Even then, the deep characters and emotional power for which he has become so well-known were apparent in his writing. Now, this story—and its sequel—are together in one volume.The Dead Don't Dance—A sleepy rural town in South Carolina. The end of summer and a baby about to be born. But in the midst of hope and celebration comes unexpected tragedy, and Dylan Styles must come to terms with both love and loss. Will the music of his heart be stilled forever—or will he choose to dance with life once more?Maggie—Life began again for Dylan Styles when his beloved wife Maggie awoke from a coma. In this poignant love story that is redolent with Southern atmosphere, Dylan and Maggie must accept their past before they can embrace their future.

    Heartbroken, Aimée tries to find him, but Henri doesn’t want to be found—and only one member of the family knows why.As Aimée seeks refuge in the art world, mentored by the Impressionist Édouard Manet, she unwittingly finds her way back to Henri. With so many years gone by and secrets buried, their eventual reunion unmasks the lies that once held the family together, but now threaten to tear them apart.A rich and opulent saga, Girl in the Afternoon brings the Impressionists to life in this portrait of scandal, fortune, and unrequited love.

    Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 masterpiece, now translated into English for the first time, was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a prescient, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

    But ghosts seem to believe in her. At least, her father’s ghost does, walking into and out of her life as casually as if he were entering and exiting a room. Una has always believed the Cavan women had the power of witches, and from the beaches of Connecticut to the bustle of New York City they’ve shared the special unbreakable bond of sisters. No man has been able to come between them…until Lily marries the “perfect” man and begins to drift away and Margo gets engaged. With another failed relationship behind her, and a thriving career as an actress ahead of her, Una wonders if she’s destined to be alone–or if there isn’t something more, something magical that life has in store for her. Then an unexpected encounter gives her the answer she’s been seeking….From the Trade Paperback edition.

    More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home. Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide. "In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

    Popularly depicted as a central part of an all-powerful "'Big Brother" Nazi totalitarian police state, its primary aim was to hunt down "the enemies of the people." Drawing on a detailed examination of previously unpublished Gestapo case files, this book relates the fascinating, vivid, and disturbing stories of a cross-section of ordinary and extraordinary people who opposed the Nazi regime. It also tells the equally disturbing stories of their friends, neighbors, and sometimes relatives drawn into the Gestapo's web of intrigue, either as informers or as staff. The book reveals, too, the cold-blooded and efficient methods of the Gestapo officers. This book argues that while it lacked the manpower and resources to spy on everyone, ultimately relying on tip-offs from the general public, the Gestapo was still a strong instrument of Nazi terror. It ruthlessly and efficiently targeted its officers against clearly defined political and racial "enemies of the people."

    The thirty-six protect us. Without them, humanity would perish. But the thirty-six do not know they are the chosen ones. In Beijing, a monk collapses in his chamber, dead. A fiery mark—a tattoo? a burn?—spreads across his back and down his spine. In Mumbai, a beloved economist, a man who served the poor, dies suddenly. His corpse reveals the same symbol. Similar deaths are reported around the world—the victims all humanitarians, all with the same death mark. In Venice, an enterprising Italian policeman links the deaths, tracing the evidence. Who is killing good people around the world? In Copenhagen, police are preparing for a world climate summit when they receive the Interpol alert. The task falls to veteran detective Niels Bentzon: Find the “good people” of Denmark and warn them. But Bentzon is a man who is trained to see the worst in humanity, not the good. One by one, people are crossed off his list. He senses their secrets and wrongdoings. Just as Bentzon is ready to give up, he meets Hannah Lund, a brilliant astrophysicist mourning the death of her son and the implosion of her marriage. With Hannah’s help, Bentzon begins to piece together the puzzle of these far-flung deaths. A pattern emerges. It is, they realize, a perfectly executed plan of murder. There have been thirty-four deaths—two more to come if the legend is true. According to the pattern, Bentzon and Hannah can predict the time and place of the final two murders. The deaths will occur in Venice and Copenhagen. And the time is now.

    It premiered in 1884, and arguably represents the high point of his career.

