doubt. In Faith, Doubt, and Other Lines I've Crossed, Jay voices the questions that Christians are thinking but won't ask as he chronicles his doubt about God, the Bible, heaven and hell, church, society, relationships, grace, and love. In the process he encourages all of us to welcome "the other", to read the Bible differently but better, to draw together in community, and to seek an unknown God of limitless grace. Brutally honest but full of grace, Jay invites everyone to cross the line, to dig deeper, and to discover a faith that is beyond belief.

    And as Philip Jenkins argues in The New Anti-Catholicism, this virulent strain of hatred--once thought dead--is alive and well in our nation, but few people seem to notice, or care. A statement that is seen as racist, misogynistic, anti-Semitic, or homophobic can haunt a speaker for years, writes Jenkins, but it is still possible to make hostile and vituperative public statements about Roman Catholicism without fear of serious repercussions. Jenkins shines a light on anti-Catholic sentiment in American society and illuminates its causes, looking closely at gay and feminist anti-Catholicism, anti-Catholic rhetoric and imagery in the media, and the anti-Catholicism of the academic world. For newspapers and newsmagazines, for television news and in movies, for major book publishers, the Catholic Church has come to provide a grossly stereotyped public villain. Catholic opinions, doctrines, and individual leaders are frequently the butt of harsh satire. Indeed, the notion that the church is a deadly enemy of women--the idea of Catholic misogyny--is commonly accepted in the news media and in popular culture, says Jenkins. And the recent pedophile priest scandal, he shows, has revived many ancient anti-Catholic stereotypes. It was said that with the election of John F. Kennedy, anti-Catholicism in America was dead. This provocative new book corrects that illusion, drawing attention to this important issue.

    In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel—her keepers, who provide her with food and shelter and visit her regularly. She does not agree that her son is the Son of God; nor that his death was “worth it;” nor that the “group of misfits he gathered around him, men who could not look a woman in the eye,” were holy disciples. Mary judges herself ruthlessly (she did not stay at the foot of the Cross until her son died—she fled, to save herself), and is equally harsh on her judgment of others. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes, in Toibin’s searing evocation, a tragic heroine with the relentless eloquence of Electra or Medea or Antigone. This tour de force of imagination and language is a portrait so vivid and convincing that our image of Mary will be forever transformed.