    . .In the heyday of the British Raj, eleven-year-old Anahita, from a noble but impoverished family, forms a lifelong friendship with the headstrong Princess Indira, the privileged daughter of Indian royalty. As the princess's official companion, Anahita accompanies her friend to England just before the outbreak of World War I. There, she meets young Donald Astbury—reluctant heir to the magnificent, remote Astbury Estate—and his scheming mother.Ninety years later, Rebecca Bradley, a young American film star, has the world at her feet. But when her turbulent relationship with her equally famous boyfriend takes an unexpected turn, she's relieved that her latest role, playing a 1920s debutante, will take her away from the glare of publicity to a distant corner of the English countryside. Shortly after filming begins at the now-crumbling Astbury Hall, Ari Malik, Anahita's great-grandson, arrives unexpectedly, on a quest for his family's past. What he and Rebecca discover begins to unravel the dark secrets that haunt the Astbury dynasty . . .A multilayered, heartbreaking tale filled with unforgettable characters caught in the sweep of history, The Midnight Rose is Lucinda Riley at her most captivating and unforgettable.

    Now self-help guru and bestselling author Alan Cohen invites you to answer that call, change your course, and enjoy the life you were meant to live. In ten compelling chapters, Cohen shows you how to stop wasting your energy on people and things that deaden you–and use it for things you love. With great humor, great examples, and exhilarating directness, Why Your Life Sucks doesn’t just spell out the ways in which you undermine your power, purpose, and creativity–it shows you how to reverse the damage. Here is an encouraging but loud-and-clear reminder that in every moment we generate our own experience by the choices we make, and that today is the best day to begin your new life.

    What really happened to this lost Romanov daughter? A new novel perfect for anyone curious about Anastasia, Maria, and the other lost Romanov daughters, by the author of THE SECRET WIFE. 1918: Pretty, vivacious Grand Duchess Maria Romanov, the nineteen-year-old daughter of the fallen Tsar Nicholas II, lives with her family in suffocating isolation, a far cry from their once-glittering royal household. Her days are a combination of endless boredom and paralyzing fear; her only respite are clandestine flirtations with a few of the guards imprisoning the family—never realizing her innocent actions could mean the difference between life and death1973: When Val Doyle hears her father’s end-of-life confession, “I didn’t want to kill her,” she’s stunned. So, she begins a search for the truth—about his words and her past. The clues she discovers are baffling—a jewel-encrusted box that won’t open and a camera with its film intact. What she finds out pulls Val into one of the world’s greatest mysteries—what truly happened to the Grand Duchess Maria?

    But that’s about to change...When the Camerons hit dire financial straits they’re forced to leave London and accept Eleanor Latimer’s offer of a rent-free cottage on her country estate. Ordinarily, such an offer is not to be sniffed at but, as Eleanor happens to be Alex’s beautiful, rich and frankly flirtatious ex, Imogen is very sniffy indeed.And with good reason. Once installed in Shepherd’s Cottage, Imogen’s life is suddenly full to bursting with surly locals, psychotic chickens, a maddening (if handsome) headmaster, mountains of manure, visits from the infuriatingly bossy vet, and Eleanor, who seems to be glued to Alex’s side.As far as Imogen’s concerned, two’s a marriage, three’s a family and this...well, this is just silly, someone’s going to have to go. The question is who?

    The boys know they will very soon be sent to join their elders, and in their final weeks of freedom they begin acting out their frustrations and fears in a series of subversive games and petty thefts. But when they attract the attention of a stranger in town—an actor with a traveling theater company—their games, and their lives, begin to move in a direction they could not have predicted and cannot control, and one that reveals them to be strangers to one another. Resisting and defying adulthood, they find themselves still subject to its baffling power even in their attempted rebellion.From the Trade Paperback edition.

    While she may be living with her father, and her acting career has taken a decidedly unexpected turn, she’s alive. And she’s intrigued by Sanji, the charming new elevator operator in her quaint Manhattan apartment building. There’s just something about the Mumbai-born, Oxford-educated, thoroughly modern elevator man that doesn’t quite add up.Sanji is dazzled by Chloe. They have so much in common: Both defiant. Both independent. Both determined to live by their own rules. But there’s one thing about Sanji that Chloe doesn’t know. Yet.However hesitant Chloe and Sanji’s burgeoning romance is—complicated by family, friends, neighbors, and the past—it also awakens them to life’s limitless possibilities.

    As night falls and she gets lost in the woods, she finds shelter in a burrow in a tree.She dreams then of fairies and other wood folk and then wakes up at her grandparents house. She learns that her mom came to claim her but while arguing with her grandfather she annoyed the bees that stung her in the eye.